Ëvoðo-Reïlýrhonid

The Ëvoðo-Reïlýrhonid is a cultural movement that seeks to align itself with the worldview, artstyles, religious beliefs, and/or identity of the Ïlýrhonid Tribe, more specifically its government. This is typically split into the Ëvoðo-Rënúb-ïlýrhonid, referring to the cultural status of the Ïlýrhonid Tribe prior to the Arfarotï, or Ëvoðo-Reïlýrhonid-Arfarotï, referring to the Ïlýrhonid culture during and after the Arfarotï period. The main difference between them are the changes made by the Žötó-Žimiara, which steered the Tribe's culture away from a mere isolationist worldview to one akin to a cautious tolerance of the the people's personal freedom, likely as a means to regain control over them. Furthermore, each subtype of Ëvoðo-Reïly'rhonid is split into Ëvoðo-Reïlýrhonid-Hývamto, that is, one that adheres to the worldview held by the government, and Evoðo-Reïlýrhonid-Žö, or one that adheres to the worldview, and most often the culture, of the people within the Tribe. For a government to follow the Ëvoðo-Reïlýrhonid typically means that it is seeking to establish or is already establishing a tight measure of control on the people and every means of their culture and well-being in the face of some overwhelming danger or conflict. Thus, most Ibrófeneðs view it not as an inherently bad worldview, since there are legitimate and/or reasonable dangers that can be fixed using such an approach.
When talking about Ëvoðo-Reïlýrhonid-Žö, the primary attributes refer mainly to the Ïlýrhonidian architectural and artistic styles in isolation, and not in the additional frame of reference regarding their connections to the government and its agenda. This is characterized by what is called the Ótaš-Ïlýrhonid, or Ïlýrhonidian style, which refers to the use of simple geometric shapes as a model for building construction and for Ótaš-Ibrófeneð, that is, the representation of the Ibrófeneð figure. It relied heavily on religious message and symbolism to provide a significance for these shapes, although later versions outside of the Ïlýrhonid Tribe usually make use of the geometric shapes without the background religious context. 
Unlike the Ëvoðo-Reïlýrhonid-Hývamto, the Ëvoðo-Reïlýrhonid-Žö did not change much during the Arfarotï; however, it did feature a gradual shift towards the combination of these geometric shapes rather than standalone figures, usually in complex forms that allowed for multiple shapes to support each other's weights simultaneously. Originally a product of the Žötó-Žimiara, the Ïlýrhonid government would use this to great effect as a last-ditch effort to restore the people's faith in them.