Thu, May 22nd 2025 02:46
Edited on Thu, May 22nd 2025 02:47
At the word 'Hero', he audibly scoffs, "I would hardly call myself a 'hero' that's simply putting on thoroughly unnecessary airs. I simply do what I must, and what my lady requires of me, as a loyal Pharasman. Though, I will again reiterate, being placed here to safeguard these bunch of peacocks is," he sighs at the very thought of it, "frankly galling for one such as myself. It would not be so bad, if at least there was something to keep me mentally occupied, but instead, I stand about watching, like a bloody statue. It is frankly, exceedingly dull, and even if I could leave my post, and admire the artwork, food, and music, it would be ruined by hearing the prattling on of these peacocks. As I said, they lack the intellect and context, to comprehend the meaning or intentions, behind these succulent delicacies."
He moves then, for Lett to follow after him, as they approach a painting. As they approach, it can be seen to depict two siblings, a beautiful brother and sister, seemingly enjoying each other's company, within a wild overgrown forest, but there seems to be something underlying it, "Take this, as an example. The signature work of Master Aetulius Varis, of Taldor. To the eye of the uneducated, it simply looks like like a lovely vista, centered on a pair of siblings, even the name itself, 'The Wolf's Children', doesn't hint directly at just what it depicts. For you see, to those who follow such things as the arts, it is imminently clear, that this was a work of divine inspiration, on Master Varis' part, as a devout Shelynite. The scene before the fallout, between Shelyn and her dearly beloved brother Dou-Bral."
At the mention of being a 'volunteer', Dewydd studies Lett, seemingly considering it, "Hmm. Truth be told, you are a bit short for my usual tastes, but I do suspect you make up for it in other areas, my dear Lett. I might just take you up on that offer, though I do warn you, unless you are capable of healing yourself," he smiles mirthfully at that, his eyes fully those of a born-predator, "You may just find yourself, with a few marks, you're incapable of removing so easily. I do have a penchant after all, for scratching my bedmates," as he says it, he slides the back side of one his claws gently, almost sensually across Lett's cheek, "And well, the less said about the biting, the better I suppose," He smiles at Lett, then his vampiric fangs fully on display as he takes in the form of his prospective partner.
He turns then, returning the painting, "I do not know how much you know of your religious studies, but in my line of work, dealing with different manners of Undead on a fairly regular basis, I find it to be, let us say, 'prudent' to keep myself abreast of the theological studies. The very vista depicted in this image, to the uneducated masses, merely looks like a thing of beauty, a loving pair of siblings discussing matters, but if one looks closer," he leans in closer to the painting his eyes lingering upon the brother, "One can see the jealousy and scorn thinly veiled upon Dou-Bral's seemingly beatific face. He loathed being outshone, by his beloved sister, no matter how he tried to hide it, and I suppose that is why he disappeared for a time."
He turns then looking down to Lett, studying him almost consideringly before asking, "Did you know that once upon a time, long long ago, the dread Prince Of Pain, went by another name? Oh yes, where once Dou-Bral, was Shelyn's closest compatriot and eternal comrade, his wanderings took him into danger. During his travels, something within the Dark Tapestry, lured him deeper in, and when it had lured poor Dou-Bral inside, it captured him, it began to torment him, and in time it began to change his very nature. Nobody truly knows just how long Dou-Bral was trapped, but his time within that infinite abyss warped him terribly, and so true tragedy came into life of The Eternal Rose."
His eyes then, return to the painting itself, seeming to admire its' very craftsmanship and meaning, "Where the nobility see a thing of beauty, those who understand the hidden truths of the world see the tragedy. We can see the hidden portents of doom within the painting itself. From the bats resting within the darkest corners of the treetop canopy, juxtaposed against the bright and beautiful songbirds residing within the light. When Dou-Bral returned, he had a new name and a new identity entirely. The Younger Sister's beloved elder brother had returned as the Prince Of Pain, Zon-Kuthon himself. This painting is not a thing of beauty, it is an immortalization of one of the greatest tragedies to befall the very gods themselves."