Skycalling
The snow is not so weak as to be disturbed by your voice. Louder, so that the Hells tremble at the sound!Skycalling is an expression of the self that was popularised first upon the northern continent of Iskaldhal, and is now prevalent in many mountainous regions of the world. It is a means of communicating thoughts and beliefs to the gods and all who might listen in hope that should the prayer itself not reach the ears of those it is intended for, it shall at least be carried on in the thoughts of others. Skycalling is traditionally only possible on high peaks, but as cultures have adapted it for their own beliefs, it has come to take on many forms. Key among all, though, is song.
To perform skycalling is to sing, free and loud. The tune does not matter, nor the perfection of one's voice: all that matters is that the words must be sung so that the wind itself may carry them above to the great beyond.
It is traditionally a solo performance, away from witnesses who might harm the meaning of one's words, but as skycalling has wound its way into the worship of different faiths, it has taken on different meaning. Some faiths find strength and warmth in climbing peaks together to call to the skies in harmony, especially when calling for the benefit of many. Others attach specific meanings to the amount of skycallers and the way one calls, or to the rituals done prior to the performance.
Most interesting of these might be the dragons claiming the mortal tradition for themselves. It is a thing of beauty to witness a dragon land atop a towering peak and bellow a song born of their long years to the Draconic Pantheon. They are rare displays in areas mortals inhabit, given the solitude dragons prefer.
History
The manner in which one calls is personal to one's faith. Should my deity demand I scream to the skies, I will - and should yours prefer a more gentle harmony of voices, then that is what you shall perform instead.The many faiths and religions of Istralar share close, entwined histories. Though each faith has its own traditions and rituals, there are some that have spilled from one to another, and have gradually become more general. The traditional act of prayer - clasping one's hands together and silently speaking to a deity above - is perhaps best known of these multifaith ceremonies. The adoption of churches and priests, too, is considered under this umbrella of shared tradition.
Skycalling began in the peaks of Iskaldhal, though not with the dwarves who are so heavily associated with the continent. It was, at first, a human tradition begun in the mountains of what is now Myrkalla, in times before the nation's famed blood-feuds had even begun.
The exact faith - or faiths, perhaps - that gave rise to skycalling are no longer known (and as with all religious history, there is much bickering over which faith gets to claim that origin), but it stands to reason that they were likely a faith that held music in high regard. Many Myrkallan faiths still today involve music in their worship through group hymn and oral tradition.
It began to spread through Iskaldhal as exploration of the continent grew safer, a millennia past the destruction of Terra Arcana. As magic settled back into place and cultures integrated their newfound populations, there was suddenly a far greater need for land and an abundance of magical ability that could help in claiming said land.
In this culture of learning and understanding, even the shadows of war could not stop traditions from spilling across borders. Skycalling caught on here, when groups travelling through the mountains heard skycallers and asked what they were doing
From there, the tradition spread like wildfire across Iskaldhal: a wonderful way to commune with the gods, to express one's faith! A way to vent passion without harm! A manner of performance and singing that could be performed by all, restricted by none!
With international trade picking up, skycalling would gradually make its way across the seas, beginning with skycallers that saw the tall masts of a ship as an acceptable alternative to the traditional mountains. Masts became hills and roofs in areas with no mountains, as the tradition continued to evolve.
It took root best in the north of Xin-Jiyu, where Vuorenmaa wholeheartedly embraced the tradition into popular culture as a means of expression and not simply as a thing of belief.
Execution
Little is more simple than to skycall. All one needs is a voice. And preferably, a high place.Traditionally, skycalling is more involved than its more common modern interpretation. In ancient days, the first part of skycalling was the preparation for it. Ancient skycallers would dress to present oneself well to the gods, and set out to climb the most challenging peak they could manage alone. The risk, it was said, would lend credence to the importance of their words.
Once they had reached the top, or felt they needed to stop, they would perform a small ritual often involving small sacrifices of fruits or valuables to the deity they wished to speak to; these would be left atop the mountain when they left.
Once they were ready, and the words were held fast in their mind, they would aim their eyes to the heavens and sing their prayer with strong, clear words. Rain and snow could not impede them, and the greatest of skycallers would sing sagas lasting hours to even days with little pause for food or water.
In modern times, the tradition is somewhat more simple for the majority of practitioners. Now, all that is needed is to find a place of reasonable elevation such as a mountain, hill, ship's mast, or even a roof. When one has climbed up (often with assistance), they will sing. The manner of their singing depends wholly on their faith's interpretation of skycalling and their own personal comfort, but the same tether remains through ancient times to modern: the song rings out to be heard by all and sundry, with the hope of reaching the gods.
Not everyone who does skycalling is good at singing. That's not the point. Judging them for their voices is just about the worst thing you can do.
Excellent as usual! As a big fan of folk music I can recommend "white voice" which is a style of singing from the Ukraine. It's meant to travel very far and be sung in expansive areas. A favourite group that employs this is the Warsaw Village Band.
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I adore white voice! There's been a few really good white voice entries to Eurovision over the years like Shum that have introduced me to it.
welcome to my signature! check out istralar!