Know When to Hold, Fold, and Kill a Motherfucker

General Summary

Imagine a colony of ants. Working so succinct that not only do the weak benefit from the strong, but the queen is provided the most of all.   Now imagine that you are a beetle in a colony of ants. Your pilled shape and more shelled exoskeleton ends up with you being attacked or left to starve. The ants don’t have time for you or your petty whims. They need to provide.   For everyone but you, of course.   That was my life growing up. The beetle in a haystack. The roach in your shoe. I don’t like to talk much about what my life was like, but I’ll be the first to say that Ron Dequios may sound great on skin, but once you see the real shit, you have no idea what Ron Dequios is like.   I was the great anomaly of this shithole. Mostly because people really didn’t migrate in or out besides traders that would come through. Never knew why we were allowed to stay, but apparently someone had enough sympathy to give us a thrown together pile of logs and called it our home.   I say our, but it was mostly my parent’s.   Either way, you want to know something badass I did, right? Well, I could just list it out for you, but I feel like there’s one in particular that’ll really get your gears moist.   I think it was about nine or ten years ago. I had gotten fully admitted into the workforce, given a “real job”, and was smacked on my ass as I walked into a field. That’s when I saw one of the seven most beautiful things on this scorched rock. That’s not to say that I don’t find more than seven things beautiful, but let’s just say that my heart grew 1/7 of its size that day.   There weren’t a lot of youngish people like me working out there. A lot were older men; all tanned up from years of service to the ant queen. But he was different. Hair pulled back, built like a beast. From a distance, you’d think him a statue, but he had such a warmth about him that the sun could never compete with.   And I, Madame Roxxanne, knew I wanted to have him.   Pill beetles are strange little things. They skitter around like they own the dig, but the minute you approach them, they curl up and hide. Probably to not get eaten, but when has that ever prevented a little shittling from squishing them between their chubby baby fingers?   I was dumb growing up. Sure, I learned the drug trade from my dad and how to win a heart, mind, and dick from my mom, but I wasn’t “smart”. Not like other people anyway. Not like Jerome. In the sea of cows, he was the only chocolate milk I could find. One that was still breathing, anyway.   I had my hoe in hand and when the nightmare of the “Farm Leads Expert” told us to form up, I did. Right next to Jerome. He was a whole head and a half taller than me. The dark skin of his glinting in the sun from the sweat of his brow. God, I was an idiot for staring as long as I did. Rule 1 of seducing, kids: know when to hold and when to fold.   I…folded immediately.   We worked two separate grain fields. All day and some of the night. The FLE (or as I called him, the GFY) made sure everyone was pulling their fair share, spouting some bullshit gospel about why we work the way we do or why we should always be thanking Ron. I learned to shut it out like most things. Only thing that would get me through those fields was Jerome.   I hadn’t ever met someone who actually gave a damn about me. We’d go to to the riverbanks, get high as shit, and then love each other through most nights, even some days. His laugh was like…something out of a fantasy. Compliments that would make my knees buckle. I was water in his bucket. And I never even knew.   I’m not the gushy, lovey type. Makes me puke at the thought anymore, but when you’re young, you get stupid. Stupid crazy, stupid stupid, even stupid charmed. At first, I thought it was the moon drops we were popping, but when I realized I wanted to spend my life with Jerome, I thought I was going to kill myself. Not because I hated it, but I didn’t think that was something I could feel.   Love. She is the fickle bitch.   Anyway, months went by and we worked our way to the point where we got ourselves our own home. Right on the edge of the stream. We’d work all day, fuck all night, and pretend like our lives weren’t going to hell. I was maybe seventeen at the time, but I felt like the queen mother-fucking ant. We had food! Booze! A land that was ours as far as the eye could see.   Now, sitting where you are, tell me what you think is about to go wrong?         It’s ok I’ll let you ponder while I keep going.         Like I said before, I folded my hand to Jerome and he took the pot. I never realized how true that was until one morning we got a loud bang while the day was still dark. Both of us were hungover, so I let him get it. Not like he offered, but I wasn’t going to move. Our room was on the other side of the house, only being blocked off by a curtain, so while Jerome and whoever came in were talking in whispers, I made out sounds and syllables that made me pale.   I don’t scare easily, but when you say you’re a slaver from the Pitts, I knew that there was a lot about to go wrong.   Our house was creaky as a rusty fuckbench, but I found a way to make it out our window and into what little yard we had. Then the yelling started. The sick fuck decided to lure me. Call out my name. Raise that bet. I couldn’t hesitate. I didn’t want to hesitate. I needed to save my fucking life.   We had some sheers in the back of the house we’d use for working, so I grabbed them. We had no guns, but these people did. Two of ‘em. Looked and smelled like the Pitts. One got me in the hip, leaving me in a rush of pain. Then I saw Jerome and the audacity of him to come over and pretend like he wanted to help. I stabbed one, then two, then all I was left with was some idiot I gave my chips to. We went all in and this was our last hand.   I went for center mass. Shears closed on entry, then opened to make sure what was done was done. One side snapped off and remained in the mangled chest of what remained. I wasn’t going to the Pitts. He wouldn’t take me there. Sometimes, the best way to win a game is to kill the other player before they can kill you.   What? This didn’t seem like a victory to you? Fuck you. I survived, that was my victory. Just like everyone else here. Now you want the damned drink or not?

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Report Date
21 Mar 2019
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Mar 26, 2019 14:02

The way that this vignette is told as though being recalled in a bar gives the piece flavor. Being able to break that fourth wall in a tactful way is difficult, but you’ve certainly nailed it here. The style also contributes to the rough-and-tumble nature of your character through the way they perceive this important memory of theirs. For example, the fact that they consider just surviving by any means necessary a victory at the end of the story is incredibly telling. You also start off swinging with great metaphors that easy get the point across, too - the “beetle in a haystack” really got me good. Very clever!

There were a couple of instances, both big and small, where I wish there had been a little more elaboration. The ending is a big instance. It feels very rushed and I was confused what exactly was happening. Where did this house come from, I thought the couple went to the riverbanks? When did her assailants make it outside after she had to jump out of a window? Something smaller is when she calls the FLE the GFY for short. I assume it’s something along the lines of “God, Fuck You” but that’s not made clear to the reader (nor is it an acronym you can really assume the audience will “just know”). Also, I believe you have your locations slightly mixed up. The Brights seems to be the place you’re looking for when it comes to men working the fields as slaves for a “queen”, Ron Dequois is communist and run by a man. Other than these details, I think this is a solid backstory that makes me want to know even more about your character. Well done.

Mar 27, 2019 15:33

Pros:   Fuck. Me. UP. This is a bad ass wheelin and dealin piece that made me want to go out and punch someone in the face (in a good way). God the diction the imagery the METAPHORS fucking A+ 10/10 in case you can’t tell I’m real hyped about this.   The poker game going on the entire time was perfect. It fit the theming, the character, and the badass / double crossing nature of the writing. The way you write Roxxanne is so ridiculously fun to read and I often find myself laughing and hooting and hollering when reading before calling over people not in the class to read this because my god it’s so good. You do an incredible job of writing humor, even when the events themselves aren’t funny. There is such a strong voice that rings out over anything that happens and lets you know exactly who the character is.     Cons:   I hate that you made me read the phrase ‘gets your gears moist’   Ok but for real there’s one thing:   The slaver from the Pitts bit is rushed and unclear. Was Jerome the slaver? Was he selling Roxxanne? What conversation did she overhear? I wanted this scene and the stabbing that follows way more fleshed out. I realize you’re at the 1200 word count so I might trim back the beginning bit of 4th wall story introduction in order for the ending to pack a bit more punch.

Mar 28, 2019 19:37

What worked: Where do I begin? This is probably my favorite backstory I’ve read so far. The voice of the narrator is very distinct, you added a ton of flavor to her words that makes her sound believably like the character she is. All the metaphors she uses fit with her background as a lovestruck laborer in a post apocalyptic field. For instance, phrases like: “That’ll really get your gears moist” “This scorched rock” “Built like a beast” “In the sea of cows, he was the only chocolate milk I could find” And all of the references to ant colonies and gambling were incredible.   Learning that she’s a bartender at the end is a great reveal, and one I wasn’t expecting. But it fits well with her manner of speaking and the fact that she had to change who she was to survive.     What didn’t work: I’m struggling to find points of this piece to be negative about. I think the final section describing Jerome’s betrayal was a bit confusing. I wasn’t really sure if Jerome was the slaver trying to sell Roxxanne, or if Jerome was on Roxxanne’s side trying to protect her. It felt like the piece was building up to Jerome betraying Roxxanne so I assume that’s what happened, and clearly she ended up killing him. But she also killed a bunch of nameless people, so it’s not really clear. I think it would make more sense if it was better described what Jerome had to gain from betraying her.

Mar 29, 2019 01:21 by Abigail

Things that went well: The presentation of the story being told in the bar is interesting, and lets you break the fourth wall in a way that doesn't break immersion with the story. I think it might have been a touch more readable if you'd differentiated the story itself from the narrator talking at you, but overall it was well done. I also really appreciate the straight forward tone of the piece, it really helps sell both the character and the metanarrative of being in a bar. The recurring ant metaphor does a good job of helping ground the piece together as well.   Things that could use some work: One of my biggest problems with the story is that it's incredibly unclear whether or not Jerome actually betrayed Roxanne or not. We get maybe a half a vague sentence regarding what's going on, then you're killing him and the slavers with a pair of shears. It felt like you intended to have Jerome actually be the bad guy, but it felt uncertain that Roxanne hadn't just gone crazy. Some of your language took me out of the piece as well. Things like "that’ll really get your gears moist," "(or as I called him, the GFY)," and "but let’s just say that my heart grew 1/7 of its size that day" didn't read well for me.

Apr 10, 2019 15:52

You've received a lot of great feedback on this already, so my comments will be a bit more brief. The voice here is really strong, and you establish the narrator's tone and attitude right out of the gates in a forceful, authoritative way. This is a person who has a story to tell, and I'm going to listen. I also like the framing device brought in at the very end, where this has been a bartender telling a story to a patron. I don't think we need to know the question that prompted the story, just that this was the context for the telling. (Although I would think it might be "another round" rather than just a drink. Not sure why she would tell this story to someone who hadn't spent money yet.)   As for things to work on, I agree with a lot of the comments here that suggest the ending is too rushed. On the flip side of that, not enough happens in the opening half or two-thirds of this vignette to condense the ending. I think in a couple concise paragraphs you could establish the character, her situation, and her relationship with Jerome and then get on to the good part with the encounter with the slavers. That's an actual scene, where much of the rest is exposition.   The final scene is also too ambiguous. This is the point to slow way down and describe the scene in detail. What precisely does a slaver in this world look like? What specifically does she overhear? When things go off, what is she thinking, feeling, seeing, smelling, etc.? And as others have mentioned, it's not clear what happened though I'm guessing Jerome tried to sell her out, so she took her revenge. My question is why armed slavers wouldn't have just taken the both of them.   As a more general comment, there's some mixing of metaphors here, with ants and beetles that didn't quite work for me. I'm also thinking "queen bee" is a more common phrase than "queen ant," so it all just felt slightly off. Still, there's a lot here to work with and the strong voice makes this fun to read.