The Dark Faerie
Background:
Dr. Ursula Falken was born into a wealthy, aristocratic family in Heidelberg, Germany in 1906. From a young age, she was obsessed with life and death and developed a fascination with extending life through science. Falken pursued degrees in biology, chemistry, and biomedical sciences, gaining early fame for her unconventional ideas on longevity.
As the Third Reich rose to power, Falken saw an opportunity to conduct her research without ethical restraints, aligning herself with the Nazi regime. She became one of the regime’s most secretive and dangerous scientists, known for her cryogenic and biochemical experiments aimed at extending life and achieving immortality. Falken’s experiments on human subjects, including Resistance fighters and prisoners of war, made her notorious for her cruelty. Her disdain for the French Resistance grew from her belief that they were the key opposition to the Nazi regime.
During the war, Falken was based in secret labs hidden in the Black Forest, which earned her the nickname “The Faerie of the Black Forest.” After the war ended, Falken evaded capture, hiding in the shadows, continuing her experiments on herself to slow her aging and maintain her youthful appearance.
In 1957, Falken sought revenge on the Brandt family, who had supported the French Resistance and had interfered with Nazi activities. She kidnapped Aurora Brandt and subjected her to cryogenic stasis, using her as a test subject for her longevity experiments. Falken went into deeper hiding afterward, periodically reemerging to refine her immortality methods while secretly relocating her labs across the globe.
Now in her 90s, Dr. Falken appears to be a woman in her early 30s, thanks to decades of biochemical self-experimentation. She continues her quest for true immortality.
Personality:
Dr. Ursula Falken is the embodiment of cold ambition. Calculating, ruthless, and arrogant, she believes herself superior to nearly everyone, seeing life and death as scientific challenges rather than natural inevitabilities. Her intellect and cunning are her greatest assets, but her obsession with cheating death blinds her to the moral and ethical consequences of her actions. She views people as test subjects or tools, and her loyalty is only to herself and her research.
While her Nazi ideology has faded over time, her hatred for those who resisted her during the war—especially the French Resistance and the Brandt family—remains strong. She harbors deep resentment and is capable of long-term vendettas, making her a dangerous and persistent threat.
Falken hides her paranoia and fear of death behind a veneer of calm and control. She knows that her treatments are failing, and though she projects confidence, the cracks in her immortality are starting to show. Her increasing desperation to find a permanent solution to eternal life makes her even more unpredictable and willing to take drastic measures.
Despite her scientific brilliance, Falken has become increasingly isolated and detached from humanity, seeing herself as a goddess of life and death rather than a mere mortal.
Dr. Ursula Falken was born into a wealthy, aristocratic family in Heidelberg, Germany in 1906. From a young age, she was obsessed with life and death and developed a fascination with extending life through science. Falken pursued degrees in biology, chemistry, and biomedical sciences, gaining early fame for her unconventional ideas on longevity.
As the Third Reich rose to power, Falken saw an opportunity to conduct her research without ethical restraints, aligning herself with the Nazi regime. She became one of the regime’s most secretive and dangerous scientists, known for her cryogenic and biochemical experiments aimed at extending life and achieving immortality. Falken’s experiments on human subjects, including Resistance fighters and prisoners of war, made her notorious for her cruelty. Her disdain for the French Resistance grew from her belief that they were the key opposition to the Nazi regime.
During the war, Falken was based in secret labs hidden in the Black Forest, which earned her the nickname “The Faerie of the Black Forest.” After the war ended, Falken evaded capture, hiding in the shadows, continuing her experiments on herself to slow her aging and maintain her youthful appearance.
In 1957, Falken sought revenge on the Brandt family, who had supported the French Resistance and had interfered with Nazi activities. She kidnapped Aurora Brandt and subjected her to cryogenic stasis, using her as a test subject for her longevity experiments. Falken went into deeper hiding afterward, periodically reemerging to refine her immortality methods while secretly relocating her labs across the globe.
Now in her 90s, Dr. Falken appears to be a woman in her early 30s, thanks to decades of biochemical self-experimentation. She continues her quest for true immortality.
Personality:
Dr. Ursula Falken is the embodiment of cold ambition. Calculating, ruthless, and arrogant, she believes herself superior to nearly everyone, seeing life and death as scientific challenges rather than natural inevitabilities. Her intellect and cunning are her greatest assets, but her obsession with cheating death blinds her to the moral and ethical consequences of her actions. She views people as test subjects or tools, and her loyalty is only to herself and her research.
While her Nazi ideology has faded over time, her hatred for those who resisted her during the war—especially the French Resistance and the Brandt family—remains strong. She harbors deep resentment and is capable of long-term vendettas, making her a dangerous and persistent threat.
Falken hides her paranoia and fear of death behind a veneer of calm and control. She knows that her treatments are failing, and though she projects confidence, the cracks in her immortality are starting to show. Her increasing desperation to find a permanent solution to eternal life makes her even more unpredictable and willing to take drastic measures.
Despite her scientific brilliance, Falken has become increasingly isolated and detached from humanity, seeing herself as a goddess of life and death rather than a mere mortal.
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