DUR-CAEN

The Still Pool · Dur-Anen · Vel'thuris

"Every account I have received of Vel'thuris begins with the sound of the falls. None has begun with the pool. I do not know whether this reflects the pool's lesser significance, or its greater — whether the elves begin with the falls because the falls are obvious, and leave the pool for those who have been in the haven long enough to find it. I suspect the latter. I note it."
— G.C.P.S.A., Descriptio Aethermarchae, 1199 A.P.

Dur-Caen is the wide pool at the base of Vel'ura where the waterfall's energy arrives and is absorbed. It is the central feature of Dur-Anen and the foundation of that district's contemplative tradition — the still water in which the falls' constant motion comes to rest, and in which fourteen centuries of elf practice has found a different quality of attention from what the falls themselves provide. Where the falls demand active engagement, the pool invites sustained reception. The practitioners of Dur-Anen have been receiving what the pool holds for over a thousand years. The pool has been absorbing the new note in the falls for a century. Its practitioners do not know the note exists.

Purpose / Function

The pool serves as the primary site of Dur-Anen's contemplative practice and as the source of the river that supplies the haven's downstream water requirements. The practitioner tradition centred on the pool involves a specific form of attention directed at still water — the observation of the pool's surface, the quality of reflection it produces, and the relationship between the falling water's energy and the pool's absorption of it. This tradition has developed into one of the more documented practices within the haven, not because it is more significant than the Seren-Vel tradition but because the pool's character is easier for elf sources to describe in terms that can survive translation into Roman categories.

Design

The pool is wide and deep, formed in the natural basin at the base of the falls over centuries of water action. Its surface area is sufficient that the falls arrive at one end and the river departs at the other with a substantial body of still water between — still meaning unmoving except at the margins where the falls' energy reaches it, which practitioners describe as a continuous negotiation between the arriving energy and the pool's absorption of it. The platforms that Dur-Anen's practitioners have grown above the pool's surface extend across approximately a third of its area, providing positions from which the pool's full extent and its reflection of sky and canopy can be observed simultaneously.

Sensory & Appearance

The pool's surface, when undisturbed by wind or the falls' arrival at its margin, reflects the canopy above with a fidelity that sources describe as unsettling until one is accustomed to it — the sensation of looking at the forest from below rather than within it. The sound of the falls is present here but transformed: having travelled the distance from the falls to the pool and been partially absorbed by the water, it arrives at Dur-Caen's contemplative platforms as something lower and more resonant than the falls' own sound, as though the pool has processed it into a different register. The new note, which is audible in Seren-Vel and faintly in Ithil-Caen, is inaudible here. The pool has been absorbing it for a century without its practitioners' knowledge.

Special Properties

The pool's depth and composition dampen the frequency that Rift XIII generates, filtering the new note out of the falls' sound before it reaches the pool's surface. This is a geological property of the basin rather than a deliberate feature, but its effect is to protect the Dur-Anen practitioners from information that the Seren-Vel practitioners are slowly developing. The pool's reflective surface has an additional property that practitioners have documented over centuries of observation: it reflects the canopy with an accuracy that exceeds what the physics of reflection should produce, as though the water is showing something slightly different from what is directly above it. Whether this is a property of the forest-god's presence in the water or an optical phenomenon with a natural explanation has not been determined by any practitioner who has studied it.

Architecture

The pool itself has no architecture. The grown platforms above it are the only constructed element associated with the site: broad low structures extending from the pool's bank over the water on root-grown supports, designed to put practitioners as close to the pool's surface as possible while remaining above it. The platforms have the weathered quality of structures that have been over water for a long time — the grown wood here carries the moisture of the pool's surface into its grain in a way that has, over centuries, produced a distinctive colour and texture. Practitioners describe the platforms as feeling different from the walkways of the upper districts: heavier, more settled, as though the water below has something to say about what grows above it.

Alternative Names
Lacus Quietus (Roman cartographic)
Type
Shrine
Parent Location


Cover image: by Mike Clement and Midjourney
This article has no secrets.

Comments

Please Login in order to comment!