Lull

General Summary

If Clem looked to the left, they could see through the metallic slats of the make shift wall into the mire of Fenfield. A constant cloudy haze of sickly green gloom hung over the bog and the smell of rot clung to everything from the gnarled black trees which hung low and stretched across the deceptively deep pools of water to the bright yellow wildflowers no bigger than a thumbnail that were nauseatingly poisonous when inhaled too directly. The ground was half-submerged with purple and brown tinged foliage ravenously battling for the few patches of land which remained above the surface.

 

If Clem looked to the right, they could see the burnt-out ruins that constituted The Roc. Fancy houses which used to support a life of modern comfort were now crumbling and half blown to pieces. In the distance, they could hear the eternal conflict of a gang war which could never quite settle down. It didn’t take a trained eye to spot the wayward souls wandering through the ruins of suburbia in military gear toting insignia of whichever hill they decided was worth dying on.

 

But Clem didn’t look left or right. Instead, they kept their eyes fixed on the road ahead, where the feintest hint of a dust cloud had come into view. It was morning and the dark periwinkle sky bled to turquoise by the time it hit the horizon. The early blue light fought with the red on their body, their hair, and their clothes. The stark contrast with the land around them made Clem uncomfortable, but they drove their caravan of miscreants forward, straddling the line between swamp and combat.

 

They had only been on the road for twenty minutes, and already their companions’ minds and eyes had drifted elsewhere. Clem tore themself from the road for just a moment to confirm the half asleep, glazed over expressions of their colleagues. The enticing call of sleep had taken them, but its lure couldn’t possibly reach Clem – not when they were plugged in.

 

Driving through the pathetic excuse for a street kicked up dust from the ground and burned their eyes as they drove. The familiar metallic taste in their mouth and the texture of the wheel like dried skin propelled them onward. They attempted to take a deep breath and were promptly greeted with a sharp pain in their back. The message was clear – there was no time for relaxing. Their eyes darted downward out of reflex, confirming that the culprit preventing their respiration was the device fueling the vehicle. Shining as brightly as it did the day they first stabbed themself in, was a thick metal stake protruding from their chest.

 

It had been too long since Clem last submitted their blood to the vehicle, and the strain pushed them both forward. Even the thirsty demand of the engine after days of starvation was bearable – significantly better even, than their first go-round a few years back when they had to rip their brother’s corpse from the driver seat mere seconds before stabbing themself in. Nobody could prepare a driver to experience the entire vehicle’s lifetime as they started the engine.

 

Clem tapped the tip of the stake with their middle finger, partially for the sensation and partially for the rhythm of tapping. They thought of the far too visceral starting procedure. The icy point of a blade on their back, then the all familiar screams of a boy giving his last ounce of blood to save his sister. Sliding back through wars, wars, wars, and twisting the key in the ignition as their back hit the seat behind them – the sound of bones breaking and necks snapping, and a stutter stop before the engine roared to life.

 

The angry touch of a machine scorned was enough to break the gates which held Clem back, and all the fear and anger and grief which they held so close to their chest had nowhere to go but out. The betrayal of being given up for status. The terror of leaving home. The loss of their brother, the last family they had left, giving his life to save their skin. They couldn’t have known that the engine he fed would entangle them in a profession that might require their life as forfeit too if they weren’t careful.

 

The only reason they had agreed to do such dangerous work in the first place was to ‘serve his memory’ as their employer had pitched it to them. What a bunch of crap that was. He was gone, and Clem was still there. Their white knuckles gripped the wheel so hard they felt the entire rig might break into pieces. The pain echoed through the rest of their body as they strained against the hole in their heart too big to name.

 

And now they were here – on some god forsaken mission to steal something from someone because of a debt owed to some freak. Clem bit the inside of their mouth at such a cruel thought. He’s not ‘some freak’, they thought, you got worked up and cut yourself too deep. He saved you. They glanced at the masked man drowsily reclining in the back seat. Combined with a half-naked sniper and a drug dealer, Clem laughed in spite of themself – this was the first crowd they’d run with where they didn’t stick out.

 

A bump in the road jostled them out of their introspective haze – sending a jolt of pain up their spine. Their mind always seemed to wander as they drove, sometimes through their own memories and sometimes through the memories of those previously behind the wheel. Clem shouldered past the ache in their rib cage and refocused on the path ahead.

 

The dust cloud on the horizon grew larger. Trouble said something deep within them. A trouble that demands an answer. The anger bubbles up from their chest, gnawing at the bit and pulling at the chains. And they smile. And they grit their teeth. And they gun it forward, leaving nothing behind but soot and the faint smell of ash.

Character(s) interacted with

Report Date
25 Feb 2019
Primary Location
Secondary Location

Comments

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Mar 6, 2019 04:37

This vignette focuses primarily on telling the story of a driver as they reminisce and unwind their thoughts along path that they’re on. I find this vignette is mostly successful due to the strong descriptive hooks that immediately immerse and bring the reader into the space, continuing on by making sure that every paragraph introduces some new element to the piece. The patterns of Clems thoughts looking in the beginning helps center the attention on Clem’s perceptions of the world around them, and there is a strong sense of gory language throughout the piece that shows how senseless the topic of violence and bloodshed is in this world. My main issues lie in the fact that there are moments of singular strong language that is almost poetic that could either be pushed further in quality at points or to be made more frequent. There are powerful sentences specifically when discussing imagery of vehicles, such as “Sliding back through wars, wars, wars, and twisting the key in the ignition…” which offer a very poetic description that uses plenty of sensory imagery that I wish I could see more of, specifically wherever there are subject matters that are not directly related to vehicles- specifically in matters such as the descriptions of other characters. Weak points in imagery usually are centered around the actions, behaviors of other characters besides Clem in the story, and sentences such as “The loss of their brother, the last family they had left…” could benefit greatly by describing more of the subjects that are brought up with sensory details to add to the gory tone of the piece.

Mar 7, 2019 15:14

What needs work: In many ways I don't know. I enjoy this piece a lot because of the imagery and descriptions. Maybe more proofreading, replacement of words to stronger ones, etc. Maybe a more pivotal event or action that occurred so there's more to talk about in the story. Not much really happens and while its a great introduction to the character it doesn't really offer many choices for Clem to make so we can see how they would react(revealing more of their character).   What works well: The descriptions are so strong it's crazy. The first couple paragraphs are awesome, and just great to read. You are able to really set environments up well and make it clear to readers. The italicized words really help bring out those inner thoughts from the crazy stabbed in version of Clem and that's really cool. The ending itself is strong and fun, offering a lot of upcoming adventure.

Mar 7, 2019 16:05 by Abby Dye

So there's a lot about this story that I like and that I think could be improved. Let's start with the good.   I really love your descriptions of the world around Clem. It really sets the setting and mindset you have for them and adds a whole level of flavor that really isn’t seen in the other pieces that people wrote. There’s also this very odd poetic dichotomy to the relationship Clem has with their car/tank/thing. The impact of finding out that they just impale themself into the car to run is is such a shock and there’s almost this nurturing nature they have towards the thing that hurts them. I really think these were well done.   As far as what can be done better. I really don’t see a structure to the story here. It’s predominately description. While it’s well written, it feels like such a slog to read through. I feel like if you just split it up with dialogue or inner thoughts of Clem, it would add way more to the piece. Right now, it just kind of feels empty.   I don’t think you need to do the roll call. It seems a bit forced and they’re really not mentioned much. It reads so well without it and I wish that you would just chuck that and put in either more Clem time or put in some action in there! Something to break up the monotony that this piece can be sometimes.   Overall, it’s well written, but lacking any impact. It’s got so much potential and I feel like if you add a little arc of something, that would really make this vignette perfect.

Mar 8, 2019 04:17

Pros: The first two paragraphs set the tone and environment really well. Clem's perspective works really well and I think they're a character that's more relatable than a lot of what you'd find in the apocalypse. When you do describe how Clem is reacting to a situation, those are the highlights of the story.   Cons: I don't really like the title, I don't think it intrigues the reader and it doesn't make further sense as you read. All I got was that the characters are in a lull, which isn't very exciting. The story itself feels a little dragging, and I think it would help if there were more of a focus plot-wise. The first two paragraphs feel a bit wasted when they're shrugged off immediately on the third paragraph. Since Clem is obviously the main character you should focus more on her reactions and interactions. There also seems to be a closer relationship between her and the car–and especially considering the sacrificial aspect of it–it would be great to hear about why she still chooses to use it over any other car. You do the "role call" thing at the end of the third paragraph. It would be a lot better if we heard about them more naturally and spaced out. This might just be my own problem but referring to the main character as "they" really threw me off in a few places. Sometimes I had to stop and think for a second if 'they' was plural or singular, but I'm not sure how you would fix this issue.