Age Of Screaming Statues

Era beginning/end

The Ebokan interlopers first appeared around this time from a distant and still unknown Land Beyond, appearing first in Hamashal's west equatorial region of Cycathil. Parts of Cycathil can now be found Tawantisuyu, Shewar, Texcala, Ythill and western Ixgal. [[[ through members of a sophisticated but socially regressive civilization who enslaved and tortured lesser races for entertainment. The Ebokan warred with the Gir-Kla and the Elders indiscriminatly, primarily through the use of enslaved T'Chak and Cthar populations. The Ebokan prefer to live primarily underground and are thought to have lived somewhere beneath Tawantisuyu. The Ebokan were known to be powerful necromancers and fleshwarpers, notorious for their 'living statues' designed for the edification of the Ebokan royals. Such creations are brought to life through rituals which are well documented in vast subterranean galleries of unsettling reliefs believed to have been carved at the height of the Ebokan reign.

Culture: Cycathil (Cycathid), Ugan-Krt, Absulan (Strig), Shoduria (Shoduri), Bothmakal Cycle: Timeline: Now Archaea: None Interregnum: Shattering Approximate Depth: 1500M   LOCALES: The Undying Galleries, The Shard Fields   HISTORY   The Ebokan interlopers first appeared around this time from a distant and still unknown Land Beyond, appearing first in Hamashal's west equatorial region of Cycathil. Parts of Cycathil can now be found Tawantisuyu, Shewar, Texcala, Ythill and western Ixgal.   [[[ through members of a sophisticated but socially regressive civilization who enslaved and tortured lesser races for entertainment. The Ebokan warred with the Gir-Kla and the Elders indiscriminatly, primarily through the use of enslaved T'Chak and Cthar populations. The Ebokan prefer to live primarily underground and are thought to have lived somewhere beneath Tawantisuyu. The Ebokan were known to be powerful necromancers and fleshwarpers, notorious for their 'living statues' designed for the edification of the Ebokan royals. Such creations are brought to life through rituals which are well documented in vast subterranean galleries of unsettling reliefs believed to have been carved at the height of the Ebokan reign.   GEOGRAPHY   Additional information required.   RELICS AND REMAINS   Pieces of the subterranean galleries known as the 'Ebokan Shards' would take on various levels of significance throughout later cycles, informing the schools of Transformation and Animation. Even modern versions of the rituals rely heavily on Ebokan sources. During the Great War, many of the Ebokan Shards would be broken apart and repurposed as weapons. While the method of manufacture is unclear, the resulting weapons are said to have been incredibly sharp and resilient. It is said that many of the creations of the Ebokan live on in the Undying Galleries even after all this time, fed by the foul wellspring of magic which still permeates this place. It is said that after a war with the Gir-Kla threatened to wipe the Ebokan out, they summoned the creature which destroyed their own world to lay waste to all of Geron.