Kobito (ko̞ bitō)
Xiǎorén, Jisinjog (dwarven) - The Earth Spirit Tribe
”’To be as diligent as the Kobito’ is an aphorism as ancient as the xian themselves. It is a proverb that has its basis in an old human folk tale which stipulates that the kobito were the first among the kunitsugami to become mortal. Yet, so engrossed were they in their various tasks that when the mantle of mortality fell over them, it went completely unnoticed and the sturdy earth spirits continue to go about their work to this day.”
- Sage, Tong Zhao-zi
Basic Information
Anatomy
Kobito, known among themselves as the Jisinjog (Earth Spirit Tribe), are a bipedal, warm-blooded, endoskeletal species consisting of four limbs and a single head. Physically, the kobito are shorter than the average human, only reaching heights of around five feet at their tallest. Though their frames tend to be leaner, as earth spirits given flesh, the kobito are quite dense, often weighing as much as the average adult human at only half again the size. Resembling more miniaturized humans in form, rather than being squat and wide.
Biological Traits
Kobito are shorter than the average human, and denser, weighing about the same as an average human while being half again their size. Females are typically only a couple of inches shorter than the males, but broader. Tending to be more voluptuous than the females of other species. Their skin tones tends to a pale brown to having an almost greyish cast. Generally pale, earth tones.
Their hair appears to be nearly jet black in color, but shows highlights of a dark ochre in direct sunlight. The hair is never shorn and instead allowed to grow for an individual's lifetime. With men generally wearing it bound atop their heads in a topknot or braided down the back in a queue, depending upon caste and social rank. Women tend to either let it hang loose, adopt a simple, long braid, or bind it into elaborate coiffeurs. This choice, again, depends upon caste and social rank. Eye color tends to be based on the birth-caste of the individual kobito. With metal caste having silvery, gold, copper or bronze colors, jade caste having pale colors of green, red, blue, or yellow, the crystal caste having eyes of palest gray or purple, the gem caste having eyes of the deepest reds, blues, greens, etc., and the stone caste usually having eyes of gray, brown, sometimes an ochre clay color.
Probably the oddest feature of the kobito is the fact that, as they age, their skin, especially on their shoulders and arms, begins to take on features of their caste hardening in spots to the consistency and color of iron or stone, or having bits of crystal or gem sprout up in small patches from their very flesh.
Their hair appears to be nearly jet black in color, but shows highlights of a dark ochre in direct sunlight. The hair is never shorn and instead allowed to grow for an individual's lifetime. With men generally wearing it bound atop their heads in a topknot or braided down the back in a queue, depending upon caste and social rank. Women tend to either let it hang loose, adopt a simple, long braid, or bind it into elaborate coiffeurs. This choice, again, depends upon caste and social rank. Eye color tends to be based on the birth-caste of the individual kobito. With metal caste having silvery, gold, copper or bronze colors, jade caste having pale colors of green, red, blue, or yellow, the crystal caste having eyes of palest gray or purple, the gem caste having eyes of the deepest reds, blues, greens, etc., and the stone caste usually having eyes of gray, brown, sometimes an ochre clay color.
Probably the oddest feature of the kobito is the fact that, as they age, their skin, especially on their shoulders and arms, begins to take on features of their caste hardening in spots to the consistency and color of iron or stone, or having bits of crystal or gem sprout up in small patches from their very flesh.
Genetics and Reproduction
Reproduction is accomplished between the male and female sexes of the species. Young are birthed live after a gestation period of three years.
Growth Rate & Stages
Kobito babies are born mostly helpless and completely dependent upon adult caregivers. They learn to walk within the first two years of life, go through an adolescent period of about 50 years, and reach sexual maturity between 50 - 60 years of age. Though, this can occur at a younger or older age depending on factors such as diet, parentage, or environment.
Ecology and Habitats
Kobito tend to prefer caves, underground, and mountainous areas. Surrounded by the earth, stone, and metal which ostensibly birthed their kind. In another departure from their more woodland cousins, kobito have zero qualms about shaping the environment around them to suit their needs. While, like their cousins, they take great care not to disrupt the qi flows through the earth and stone, they do cut and shape the stone, smelt the metal, to build vast, underground cities, and create great artistic and architectural marvels of stone and metal. The capital city of their domain, called the The Five Harmonious Earths, a megalithic structure composed of the Five Sacred Earths of the kobito and carved directly into five, massive columns of stone reaching from floor to ceiling of the largest cavern beneath the Iron Warrior's Mountain.
Dietary Needs and Habits
The kobito are an omnivorous species and freely consume both vegetable and animal matter.
Biological Cycle
Much like the other xian, kobito are an incredibly long-lived species. They age and mature far less quickly than humans, and are considered to have reached adulthood around the ages of 80 - 90 dependent upon social customs. Old age is considered to have been reached around 800 years, and death usually occurs between the ages of 950 - 1000. Though, again, this can happen earlier or later depending upon many factors, including diet and environment.
Additional Information
Social Structure
Socially, Kobito are organized into large clans, comprised of one large main family with many smaller extended families to make up the whole of the clan. There are five main clans that make up the greater kobito society, with each of these individual families able to recite their lineage back all the way to the first mortal earth spirits. At least, this is the common pitch.
Each of these clans: Jade, Gem, Metal, Crystal, and Stone, correspond to the type of earth from which the clan founders were supposedly birthed, and roughly equate to the tasks that these nigh-mythical founders are said to have performed. This, in turn, led to the rise of the caste system within kobito society. Though in theory, none of the clans are any more or less important than any of the others, the Shogun of the Metal clans have led these xian for time immemorial.
As mentioned previously, kobito society is also divided up into five different castes, which, again, mirror the tasks that the clan founders performed. Due to the importance to the warrior code within the society, the Metal caste is considered to be the highest caste, very nearly divine in its stature. The next highest in the strata is the Jade caste, which holds the priests who commune with the gods and the other earth kami. The next in the line of the societal hierarchy is the Crystal caste, the keepers of knowledge and lore. Some of the greatest storytellers, lawgivers, philosophers, sages, and magi have come from the Crystal caste.
Next down is the caste of Gem. These are the artisans, craftsmen and tradesmen of the earth spirits’ society. They’ve built the greatest structures within the civilized realm - palaces, temples and fortifications. The caste on the bottom rung is called the Stone caste; it makes up the peasantry - farmers and manual laborers. They, like in most other societies, form the backbone of the earth spirit society. They farm what vegetation grows within the Iron Mountain, they herd the mountain sheep that makes up the majority of the kobito meat diet, and they hunt and trap and carve the tunnels out of the living mountains. Without them the civilization would fall.
The importance of the caste system within the earth spirit society cannot be overstated. Each of these beings believes that, like the strata of the earth and rock, everyone has their place within the world and that place is determined from the moment of birth.
While the caste system itself is as inflexible as the stone with no real hope of upward movement from one caste to another, each caste is somewhat flexible in and of itself. For example, a kobito child born to a blacksmith in the Gem caste, though he will remain for the rest ofhis life a part of that caste, he does not necessarily have to follow in his father’s footsteps and become a blacksmith. However, any real bucking of the system is severely frowned upon, and is discouraged through increasingly severe punishments according to number of infractions. The worst of these being banishment which, to the kobito mind is essentially a death sentence.
Though, as the ‘divine mandate’ of the caste system is ingrained in the minds of the earth spirits from birth, infractions of this sort are rare in the extreme. That’s not to say that it never happens, however, and these poor lost souls, commonly called Clay or casteless, can be encountered throughout the realm. Usually, at the very bottom rung of whatever society they've clung to amongst it dregs. They are often easily recognized by the short, crudely chopped hair they wear. When a kobito is banished, their hair is shorn as a symbolic representation of being cut off from their family, ancestors, and honor.
Each of these clans: Jade, Gem, Metal, Crystal, and Stone, correspond to the type of earth from which the clan founders were supposedly birthed, and roughly equate to the tasks that these nigh-mythical founders are said to have performed. This, in turn, led to the rise of the caste system within kobito society. Though in theory, none of the clans are any more or less important than any of the others, the Shogun of the Metal clans have led these xian for time immemorial.
As mentioned previously, kobito society is also divided up into five different castes, which, again, mirror the tasks that the clan founders performed. Due to the importance to the warrior code within the society, the Metal caste is considered to be the highest caste, very nearly divine in its stature. The next highest in the strata is the Jade caste, which holds the priests who commune with the gods and the other earth kami. The next in the line of the societal hierarchy is the Crystal caste, the keepers of knowledge and lore. Some of the greatest storytellers, lawgivers, philosophers, sages, and magi have come from the Crystal caste.
Next down is the caste of Gem. These are the artisans, craftsmen and tradesmen of the earth spirits’ society. They’ve built the greatest structures within the civilized realm - palaces, temples and fortifications. The caste on the bottom rung is called the Stone caste; it makes up the peasantry - farmers and manual laborers. They, like in most other societies, form the backbone of the earth spirit society. They farm what vegetation grows within the Iron Mountain, they herd the mountain sheep that makes up the majority of the kobito meat diet, and they hunt and trap and carve the tunnels out of the living mountains. Without them the civilization would fall.
The importance of the caste system within the earth spirit society cannot be overstated. Each of these beings believes that, like the strata of the earth and rock, everyone has their place within the world and that place is determined from the moment of birth.
While the caste system itself is as inflexible as the stone with no real hope of upward movement from one caste to another, each caste is somewhat flexible in and of itself. For example, a kobito child born to a blacksmith in the Gem caste, though he will remain for the rest ofhis life a part of that caste, he does not necessarily have to follow in his father’s footsteps and become a blacksmith. However, any real bucking of the system is severely frowned upon, and is discouraged through increasingly severe punishments according to number of infractions. The worst of these being banishment which, to the kobito mind is essentially a death sentence.
Though, as the ‘divine mandate’ of the caste system is ingrained in the minds of the earth spirits from birth, infractions of this sort are rare in the extreme. That’s not to say that it never happens, however, and these poor lost souls, commonly called Clay or casteless, can be encountered throughout the realm. Usually, at the very bottom rung of whatever society they've clung to amongst it dregs. They are often easily recognized by the short, crudely chopped hair they wear. When a kobito is banished, their hair is shorn as a symbolic representation of being cut off from their family, ancestors, and honor.
Facial characteristics
Kobito facial features tend to be broad and kind of flat as if crudely carved in stone, with no real chins to speak of, merely squared jaws. Though women often have softer, more refined, features.
Kobito males can, in fact, grow facial hair and often do for much the same reasons as they do not sheer their hair.
Kobito males can, in fact, grow facial hair and often do for much the same reasons as they do not sheer their hair.
Geographic Origin and Distribution
Though it is not entirely rare to see a member of the race in nearly every corner of the empire, they tend to be found primarily within their cavern homes, deep beneath the peaks of the major mountain ranges. With their ultimate homeland being beneath the Northern Pillar within the Tie Long Shan mountain range.
Average Intelligence
While the kobito, themselves, are long-lived, their learning tends to primarily be dependent upon the caste they were born into. With the most learned scholars of the race belonging to the Jade and Crystal castes.
Perception and Sensory Capabilities
Kobito have the natural ability to see the flow of qi through the earth and stone. Even that which flows through worked stone, like that of cities. Though, unlike their cousins, the elves, they cannot see the qi flows through living things. Many think it's because stone is the only thing the earth spirits care about, and they may not be too far off the mark in their assessment.
Civilization and Culture
Naming Traditions
Kobito names traditionally consist of two parts: the lineage (family) name, which is generally patrilineal, and the given name. Usage is in that order.
Family names tend to be one of the five, great clans: Geumsog, Og, Sujeong, Boseog, or Dol. Though there is no middle name per-se, many kobito do use a generational name syllable attached to the given syllable of their name. The generational name is shared by siblings and all members of the same generation within an extended family, i.e. small clan.
Married couples keep their full, individual names, with the father's surname passed down to the children.
Kobito names use real-world Korean.
Married couples keep their full, individual names, with the father's surname passed down to the children.
Kobito names use real-world Korean.
Major Organizations
The Five Great Clans are the largest organizations within kobito society. Every member of kobito society counts themselves as a member of one of the Five Clans. Even if they're a part of one of the many lesser, extended families. The Five Heads sit at the top of society, ruling all, with the very pinnacle being the Head of the Metal clan, the Cheolja (Iron General). Officially, the Cheolja is the commander-in-chief of the kobito armies, being equal with the other four Heads with each ruling over a different aspect of earth spirit life. Unofficially, the Cheolja is the true ruler of kobito society; keeping a firm grasp on the reins of power through the threat of sheer, military might.
The next largest organizations within the earth spirits' society are the various guilds. While trade guilds, per se, don't exist within the greater empire, the kobitos' own clan guilds often serve that function in practice, if not in name. Due mainly to the fact that so many members of the Boseog clan, and all of the Gem caste, are artisans in one form or another. The Boseog Clan Guilds are, in fact, the nominal face of the kobito race as a whole within the outside world. A fact which grants them a lot of nominal power within earth spirit society as a whole.
The next largest organizations within the earth spirits' society are the various guilds. While trade guilds, per se, don't exist within the greater empire, the kobitos' own clan guilds often serve that function in practice, if not in name. Due mainly to the fact that so many members of the Boseog clan, and all of the Gem caste, are artisans in one form or another. The Boseog Clan Guilds are, in fact, the nominal face of the kobito race as a whole within the outside world. A fact which grants them a lot of nominal power within earth spirit society as a whole.
Beauty Ideals
While, to much of the rest of the world, a male kobito's facial features fairly rough, like an unhewn piece of stone, to the kobito female, they are often considered "rugged." Even among the more cerebral castes, women tend to have a preference for broad, well-muscled men-folk. They look for features such as a broad, defined jaw or a prominent brow-ridge to be the definition of a more masculine face. For the men, however, because females tend to have more refined, well-sculpted features, they tend to view a softer appearance with gently curved cheekbones and jawline, along with a curvy, more voluptuous figure, to be the height of femininity.
Long hair is by no means an uncommon sight among the kobito. The length of their hair is inextricably bound up with their sense of honor and self-worth. Therefore, among all but the Clay, long hair is a ubiquitous sight. While long hair, itself, isn't a measure of status within the kobito society, the more artfully arranged hair usually is. Therefore, especially among male kobito, the more elaborate a woman's coiffure, the more attractive it is considered to be.
In this same vein, status often equals wealth and power, accordingly this often translates to what is considered to be physically attractive among either sex. Consequently, things such as the elaborate hairdos, paler skin tones, and even the more colorful eye hues, are considered to be particularly attractive to the kobito.
The other physical trait that is considered to be equally valuable among both genders is the idea of balance and symmetry within their physical forms. As a people who represent the balance between the Universal Principles of Yin and Yang, those forms which appear to be balanced, proportionate, and harmonious within each other are found to be considerably attractive.
Long hair is by no means an uncommon sight among the kobito. The length of their hair is inextricably bound up with their sense of honor and self-worth. Therefore, among all but the Clay, long hair is a ubiquitous sight. While long hair, itself, isn't a measure of status within the kobito society, the more artfully arranged hair usually is. Therefore, especially among male kobito, the more elaborate a woman's coiffure, the more attractive it is considered to be.
In this same vein, status often equals wealth and power, accordingly this often translates to what is considered to be physically attractive among either sex. Consequently, things such as the elaborate hairdos, paler skin tones, and even the more colorful eye hues, are considered to be particularly attractive to the kobito.
The other physical trait that is considered to be equally valuable among both genders is the idea of balance and symmetry within their physical forms. As a people who represent the balance between the Universal Principles of Yin and Yang, those forms which appear to be balanced, proportionate, and harmonious within each other are found to be considerably attractive.
Gender Ideals
Though, there are some generalities which can be made about the kobito race, as a whole, due to the prevalence of the Warrior's Code within their society, much of their actual ideals on gender can be broken down by caste and clan. Now, as a general rule, the ideal male of many, if not most, kobito women is a warrior who displays strength, agility, and skill in combat balanced with a rigid code of honor, wisdom, and loyalty. While, among the men it's the idea of a woman warrior, strong and graceful, and as adept with a blade as she is loyal and nurturing.
That said, those among the Jade Caste, value harmony, wisdom, and a strong, spiritual connection to the earth and those spirits within it. Those who are able to properly propitiate the spirits and maintain the balance and order between the physical and the spirit worlds are ideal.
Among the Gem Caste, an eye for detail, creativity, and graceful, well-trained hands are among the ideals for both sexes.
Within the Crystal Caste, the qualities of intelligence, curiosity, and the abilities to engage in deep learning are much-respected and considered to be ideals in both genders.
The Stone Caste tends to fall into the ideas of more traditional gender roles when it comes to males and females. Owing to the fact that much of the work of the Stone Caste tends to be much more physically demanding than that of the other castes, the ideal male is one who is strong and physically fit. One who has the vigor to keep up with demanding, physical labor for an entire day. Whereas, female Stone Caste are idealized for their nurturing qualities. Their ability to care for others, display kindness and empathy, and maintain family ties and run a household are considered to be important traits.
In all kobito, regardless of caste or gender, the ideals of honor, loyalty, and wisdom are considered to be quintessential traits to be an upstanding member of society.
That said, those among the Jade Caste, value harmony, wisdom, and a strong, spiritual connection to the earth and those spirits within it. Those who are able to properly propitiate the spirits and maintain the balance and order between the physical and the spirit worlds are ideal.
Among the Gem Caste, an eye for detail, creativity, and graceful, well-trained hands are among the ideals for both sexes.
Within the Crystal Caste, the qualities of intelligence, curiosity, and the abilities to engage in deep learning are much-respected and considered to be ideals in both genders.
The Stone Caste tends to fall into the ideas of more traditional gender roles when it comes to males and females. Owing to the fact that much of the work of the Stone Caste tends to be much more physically demanding than that of the other castes, the ideal male is one who is strong and physically fit. One who has the vigor to keep up with demanding, physical labor for an entire day. Whereas, female Stone Caste are idealized for their nurturing qualities. Their ability to care for others, display kindness and empathy, and maintain family ties and run a household are considered to be important traits.
In all kobito, regardless of caste or gender, the ideals of honor, loyalty, and wisdom are considered to be quintessential traits to be an upstanding member of society.
Courtship Ideals
As a result of the rather rigid caste system which makes up the core of kobito society, courtships are very formal affairs within the earth spirits' society.
Arranged marriages are, by and large, the predominant form of marriage within kobito society, especially among the higher castes. While arranged marriages are less common among the Stone caste, their courtship processes are no less formalized and set within rigid traditions. Courtships and marriages are expected to take place between two people of the same caste, or, possibly, between two compatible castes. Though intermarriages can happen between the three middle castes, it is strongly discouraged, and it is outright verboten for someone to marry into the Metal caste. The best an individual from one of the lower castes can hope for in regards to a potential suitor or mate from the highest caste is concubinage.
While not high in the slightest, the possibility of moving between the middle castes through marriage is still there. In these cases, the one from the lower caste is expected to pay a, probably steep, price in order to marry into the higher caste. A dowry, in the case of a bride wanting to move up, or a bride-price, in the case of a male wanting to marry a woman of a higher caste.
Whether arranged or not, the family heads (parents or elders) of the prospective couple are heavily involved in the entire affair, if not in outright control. These families will often meet each other in order to discuss the various aspects of the courtship and potential union from finances to social status to general compatibility on a personal level. In most cases, before the courtship can even officially begin, the families will participate in a horoscope ritual in order to determine astrological compatibility between the potential bride and groom. This is done by a member of the Jade caste, who also serves as a matchmaker in the case of arranged marriages.
Once everything is ok'd by the families, and they are deemed to be compatible astrologically, the formal courtship can officially begin.
Honor and respect. The cornerstones of kobito society, play no less a critical role within courtship than they do in any other aspect of the earth tribe's daily lives. Respectable behavior, the proper and polite ways of address and gestures, and adherence to the traditional forms are all aspects of the kobito courtship. While the kobito don't go so far as to veil themselves, in the way of the wood elves, the couple are always expected maintain a polite distance, dress modestly, and display the proper etiquette and courtesies at all times, especially when out in public.
All that being said, the entire point of the courtship is to test the couple's interpersonal compatibility with one another. For this reason, much like with the other xian, kobito courtships can often last up to a decade or more. During this time, the couple is closely observed to determine their compatibility based on values, shared interests, beliefs, and even life aspirations. Over the length of time, their dedication and commitment to one another is also tested and observed. If, at any point, the couple are deemed to be incompatible, whether through action or word, the courtship, and the entire union, may be called off by either party or their families.
Arranged marriages are, by and large, the predominant form of marriage within kobito society, especially among the higher castes. While arranged marriages are less common among the Stone caste, their courtship processes are no less formalized and set within rigid traditions. Courtships and marriages are expected to take place between two people of the same caste, or, possibly, between two compatible castes. Though intermarriages can happen between the three middle castes, it is strongly discouraged, and it is outright verboten for someone to marry into the Metal caste. The best an individual from one of the lower castes can hope for in regards to a potential suitor or mate from the highest caste is concubinage.
While not high in the slightest, the possibility of moving between the middle castes through marriage is still there. In these cases, the one from the lower caste is expected to pay a, probably steep, price in order to marry into the higher caste. A dowry, in the case of a bride wanting to move up, or a bride-price, in the case of a male wanting to marry a woman of a higher caste.
Whether arranged or not, the family heads (parents or elders) of the prospective couple are heavily involved in the entire affair, if not in outright control. These families will often meet each other in order to discuss the various aspects of the courtship and potential union from finances to social status to general compatibility on a personal level. In most cases, before the courtship can even officially begin, the families will participate in a horoscope ritual in order to determine astrological compatibility between the potential bride and groom. This is done by a member of the Jade caste, who also serves as a matchmaker in the case of arranged marriages.
Once everything is ok'd by the families, and they are deemed to be compatible astrologically, the formal courtship can officially begin.
Honor and respect. The cornerstones of kobito society, play no less a critical role within courtship than they do in any other aspect of the earth tribe's daily lives. Respectable behavior, the proper and polite ways of address and gestures, and adherence to the traditional forms are all aspects of the kobito courtship. While the kobito don't go so far as to veil themselves, in the way of the wood elves, the couple are always expected maintain a polite distance, dress modestly, and display the proper etiquette and courtesies at all times, especially when out in public.
All that being said, the entire point of the courtship is to test the couple's interpersonal compatibility with one another. For this reason, much like with the other xian, kobito courtships can often last up to a decade or more. During this time, the couple is closely observed to determine their compatibility based on values, shared interests, beliefs, and even life aspirations. Over the length of time, their dedication and commitment to one another is also tested and observed. If, at any point, the couple are deemed to be incompatible, whether through action or word, the courtship, and the entire union, may be called off by either party or their families.
Relationship Ideals
While it's not exactly uncommon to see multiple concubines among the members of the highest caste, within the palaces and manors of the most powerful members of a clan, loyalty and respect is still very much a part of the romantic relationships of the kobito and the vast majority of couples are expected to remain monogamous; even within an arranged marriage. Earth spirit couples are expected to treat each other with honor and respect in order to maintain harmony and balance within the household. Each person's strengths and weaknesses should complement each other and the ability to work through conflicts and maintain equilibrium is highly valued.
The idea of shared responsibility through individual roles is another core facet of kobito society made manifest within their clans and caste system. This facet also finds its way into their idealized relationship where each partner shares the responsibilities of the household and supports each other in their assigned roles. This is part of the reason why loyalty, commitment, and compatibility are tested during the courtship phase of a kobito's relationship. Without a strong foundation, even the strongest, most well-built house will collapse.
Within that same vein is the idea of effective communication between partners; which also leans heavily on the ideals of honor and respect within the society. This is considered important so as to help build that solid foundations based on dedication, loyalty, and willingness to work through any challenges together. So long as all of these qualities are met, it is thought, that any union will, indeed, be a lifelong partnership.
The idea of shared responsibility through individual roles is another core facet of kobito society made manifest within their clans and caste system. This facet also finds its way into their idealized relationship where each partner shares the responsibilities of the household and supports each other in their assigned roles. This is part of the reason why loyalty, commitment, and compatibility are tested during the courtship phase of a kobito's relationship. Without a strong foundation, even the strongest, most well-built house will collapse.
Within that same vein is the idea of effective communication between partners; which also leans heavily on the ideals of honor and respect within the society. This is considered important so as to help build that solid foundations based on dedication, loyalty, and willingness to work through any challenges together. So long as all of these qualities are met, it is thought, that any union will, indeed, be a lifelong partnership.
Major Language Groups and Dialects
Kobito speak a variation of the tongue spoken by the earth spirits called, in their tongue, Dol-eo. It is known in the major tongues of humans as either Dogo or Shihua.
(Using real-world Korean.)
(Using real-world Korean.)
Common Etiquette Rules
Musado, "Way of the Warrior" in the kobito tongue, is the code of conduct gleaned from the ancient bushi class which were predominant in the empire during the previous age. The code permeates every aspect of kobito society, some of which have been covered in greater detail earlier in the article. The greater emphasis on honor and loyalty, for instance, impacts dealings with one's clan, family, courtship, relationships, and even general etiquette.
Within the realm of etiquette, the ideals of integrity, righteousness, and self-control shape the expectations of society on the behavior of the individual. Showing the proper reverence for, and deference to, those above them in station whether that be an older sibling, parents, or especially someone of a higher caste is the backbone of proper kobito etiquette.
Like much of the rest of the empire, regardless of individual race or ethnic group, respect and politeness are the hallmarks of kobito common etiquette. The use of courteous language and the appropriate honorifics when speaking to others is absolutely paramount within the inflexible honor system of the kobito. One basic rule of kobito honorifics is to make oneself lower than the one being addressed by using "humble speech." This is done by adding a specific suffix within a sentence which effectively lowers the speaker's status in relation to the one being addressed. This is usually used in situations where someone of lower station is addressing someone of higher station or when they are speaking to someone they particularly respect. The ideas of personal and relative status are so ingrained into the kobito psyche, in fact, that the entirety of a sentence structure can be changed based upon to whom one is speaking. Sentence particles, verbs, nouns, and pronouns can be changed based upon the status of the addressee in an honorific language development called sangdae nop-imbeob or "relative honorific."
Honorifics come after the name or title of the subject being addressed:
A/-ya: A casual title used at the end of a name. It is not dependent upon gender, instead it is based upon whether the name of the individual being addressed ends in a vowel or a consonant. In the case of a consonant -a is used and in the case of a vowel, it's -ya. This honorific is only used between close friends or individuals who are familiar with each other. Using it with a stranger is considered to be extremely rude.
Ssi: This is the most commonly used honorific in the kobito language; commonly used between people of roughly equal social standing. It is used either after the full name or, if familiar, the given name of the person being addressed. It would only be used after the surname is the addresser is of higher social status, otherwise it is considered to be very rude.
Nim,-nim: This is one of the paramount forms of address within the kobito culture. It is often used as a default honorific for unfamiliar people of unknown status or those one would treat with respect such as guests, clients, or customers. It is used for people who are respected in their fields such as a highly skilled craftsman, or for people of higher status than the speaker. It is also used when referring to the gods.
Seonbae/hubae: This honorific is primarily used among the more intellectual or skilled castes of the kobito. Seonbae is used to address senior colleagues or mentors within a specific field of study or craftsmanship. While hubae is used to address one's juniors in those fields.
Gun/yang: This form of address is typically reserved for young, unmarried people or for an adult addressing a child. Gun is used for young men or boys, while yang is reserved for young women or girls.
Gwiha: Is a term often used in formal letters.
Gakha: This term is used in extremely formal occasions, usually when addressing high officials, priests, or shrine maidens.
Hapha: This terms is used exclusively for the parents of the Cheolja or the eldest child of the next-in-line.
Jeonha: This term is used to refer to the heads of the Five Clans.
Daegam: A term used for the younger children of the Cheolja.
Jeoha: This term is reserved exclusively for the eldest chld of the Cheolja, i.e. next-in-line to the Cheol Wangjwa,or Iron Seat.
Pyeha: This term is exclusively for the Cheolja.
Seongha: This term is used when referring the head priest of a major shrine.
Naeuri: Is a term commonly used by those of the Stone caste to refer to people of higher status, particularly those of the Metal caste.
The bowing etiquette within kobito society is as rigid and structured as the rest of their society. Failure to perform the right type of bow, in the correct context, is often considered to be an offense. Therefore, the art of bowing is ingrained into every kobito child from the time they're old enough to walk so that knowing the appropriate way of bowing in any social situation becomes as natural to them as breathing. The type of bow and the degree to which one bows is dependent upon the situation and the status of the individual one is bowing to. Overall, there are two major categories of bowing. They are: Jwalye (Bowing while kneeling) and Iblye (Bowing while standing). The type of bow used depends entirely upon social setting. In more informal settings, a standing bow is most often used, whereas in formal settings, the sitting bow is most often put to use.
Like most peoples of the empire, kobito bow when greeting each other. Whether stranger or friend. The bow is usually brief and slight at 15 degrees. For a friend, it is usually a simple inclination of the head. Whereas, for a stranger, it is a more formal bow from the waist. This bow is usually accompanied by a standard greeting such as a "Hello," or "Nice to meet you." This bow is called Hoeseog.
The next type of bow is the most commonly used in social situations. Especially when interacting with someone of slightly higher social status. The body is inclined from the waist at about 30 degrees and the gaze is on the floor. This bow is also used to express gratitude for something, or to apologize for a small infraction. This bow is called Gyeonglye.
The final bow is meant to show the utmost respect towards the other person. The person bowing bends forward at the waist at a steep 45 degree angle or more, depending upon the personage being bowed to. The gaze should, as above, rest firmly on the floor. The bow is used when greeting someone of significantly higher social status, expressing deep gratitude, asking for a favor, or showing deep sincerity for a large infraction. As such the bow should be held for an appropriate time to express one's deep feelings, whether respect, gratitude, or sorrow. This bow is called Choegyeonglye.
With all standing bows, the hands should remain firmly at one's sides, with the eyes on the floor. The one exception to this general rule is with the Choegyeonglye, in that the supplicant may have their hands before their breast in a prayer-like gesture while rubbing them together. This is the gesture most often used at shrines when supplicating the gods or ancestors.
The sitting bows also have three different ways of bowing, also used in much the same way as the standing bows, and with the same, general, reasons. The first one, called Yat-eun, is used in primarily informal occasions, such as visiting the house of an acquaintance or stranger of equal social standing. The bow is from the waist at a slight 30 degrees, hands slid forward along the thighs, until the fingertips touch the ground.
The second sitting bow is called Botongye and is the most commonly used seated bow in formal settings, or to show respect for someone of slightly higher station. The waist is bent until one is looking directly at the floor with hands placed flat on the ground before the face, fingertip touching, to form a triangle.
The third, and most formal seated bow, is the Jihajali. It has the same connotations as the Choegyeonglye, above. The person bows forward until their chest is touching their knees, and their forehead is on the ground between the triangle made by their hands. As above, in certain situations, the supplicant may lower their head to the floor but put their hands over their head and rubbing them together in a prayer-like gesture.
There is even a semi-formal bow to be used when presenting a gift or offering called the Sab-ib. The bow is usually fairly slight while presenting the gift with both hands. While the receiver bows just as deeply in gratitude and receives the gift with both hands.
When either meeting someone for the first time or in formal settings, it is customary for the kobito to give the appropriate bow then exchange formal introductions. Typically, this involves stating one's full name, clan, caste, and position within the hierarchical society.
Like much of the empire, giving thoughtful and meaningful gifts during special occasions and when visiting the home of another is considered to be good manners.
While table manners are fairly homogenous over much of the empire, the kobito differ in some small ways. For instance, directly blowing on hot food is considered to be impolite. It is instead considered to be good manners to take smaller bites or wait for the food to cool naturally before eating. It is considered polite to use both hands when receiving a dish from someone else and to use both hands when passing a dish to another. It is considered to be polite to completely clean your plate rather than leaving a small bit to show you're done as that's seen as a sign of wastefulness or that you'd like to be served more. At the end of a meal, it is customary to say "jal meogeotseumnida" which roughly means, "thank you for the meal," rather than the more customary "itadakimasu" or "kāi fàn" of the wider empire.
Modesty in dress is valued within the kobito culture. Avoiding clothing that is inappropriately revealing or flamboyant and dressing appropriately for the occasion is typical of kobito etiquette.
Offering and accepting assistance, particularly according to relative status, is seen as a sign of an upright character. Helping others in need and expressing gratitude for assistance is considered to be proper etiquette.
Within the realm of etiquette, the ideals of integrity, righteousness, and self-control shape the expectations of society on the behavior of the individual. Showing the proper reverence for, and deference to, those above them in station whether that be an older sibling, parents, or especially someone of a higher caste is the backbone of proper kobito etiquette.
Like much of the rest of the empire, regardless of individual race or ethnic group, respect and politeness are the hallmarks of kobito common etiquette. The use of courteous language and the appropriate honorifics when speaking to others is absolutely paramount within the inflexible honor system of the kobito. One basic rule of kobito honorifics is to make oneself lower than the one being addressed by using "humble speech." This is done by adding a specific suffix within a sentence which effectively lowers the speaker's status in relation to the one being addressed. This is usually used in situations where someone of lower station is addressing someone of higher station or when they are speaking to someone they particularly respect. The ideas of personal and relative status are so ingrained into the kobito psyche, in fact, that the entirety of a sentence structure can be changed based upon to whom one is speaking. Sentence particles, verbs, nouns, and pronouns can be changed based upon the status of the addressee in an honorific language development called sangdae nop-imbeob or "relative honorific."
Honorifics come after the name or title of the subject being addressed:
A/-ya: A casual title used at the end of a name. It is not dependent upon gender, instead it is based upon whether the name of the individual being addressed ends in a vowel or a consonant. In the case of a consonant -a is used and in the case of a vowel, it's -ya. This honorific is only used between close friends or individuals who are familiar with each other. Using it with a stranger is considered to be extremely rude.
Ssi: This is the most commonly used honorific in the kobito language; commonly used between people of roughly equal social standing. It is used either after the full name or, if familiar, the given name of the person being addressed. It would only be used after the surname is the addresser is of higher social status, otherwise it is considered to be very rude.
Nim,-nim: This is one of the paramount forms of address within the kobito culture. It is often used as a default honorific for unfamiliar people of unknown status or those one would treat with respect such as guests, clients, or customers. It is used for people who are respected in their fields such as a highly skilled craftsman, or for people of higher status than the speaker. It is also used when referring to the gods.
Seonbae/hubae: This honorific is primarily used among the more intellectual or skilled castes of the kobito. Seonbae is used to address senior colleagues or mentors within a specific field of study or craftsmanship. While hubae is used to address one's juniors in those fields.
Gun/yang: This form of address is typically reserved for young, unmarried people or for an adult addressing a child. Gun is used for young men or boys, while yang is reserved for young women or girls.
Gwiha: Is a term often used in formal letters.
Gakha: This term is used in extremely formal occasions, usually when addressing high officials, priests, or shrine maidens.
Hapha: This terms is used exclusively for the parents of the Cheolja or the eldest child of the next-in-line.
Jeonha: This term is used to refer to the heads of the Five Clans.
Daegam: A term used for the younger children of the Cheolja.
Jeoha: This term is reserved exclusively for the eldest chld of the Cheolja, i.e. next-in-line to the Cheol Wangjwa,or Iron Seat.
Pyeha: This term is exclusively for the Cheolja.
Seongha: This term is used when referring the head priest of a major shrine.
Naeuri: Is a term commonly used by those of the Stone caste to refer to people of higher status, particularly those of the Metal caste.
The bowing etiquette within kobito society is as rigid and structured as the rest of their society. Failure to perform the right type of bow, in the correct context, is often considered to be an offense. Therefore, the art of bowing is ingrained into every kobito child from the time they're old enough to walk so that knowing the appropriate way of bowing in any social situation becomes as natural to them as breathing. The type of bow and the degree to which one bows is dependent upon the situation and the status of the individual one is bowing to. Overall, there are two major categories of bowing. They are: Jwalye (Bowing while kneeling) and Iblye (Bowing while standing). The type of bow used depends entirely upon social setting. In more informal settings, a standing bow is most often used, whereas in formal settings, the sitting bow is most often put to use.
Like most peoples of the empire, kobito bow when greeting each other. Whether stranger or friend. The bow is usually brief and slight at 15 degrees. For a friend, it is usually a simple inclination of the head. Whereas, for a stranger, it is a more formal bow from the waist. This bow is usually accompanied by a standard greeting such as a "Hello," or "Nice to meet you." This bow is called Hoeseog.
The next type of bow is the most commonly used in social situations. Especially when interacting with someone of slightly higher social status. The body is inclined from the waist at about 30 degrees and the gaze is on the floor. This bow is also used to express gratitude for something, or to apologize for a small infraction. This bow is called Gyeonglye.
The final bow is meant to show the utmost respect towards the other person. The person bowing bends forward at the waist at a steep 45 degree angle or more, depending upon the personage being bowed to. The gaze should, as above, rest firmly on the floor. The bow is used when greeting someone of significantly higher social status, expressing deep gratitude, asking for a favor, or showing deep sincerity for a large infraction. As such the bow should be held for an appropriate time to express one's deep feelings, whether respect, gratitude, or sorrow. This bow is called Choegyeonglye.
With all standing bows, the hands should remain firmly at one's sides, with the eyes on the floor. The one exception to this general rule is with the Choegyeonglye, in that the supplicant may have their hands before their breast in a prayer-like gesture while rubbing them together. This is the gesture most often used at shrines when supplicating the gods or ancestors.
The sitting bows also have three different ways of bowing, also used in much the same way as the standing bows, and with the same, general, reasons. The first one, called Yat-eun, is used in primarily informal occasions, such as visiting the house of an acquaintance or stranger of equal social standing. The bow is from the waist at a slight 30 degrees, hands slid forward along the thighs, until the fingertips touch the ground.
The second sitting bow is called Botongye and is the most commonly used seated bow in formal settings, or to show respect for someone of slightly higher station. The waist is bent until one is looking directly at the floor with hands placed flat on the ground before the face, fingertip touching, to form a triangle.
The third, and most formal seated bow, is the Jihajali. It has the same connotations as the Choegyeonglye, above. The person bows forward until their chest is touching their knees, and their forehead is on the ground between the triangle made by their hands. As above, in certain situations, the supplicant may lower their head to the floor but put their hands over their head and rubbing them together in a prayer-like gesture.
There is even a semi-formal bow to be used when presenting a gift or offering called the Sab-ib. The bow is usually fairly slight while presenting the gift with both hands. While the receiver bows just as deeply in gratitude and receives the gift with both hands.
When either meeting someone for the first time or in formal settings, it is customary for the kobito to give the appropriate bow then exchange formal introductions. Typically, this involves stating one's full name, clan, caste, and position within the hierarchical society.
Like much of the empire, giving thoughtful and meaningful gifts during special occasions and when visiting the home of another is considered to be good manners.
While table manners are fairly homogenous over much of the empire, the kobito differ in some small ways. For instance, directly blowing on hot food is considered to be impolite. It is instead considered to be good manners to take smaller bites or wait for the food to cool naturally before eating. It is considered polite to use both hands when receiving a dish from someone else and to use both hands when passing a dish to another. It is considered to be polite to completely clean your plate rather than leaving a small bit to show you're done as that's seen as a sign of wastefulness or that you'd like to be served more. At the end of a meal, it is customary to say "jal meogeotseumnida" which roughly means, "thank you for the meal," rather than the more customary "itadakimasu" or "kāi fàn" of the wider empire.
Modesty in dress is valued within the kobito culture. Avoiding clothing that is inappropriately revealing or flamboyant and dressing appropriately for the occasion is typical of kobito etiquette.
Offering and accepting assistance, particularly according to relative status, is seen as a sign of an upright character. Helping others in need and expressing gratitude for assistance is considered to be proper etiquette.
Common Dress Code
The kobito are a relatively simplistic people. Though they have a rather intricate social and etiquette structure, they are often considered to be relatively blunt and simple in nature. Their clothing style tends to reflect this in its rather simple design with an especial attention to modesty. Their clothing is often of clean lines and incorporates uncluttered designs with a focus on subtle details. All of these elements come together to create a sense of elegance and refinement to the kobito dress.
For women, the basic dress includes the jeogori, a jacket of varied length, the chima, a skirt of varied length and width which is worn over an underdress. Depending upon caste and the length and cut of the fabrics, various accoutrements may be included within the basic set-up. Sometimes the dudou of their Daiyang neighbors is incorporated into the outfit when the jeogori is a bit too short to cover the usually amply-endowed kobito women's chests. Most times, however, the heoritti, a broad, rectangular band, is used for this purpose.
For men, the basic set-up is nearly exactly the same. The jeogori is still present, usually at waist length, in darker, more subdued colors. A pair of loose, ankle-length trousers called baji, cover the lower half of the body. Over the basic ensemble, a long, ankle-length jacket called a po is sometimes worn. Those of the upper classes wear hats called gat; these are woven of super-fine metallic threads and bamboo. The colors and materials usually indicate the wearer's caste and rank.
Kobito typically don't wear any foot coverings when out-of-doors as this would interfere with their ability to connect with the earth. While in their homes, or within any other building, they typically cover their feet with socks called beoseon to keep from tracking dirt or other filth into their buildings. The foot coverings also symbolize a kobito's unwillingness to fight, as connecting with the earth and rooting there is one of the first acts of a kobito preparing for battle.
The coloring, decorations, and materials of kobito clothing are typically coded according to one's social rank, caste, and even sex. Females tend to wear brighter, more eye-catching colors while men typically wear more subdued, earth tones. Clothing is often layered, especially for people who work, or even live for extended periods, on the mountain slopes, themselves. Inner clothes are generally of yellow- or red-colored fabrics for auspicious purposes.
The Metal Caste is the ruling warrior class of the kobito society. Due to the Masudo's permeation into every aspect of the earth tribe's existence, they are held in high esteem and their clothing reflects their prestigious status. The color white, the traditional color of the Metal Element, is reserved for members of this caste. Their joseogi, even the women's, are longer, generally falling to the waist, with wide, billowing sleeves, and are richly embroidered, brocade silk with tigers, four-clawed dragons, and four-pinioned phoenixes, and other symbols of status. Their chima and baji are usually of silk and the chima of women are often made wider with more fabric to give the illusion of an even curvier figure.
Accessories such as gat or binyeo hair ornaments, tend to be made of precious metals, like white gold threads, or white jade accented with gems or gold. Metal caste women tend to have the most complex and ostentatious coiffures.
The Jade and Crystal Castes, often considered to be nobility in their own rights for their priestly and mystical abilities, at least in esteem if not in rank, which reflects in their clothing allowances, as well. Their clothes are usually made of fine fabric, such as silk. They typically use pale colors for their clothing as a reflection of their caste with Jade Caste usually using pale yellows, reds, or greens even in their priestly garments. While the garments of the Crystal Caste tends to use deeper colors in purples, blues, and greys. They're also more richly decorated in holy or mystical symbols such as three-clawed dragons, cloud and crane motifs, or the Eight Trigrams to symbolize their connection to the spirit and enlightenment. The gat of these castes are usually woven of iron threads symbolizing their dedication to the Cheolja.
The Gem Caste make up the what could be considered to be the kobito middle class. The artisans, craftsmen, and even merchants make up the caste. While their clothing is often less fine than their "betters" in the higher castes, as the law forbids them from wearing fine silks, it is often no less elegant or well-made. Finely-woven linens and other cotton fabrics, ramie, and fine wool are all used in the production of their clothing. Often brilliant colors of blues, greens, reds, and yellows are used for their clothing to signify their rank and their connection to their caste. They use patterns of cranes, pine trees, and geometric patterns such as lozenges, or the "double luck" characters in their embroidery. The gat of artisans and craftsmen are made of iron thread lacquered a bright, red color, and their accessories tend to be either gem-shaped cut crystals or semi-precious stones, as true gemstones are often, ironically, out of their reach. The merchants of the Gem Caste are not allowed to wear the gat. Instead, they wear simpler hats of woven bamboo called paeraengi.
The most common fabrics used for the clothing of the Stone Caste are of cotton, hemp, or wool. All are generally of lower quality than even those used by the Gem Caste. They are simple, utilitarian, and, above-all, durable. Their clothes are often dyed in shades of gray or black or muted earth tones. The embroidery, if it exists, is usually of simple, geometric patterns. These may constitute more formal attire for shrine visits or holidays. Their hats are the same paeraengi of the Gem Caste made of woven bamboo or mountain grasses. Their ornaments and accessories are usually of wood or plain stone decorated with simple, carved symbols or sculpture, and are often quite beautiful in their simplicity.
The cut, and amount of, fabric used to make an article of clothing tends to affect its price; even in lower range fabrics such as cotton or ramie. Therefore, the jeogori, baji, and chima of the Gem and Stone castes, tend to be much more form-fitting than those of their "betters." Tighter sleeves, and a higher hem, which often barely covers the chests of the women, more streamlined skirts and pants, are commonly seen in the lower castes. While most of the older generations born into these castes stick with a more modest approach and wear garments like the heoritti, many among the younger generations have begun "bucking the system" more often and forego any extra underclothing. As a result, the exposed bottom breasts, and even stomachs of the men, are creating a bit of a immodest fashion trend among the young men and women of the bottom tiers of society.
For women, the basic dress includes the jeogori, a jacket of varied length, the chima, a skirt of varied length and width which is worn over an underdress. Depending upon caste and the length and cut of the fabrics, various accoutrements may be included within the basic set-up. Sometimes the dudou of their Daiyang neighbors is incorporated into the outfit when the jeogori is a bit too short to cover the usually amply-endowed kobito women's chests. Most times, however, the heoritti, a broad, rectangular band, is used for this purpose.
For men, the basic set-up is nearly exactly the same. The jeogori is still present, usually at waist length, in darker, more subdued colors. A pair of loose, ankle-length trousers called baji, cover the lower half of the body. Over the basic ensemble, a long, ankle-length jacket called a po is sometimes worn. Those of the upper classes wear hats called gat; these are woven of super-fine metallic threads and bamboo. The colors and materials usually indicate the wearer's caste and rank.
Kobito typically don't wear any foot coverings when out-of-doors as this would interfere with their ability to connect with the earth. While in their homes, or within any other building, they typically cover their feet with socks called beoseon to keep from tracking dirt or other filth into their buildings. The foot coverings also symbolize a kobito's unwillingness to fight, as connecting with the earth and rooting there is one of the first acts of a kobito preparing for battle.
The coloring, decorations, and materials of kobito clothing are typically coded according to one's social rank, caste, and even sex. Females tend to wear brighter, more eye-catching colors while men typically wear more subdued, earth tones. Clothing is often layered, especially for people who work, or even live for extended periods, on the mountain slopes, themselves. Inner clothes are generally of yellow- or red-colored fabrics for auspicious purposes.
The Metal Caste is the ruling warrior class of the kobito society. Due to the Masudo's permeation into every aspect of the earth tribe's existence, they are held in high esteem and their clothing reflects their prestigious status. The color white, the traditional color of the Metal Element, is reserved for members of this caste. Their joseogi, even the women's, are longer, generally falling to the waist, with wide, billowing sleeves, and are richly embroidered, brocade silk with tigers, four-clawed dragons, and four-pinioned phoenixes, and other symbols of status. Their chima and baji are usually of silk and the chima of women are often made wider with more fabric to give the illusion of an even curvier figure.
Accessories such as gat or binyeo hair ornaments, tend to be made of precious metals, like white gold threads, or white jade accented with gems or gold. Metal caste women tend to have the most complex and ostentatious coiffures.
The Jade and Crystal Castes, often considered to be nobility in their own rights for their priestly and mystical abilities, at least in esteem if not in rank, which reflects in their clothing allowances, as well. Their clothes are usually made of fine fabric, such as silk. They typically use pale colors for their clothing as a reflection of their caste with Jade Caste usually using pale yellows, reds, or greens even in their priestly garments. While the garments of the Crystal Caste tends to use deeper colors in purples, blues, and greys. They're also more richly decorated in holy or mystical symbols such as three-clawed dragons, cloud and crane motifs, or the Eight Trigrams to symbolize their connection to the spirit and enlightenment. The gat of these castes are usually woven of iron threads symbolizing their dedication to the Cheolja.
The Gem Caste make up the what could be considered to be the kobito middle class. The artisans, craftsmen, and even merchants make up the caste. While their clothing is often less fine than their "betters" in the higher castes, as the law forbids them from wearing fine silks, it is often no less elegant or well-made. Finely-woven linens and other cotton fabrics, ramie, and fine wool are all used in the production of their clothing. Often brilliant colors of blues, greens, reds, and yellows are used for their clothing to signify their rank and their connection to their caste. They use patterns of cranes, pine trees, and geometric patterns such as lozenges, or the "double luck" characters in their embroidery. The gat of artisans and craftsmen are made of iron thread lacquered a bright, red color, and their accessories tend to be either gem-shaped cut crystals or semi-precious stones, as true gemstones are often, ironically, out of their reach. The merchants of the Gem Caste are not allowed to wear the gat. Instead, they wear simpler hats of woven bamboo called paeraengi.
The most common fabrics used for the clothing of the Stone Caste are of cotton, hemp, or wool. All are generally of lower quality than even those used by the Gem Caste. They are simple, utilitarian, and, above-all, durable. Their clothes are often dyed in shades of gray or black or muted earth tones. The embroidery, if it exists, is usually of simple, geometric patterns. These may constitute more formal attire for shrine visits or holidays. Their hats are the same paeraengi of the Gem Caste made of woven bamboo or mountain grasses. Their ornaments and accessories are usually of wood or plain stone decorated with simple, carved symbols or sculpture, and are often quite beautiful in their simplicity.
The cut, and amount of, fabric used to make an article of clothing tends to affect its price; even in lower range fabrics such as cotton or ramie. Therefore, the jeogori, baji, and chima of the Gem and Stone castes, tend to be much more form-fitting than those of their "betters." Tighter sleeves, and a higher hem, which often barely covers the chests of the women, more streamlined skirts and pants, are commonly seen in the lower castes. While most of the older generations born into these castes stick with a more modest approach and wear garments like the heoritti, many among the younger generations have begun "bucking the system" more often and forego any extra underclothing. As a result, the exposed bottom breasts, and even stomachs of the men, are creating a bit of a immodest fashion trend among the young men and women of the bottom tiers of society.
Culture and Cultural Heritage
The cultural heritage of the kobito revolves around their profound connection to the earth and stone itself. They revere the mountains, caves, and the various and varied underground realms of the empire. They are sacred to the ancient earth spirits and embody not only their own connection to the earth, but their connection to their very ancestors. The rites, rituals, and prayers employed by the kobito are made to supplicate and honor these very spirits and ancestors of earth and rock.
To the kobito mindset, this connection, this nigh-mythical lineage, is most obviously embodied within their very societal structures of clan and caste systems. Systems in which every person has a place and a occupation within their society; with each layer supporting the one above it, much like the earth itself. Like in much of the rest of the empire, family trees and genealogical records are meticulously maintained by every member of kobito society.
The warrior code of Musado permeates kobito culture, particularly within the Metal Caste. Martial training and the combat arts are highly revered as essential aspects from all parts of the earth spirits' society even if a particular individual can't actually participate themselves. Martial arts schools exist throughout the kobito world which exist to train young men and woman in the way of the warrior. These schools not only teach martial arts, but the etiquette, discipline, and honor which are through to go along with them.
Kobito culture places a importance, even reverence, on the pursuits of the artisan and craftsman. The Gem Caste, of course, is particularly renowned for their mastery of various disciplines, including metalworking, stonemasonry, architecture, jewelry, stoneware, and even woodworking. Working with especially metal and stone is seen as a spiritual expression to the kobito and a means of preserving their own cultural heritage.
While bathing and hot springs are a part of nearly every culture across the length and breadth of the empire, bathing in hot springs is so prevalent within kobito culture that it can be considered to be a large part of the culture itself. Very often, in fact, hot springs and pools are a part of the temple or shrine complex itself with many of them being considered sacred and having beneficial properties tied to the god or spirit of said shrine. Hot springs, themselves, are considered to be beneficial due to the interaction of the yin energies of the water with the yang energies of the heat to encourage balance and harmony within those who use them.
Various geothermic hotspots dot the mountains where the kobito live and volcanic activity is particularly prevalent in the eastern ranges. Long ago, the earth tribe learned to tap into these spots of geothermic energy to do various thing, including heating their homes and caverns. By constructing heat wells and ventilation shafts beneath the floors of their homes, they have a cheap, efficient way of heating their homes throughout the year without the use of expensive coal or wood fires. The architectural techniques have even been used by the more enterprising humans living in the colder climes just south of the kobito home range. Though, they tend to get the same effects using coal or firewood in place of geothermic vents.
To the kobito mindset, this connection, this nigh-mythical lineage, is most obviously embodied within their very societal structures of clan and caste systems. Systems in which every person has a place and a occupation within their society; with each layer supporting the one above it, much like the earth itself. Like in much of the rest of the empire, family trees and genealogical records are meticulously maintained by every member of kobito society.
The warrior code of Musado permeates kobito culture, particularly within the Metal Caste. Martial training and the combat arts are highly revered as essential aspects from all parts of the earth spirits' society even if a particular individual can't actually participate themselves. Martial arts schools exist throughout the kobito world which exist to train young men and woman in the way of the warrior. These schools not only teach martial arts, but the etiquette, discipline, and honor which are through to go along with them.
Kobito culture places a importance, even reverence, on the pursuits of the artisan and craftsman. The Gem Caste, of course, is particularly renowned for their mastery of various disciplines, including metalworking, stonemasonry, architecture, jewelry, stoneware, and even woodworking. Working with especially metal and stone is seen as a spiritual expression to the kobito and a means of preserving their own cultural heritage.
While bathing and hot springs are a part of nearly every culture across the length and breadth of the empire, bathing in hot springs is so prevalent within kobito culture that it can be considered to be a large part of the culture itself. Very often, in fact, hot springs and pools are a part of the temple or shrine complex itself with many of them being considered sacred and having beneficial properties tied to the god or spirit of said shrine. Hot springs, themselves, are considered to be beneficial due to the interaction of the yin energies of the water with the yang energies of the heat to encourage balance and harmony within those who use them.
Various geothermic hotspots dot the mountains where the kobito live and volcanic activity is particularly prevalent in the eastern ranges. Long ago, the earth tribe learned to tap into these spots of geothermic energy to do various thing, including heating their homes and caverns. By constructing heat wells and ventilation shafts beneath the floors of their homes, they have a cheap, efficient way of heating their homes throughout the year without the use of expensive coal or wood fires. The architectural techniques have even been used by the more enterprising humans living in the colder climes just south of the kobito home range. Though, they tend to get the same effects using coal or firewood in place of geothermic vents.
Common Customs, Traditions and Rituals
There are two traditions which transcend the largely immutable and stratified caste system of kobito society. Two traditions which change very little based on one's caste or clan. These are the birth and death rites of the earth tribe. In fact, the pregnancy and birth rites of the kobito are, in many ways, much the same as their cousins of the woods and rivers, and, even, much the same as the rest of the empire due to having a shared religious core. What follows is their similarities and differences.
Upon finding out she's pregnant, the woman will go to the local shrine dedicated to pregnancy and childbirth to give thanks to the gods and ancestors and pray for the safety of the life growing within her. She will then bathe in the sacred spring located at the shrine in order to encourage balance and harmony for herself and the baby growing within her. After the first year of pregnancy, when the risk of miscarriage is lower, the couple officially announces the pregnancy to their friends and family. While the woman tends to be more careful during the year before, once the announcement is made, her overall freedoms are curtailed in order to avoid risking the pregnancy. Things like eating spicy or cold foods are now verboten. Spicy and cold foods, like raw foods, are thought to bring discomfort, or even harm, to the baby.
They are encouraged to eat more protein-heavy foods and foods like miyeokguk, which is a traditional kobito soup made of mountain sheep and the freshwater kelp found in underground lakes in a broth made from sheep bone, certain cavern stones, salt, mountain herbs, and cavern mosses. The fine balance of yin and yang energies within the soup is thought to be especially beneficial to both the mother and the baby, both during and after pregnancy.
Strenuous, physical activities are also barred to the expectant mother. Within the Metal Caste, for instance, martial activities are limited to the softer, more meditative, forms of martial art such as ba gua or tai ji. As with other cultures, pregnant women are encouraged to avoid negative emotions and stressful situations. They are also barred from attending funeral services or visiting graveyards due to the negative energies associated with death and possible harm coming to the baby.
Birthing customs among the kobito are incredibly similar to those performed by their elvish cousins. Just like with the elves, birthing chambers are constructed by earth tribe. Though the location, size, and shapes of these chambers are regulated based upon the expectant mother's caste and certain geomantic rituals conducted by the Jade Caste to determine the most propitious spots. The chamber is then constructed by the woman's family (or servants if a higher caste) in the two years between the official announcement and the expected delivery date. In the lower castes, the chamber is usually constructed deep beneath the family's home, while in the higher castes, it is usually constructed nearer to a temple dedicated to childbirth.
The chamber is always constructed in such a way as to make sure that beneficial calming and healing energies flow through, and are amplified by, the chamber itself. Much like kobito homes and temples, the interior of the chamber is often lavishly painted in brilliant colors and decorated with crystal and jade talismans symbolizing luck and joy. The chamber is lit with softly glowing crystals and iridescent mosses and carpeted in soft, cavern mosses to keep the mother and baby warm and comfortable. The birthing itself is performed much like the elvish races with midwives, female family members, and sometimes priestesses attending the joyous event. Prayers and supplications are offered to gods, spirits, and ancestors both within the chamber and without as the males pray at ancestral shrines.
After giving birth, the female is secluded in the birthing chamber for her sitting in period, called sanhujori, in the dwarven tongue. The woman's diet and activity are still heavily restricted during this period as she is expected to recover and bond with the infant. Miyeokguk and filled, glutinous rice balls continue to be a mainstay of her diet. During the sitting in phase, the new mother is cared for by female family members who support her with nourishing meals, massages, and anything else she might need. Once her sanhujori is done, she is allowed to bathe within one of the sacred, underground hot springs which are so often the centerpieces of kobito temples and shrines. Like her first bath at the hot springs during her pregnancy, this ritual bath is done to realign her internal energies, and those of her child, to encourage balance and harmony for them both.
Like the rest of the empire, the first anniversary after a child's birth is a time of great significance for the kobito. Called the doljanchi, it is a time of celebration when a whole community comes together to share food and wish for a long life and happiness for the child. One of the most significant events of the custom is the Doljabi. This is a custom where the baby is set before a table bearing several small items such as a book or brush, money, food, and a thread. Each item holds symbolic significance and which one the child picks up is said to determine their future. For instance, if they grab the food, they will never go hungry, or if they grab the thread, they will have a long life. Miyeokguk is also served on the child's first birthday and on every consecutive birthday after, in order that they be reminded of the pain and hardship their mother went through to bring them into the world.
The death rites of the kobito move along much as the rest of the empire's. Again, much like their elven cousins, the main differences lie in how the bodies of the deceased are treated after the obligatory memorial. Kobito tend to don masks for their funerary processions as well, with each person wearing a mask which correlates to their caste. This is one of those few times where not even the higher castes will put on airs above themselves and wear the funerary attire appropriate to their more base, mortal stations. It is also the one occasion those not of the Metal Caste may wear white. Masks of carved white jade, clear crystal, or cut white sapphire, opal, or topaz for the Jade, Crystal and Gem Castes, while masks of gleaming, white marble or limestone adorn the faces of Stone Caste mourners. Metal Caste, warriors who are expected to face death head-on and unflinching, wear half-masks covering the lower portions of their face made of dark, forged iron.
As previously stated, the kobito have learned to tap into geothermic hotspots for various purposes. One of those purposes is in the cremation of their dead. From the wake, the body is taken to a state crematorium usually located outside the city proper and nearer to the cemetery. Once there, the body is placed inside a man-sized crucible and sealed shut. After which, magma pumped from further beneath the ground is poured into the crucible and allowed to consumed the body before cooling. Once the crucible is cooled, it is broken open and laid on its side with the now-cooled rock open to the air where it is set upon by the family with hammers large enough to reduce the igneous rock to dust. This rock dust is taken up by the family and placed into an urn. There to sit on the family altar for the mourning period of three years before being taken to the family's gravestone and placed beneath it.
The coming-of-age rites for the kobito, like much else in their society, tend to vary slightly based upon the caste one was born into. This generally means that the ritual costume a the new adult changes into is matched with the traditional occupation of their caste. For instance, a child becoming an adult in the Metal Caste would don the adult jeogori and bija, have his hair bound up into a topknot, and then have a warrior's helmet placed upon his head. Otherwise, this ritual mirrors most of the coming-of-age ceremonies practiced by nearly all the races and ethnic groups across the empire.
Those kobito who take part in metalworking treat it as a sacred activity. They view their forges as sacred spaces, which are strung with shimenawa and shide to denote the sanctity of the space, and approach their work with reverence and a deep respect. To the point where they often incorporate ritualistic practices to ensure the quality of their work and honor the history and past masters of their craft. Before starting any piece of work, the kobito will ritually cleanse themselves and their tools, purifying them in water and salt before use. They then invoke the spirits of their ancestors who were masters of metalcraft, seeking their blessings and guidance in their work before offerings prayers to the spirits of the metal and of metalworking to seek their guidance, as well, in achieving the desired results.
While the actual forging is in process, the kobito practices a focused, meditative mindset allowing them to be in harmony with the materials they're working.
Once the project is done, prayers of thanks and gratitude are given to the ancestors and the spirits who helped to guide the smith to achieving their goals. As well, a smith's tools are always ritually cleaned and maintained as they are the essential for the work.
Similar practices are often used by Gem Caste artisans for projects and work outside of the metalsmithing occupation. Kobito, regardless of caste, tend to view their own work and occupations as a sort of sacred duty; treading in the footsteps of their ancestors and fulfilling their expectations.
The Metal season is considered to be auspicious who work with the element. The second full moon of the Metal season is especially auspicious. The day, called Gwan-wol-ui gil-il in the earth tongue, is significant because of the traditional belief that the full moon has a positive influence and enhances the quality of the metal being worked. Thus, resulting in superior craftsmanship and outcomes for the final product.
Many smiths choose to do metalwork on this night when the yin energies of the moon and the season are at their peak. For this reason, they often set up their forges and other workstations out of doors on this night to take full advantage of the moon's light. Of course, before they start their work, they give prayers and offerings such as alcohol and other favorite foods of the tanuki. Otherwise, it is much the same rituals of invocation and thanksgiving that are performed before any undertaking.
If possible, many smiths choose to wait until Gwan-wol-ui gil-il to craft any special items or significant object. They especially choose this day to craft items of spiritual or mystical significance or any other complex or complicated item. Items such as heirloom weapons, ornate armor, objects with awakened spirits, or other mystical properties are thought to benefit, and be easier to take care of, on this night.
Upon finding out she's pregnant, the woman will go to the local shrine dedicated to pregnancy and childbirth to give thanks to the gods and ancestors and pray for the safety of the life growing within her. She will then bathe in the sacred spring located at the shrine in order to encourage balance and harmony for herself and the baby growing within her. After the first year of pregnancy, when the risk of miscarriage is lower, the couple officially announces the pregnancy to their friends and family. While the woman tends to be more careful during the year before, once the announcement is made, her overall freedoms are curtailed in order to avoid risking the pregnancy. Things like eating spicy or cold foods are now verboten. Spicy and cold foods, like raw foods, are thought to bring discomfort, or even harm, to the baby.
They are encouraged to eat more protein-heavy foods and foods like miyeokguk, which is a traditional kobito soup made of mountain sheep and the freshwater kelp found in underground lakes in a broth made from sheep bone, certain cavern stones, salt, mountain herbs, and cavern mosses. The fine balance of yin and yang energies within the soup is thought to be especially beneficial to both the mother and the baby, both during and after pregnancy.
Strenuous, physical activities are also barred to the expectant mother. Within the Metal Caste, for instance, martial activities are limited to the softer, more meditative, forms of martial art such as ba gua or tai ji. As with other cultures, pregnant women are encouraged to avoid negative emotions and stressful situations. They are also barred from attending funeral services or visiting graveyards due to the negative energies associated with death and possible harm coming to the baby.
Birthing customs among the kobito are incredibly similar to those performed by their elvish cousins. Just like with the elves, birthing chambers are constructed by earth tribe. Though the location, size, and shapes of these chambers are regulated based upon the expectant mother's caste and certain geomantic rituals conducted by the Jade Caste to determine the most propitious spots. The chamber is then constructed by the woman's family (or servants if a higher caste) in the two years between the official announcement and the expected delivery date. In the lower castes, the chamber is usually constructed deep beneath the family's home, while in the higher castes, it is usually constructed nearer to a temple dedicated to childbirth.
The chamber is always constructed in such a way as to make sure that beneficial calming and healing energies flow through, and are amplified by, the chamber itself. Much like kobito homes and temples, the interior of the chamber is often lavishly painted in brilliant colors and decorated with crystal and jade talismans symbolizing luck and joy. The chamber is lit with softly glowing crystals and iridescent mosses and carpeted in soft, cavern mosses to keep the mother and baby warm and comfortable. The birthing itself is performed much like the elvish races with midwives, female family members, and sometimes priestesses attending the joyous event. Prayers and supplications are offered to gods, spirits, and ancestors both within the chamber and without as the males pray at ancestral shrines.
After giving birth, the female is secluded in the birthing chamber for her sitting in period, called sanhujori, in the dwarven tongue. The woman's diet and activity are still heavily restricted during this period as she is expected to recover and bond with the infant. Miyeokguk and filled, glutinous rice balls continue to be a mainstay of her diet. During the sitting in phase, the new mother is cared for by female family members who support her with nourishing meals, massages, and anything else she might need. Once her sanhujori is done, she is allowed to bathe within one of the sacred, underground hot springs which are so often the centerpieces of kobito temples and shrines. Like her first bath at the hot springs during her pregnancy, this ritual bath is done to realign her internal energies, and those of her child, to encourage balance and harmony for them both.
Like the rest of the empire, the first anniversary after a child's birth is a time of great significance for the kobito. Called the doljanchi, it is a time of celebration when a whole community comes together to share food and wish for a long life and happiness for the child. One of the most significant events of the custom is the Doljabi. This is a custom where the baby is set before a table bearing several small items such as a book or brush, money, food, and a thread. Each item holds symbolic significance and which one the child picks up is said to determine their future. For instance, if they grab the food, they will never go hungry, or if they grab the thread, they will have a long life. Miyeokguk is also served on the child's first birthday and on every consecutive birthday after, in order that they be reminded of the pain and hardship their mother went through to bring them into the world.
The death rites of the kobito move along much as the rest of the empire's. Again, much like their elven cousins, the main differences lie in how the bodies of the deceased are treated after the obligatory memorial. Kobito tend to don masks for their funerary processions as well, with each person wearing a mask which correlates to their caste. This is one of those few times where not even the higher castes will put on airs above themselves and wear the funerary attire appropriate to their more base, mortal stations. It is also the one occasion those not of the Metal Caste may wear white. Masks of carved white jade, clear crystal, or cut white sapphire, opal, or topaz for the Jade, Crystal and Gem Castes, while masks of gleaming, white marble or limestone adorn the faces of Stone Caste mourners. Metal Caste, warriors who are expected to face death head-on and unflinching, wear half-masks covering the lower portions of their face made of dark, forged iron.
As previously stated, the kobito have learned to tap into geothermic hotspots for various purposes. One of those purposes is in the cremation of their dead. From the wake, the body is taken to a state crematorium usually located outside the city proper and nearer to the cemetery. Once there, the body is placed inside a man-sized crucible and sealed shut. After which, magma pumped from further beneath the ground is poured into the crucible and allowed to consumed the body before cooling. Once the crucible is cooled, it is broken open and laid on its side with the now-cooled rock open to the air where it is set upon by the family with hammers large enough to reduce the igneous rock to dust. This rock dust is taken up by the family and placed into an urn. There to sit on the family altar for the mourning period of three years before being taken to the family's gravestone and placed beneath it.
The coming-of-age rites for the kobito, like much else in their society, tend to vary slightly based upon the caste one was born into. This generally means that the ritual costume a the new adult changes into is matched with the traditional occupation of their caste. For instance, a child becoming an adult in the Metal Caste would don the adult jeogori and bija, have his hair bound up into a topknot, and then have a warrior's helmet placed upon his head. Otherwise, this ritual mirrors most of the coming-of-age ceremonies practiced by nearly all the races and ethnic groups across the empire.
Those kobito who take part in metalworking treat it as a sacred activity. They view their forges as sacred spaces, which are strung with shimenawa and shide to denote the sanctity of the space, and approach their work with reverence and a deep respect. To the point where they often incorporate ritualistic practices to ensure the quality of their work and honor the history and past masters of their craft. Before starting any piece of work, the kobito will ritually cleanse themselves and their tools, purifying them in water and salt before use. They then invoke the spirits of their ancestors who were masters of metalcraft, seeking their blessings and guidance in their work before offerings prayers to the spirits of the metal and of metalworking to seek their guidance, as well, in achieving the desired results.
While the actual forging is in process, the kobito practices a focused, meditative mindset allowing them to be in harmony with the materials they're working.
Once the project is done, prayers of thanks and gratitude are given to the ancestors and the spirits who helped to guide the smith to achieving their goals. As well, a smith's tools are always ritually cleaned and maintained as they are the essential for the work.
Similar practices are often used by Gem Caste artisans for projects and work outside of the metalsmithing occupation. Kobito, regardless of caste, tend to view their own work and occupations as a sort of sacred duty; treading in the footsteps of their ancestors and fulfilling their expectations.
The Metal season is considered to be auspicious who work with the element. The second full moon of the Metal season is especially auspicious. The day, called Gwan-wol-ui gil-il in the earth tongue, is significant because of the traditional belief that the full moon has a positive influence and enhances the quality of the metal being worked. Thus, resulting in superior craftsmanship and outcomes for the final product.
Many smiths choose to do metalwork on this night when the yin energies of the moon and the season are at their peak. For this reason, they often set up their forges and other workstations out of doors on this night to take full advantage of the moon's light. Of course, before they start their work, they give prayers and offerings such as alcohol and other favorite foods of the tanuki. Otherwise, it is much the same rituals of invocation and thanksgiving that are performed before any undertaking.
If possible, many smiths choose to wait until Gwan-wol-ui gil-il to craft any special items or significant object. They especially choose this day to craft items of spiritual or mystical significance or any other complex or complicated item. Items such as heirloom weapons, ornate armor, objects with awakened spirits, or other mystical properties are thought to benefit, and be easier to take care of, on this night.
Common Taboos
The hierarchical structure and caste system within kobito society are considered foundational to their cultural order. It is generally taboo to challenge or disregard the social hierarchy, as well as to engage in behaviors that go against the expectations and roles assigned by one's caste. Straying from one's caste duties or attempting to subvert the established order is strongly discouraged. Continued subversion is met with more stringent punishments, such as being relegated to the Clay Caste.
The kobito clans and their respective protocols are an integral part of their society. It is considered taboo to intentionally break or undermine the rules and customs of one's clan. Disloyalty to the clan, betrayal of secrets, or engaging in actions that bring dishonor to the clan's reputation is met with being cast out of society and made Clay.
Trust is highly valued among the kobito, and betraying that trust is viewed as a severe breach of cultural norms. Engaging in actions such as spreading false rumors, betraying secrets, or breaking promises is generally frowned upon and can lead to social ostracization. This is usually a punishment which is meted out by severity of the trust involved. The punishment can usually be from up to a week to several months in length based on severity. Only truly heinous breaches of trust, such as breaking a sacred vow to a god, ancestor, or clan head can lead to it being a permanent loss of honor and being made Clay.
Like all of the spirit descended, the kobito hold certain natural and sacred sites in high regard. Especially hot springs. It is considered taboo to desecrate or show disrespect towards these sites, such as defacing or damaging them. These sites are seen as conduits for spiritual energy, and any harm done to them is viewed as an offense against the divine. The punishment for this is a permanent loss of honor and becoming Clay.
The kobito clans and their respective protocols are an integral part of their society. It is considered taboo to intentionally break or undermine the rules and customs of one's clan. Disloyalty to the clan, betrayal of secrets, or engaging in actions that bring dishonor to the clan's reputation is met with being cast out of society and made Clay.
Trust is highly valued among the kobito, and betraying that trust is viewed as a severe breach of cultural norms. Engaging in actions such as spreading false rumors, betraying secrets, or breaking promises is generally frowned upon and can lead to social ostracization. This is usually a punishment which is meted out by severity of the trust involved. The punishment can usually be from up to a week to several months in length based on severity. Only truly heinous breaches of trust, such as breaking a sacred vow to a god, ancestor, or clan head can lead to it being a permanent loss of honor and being made Clay.
Like all of the spirit descended, the kobito hold certain natural and sacred sites in high regard. Especially hot springs. It is considered taboo to desecrate or show disrespect towards these sites, such as defacing or damaging them. These sites are seen as conduits for spiritual energy, and any harm done to them is viewed as an offense against the divine. The punishment for this is a permanent loss of honor and becoming Clay.
History
Like most sentient, humanoid species, the kobito credit their very creation with Takami-musubi, the Life-bringer. However, the Jisinjog were originally various types of earth shen and kami inhabiting the Shinkai. At various points in the early history of the first age, known as the First Ten Thousand Years of Peace, these spirit beings gained physical form and came to live mortal lives in the physical world. Though stories and legends abound, the exact reasons for how or why are lost to the mists of time. Once in mortal forms, much like their woodland cousins, these once-spirits were given the divine mandate of keeping the world's life energy, those assorted Dragon Springs and Dragon Pools flowing deep within the world's bones, running free and pure.
These now-mortal kami spread themselves through the bones of the world, the various mountain ranges which crinkled the face of what is now the empire, in order to better be about their tasks. They congregated and built cities around these sites of power, wondrous places carved from the world's foundations to put to shame any city extant upon the surface. Though they were diligent about their task, mortal passions and mortal misunderstandings would still flare up from time to time. Particularly where it involved an exceptionally pure Dragon Pool or vein of rich earth. This time came to be known as the Clan Wars or the War of Harmony. A time of internecine infighting between the various earth tribes. Ultimately, what stopped it was not the devastation wrought, it was the very nature of the earth spirits, themselves. A people of Balance, their passions could not run rampant indefinitely. Eventually logic would come through and show the kobito the error of their ways. So, almost as if of one mind, they came together beneath the Northern Pillar to hammer out an agreement between their various clans and built a great city to commemorate the peace that was built, the Five Harmonious Earths, and built their new society using the very earthen strata as its foundation.
Through the following Ages, the kobito largely ignored the goings-on of the surface world, preferring, instead their own relegated tasks. They scoffed at the notion of joining the great war of the woodland elves, and only deigned to work with a fellow, mountain-dwelling people; an ancient, now gone, race of xiongren called the Takin. Working alongside these beastmen, the kobito began expanding their cities upwards and outwards to crawl across the very faces of the mountain peaks. Since most of these mountain-top city-structures were carved among the great mountains to the west, they have long-since been lost when the Dark God ravaged that area of the world.
Many clans and friends to the earth-spirits were lost in the cataclysm and taught the kobito a valuable lesson: to keep the hearts of their societies deep beneath the earth. Hence, though some of these ancient cities can still be seen clinging to the sheer, rock faces of the tallest mountain peaks, they have long-since been abandoned and left to the ravages of time itself. Which wears down even mountains.
These now-mortal kami spread themselves through the bones of the world, the various mountain ranges which crinkled the face of what is now the empire, in order to better be about their tasks. They congregated and built cities around these sites of power, wondrous places carved from the world's foundations to put to shame any city extant upon the surface. Though they were diligent about their task, mortal passions and mortal misunderstandings would still flare up from time to time. Particularly where it involved an exceptionally pure Dragon Pool or vein of rich earth. This time came to be known as the Clan Wars or the War of Harmony. A time of internecine infighting between the various earth tribes. Ultimately, what stopped it was not the devastation wrought, it was the very nature of the earth spirits, themselves. A people of Balance, their passions could not run rampant indefinitely. Eventually logic would come through and show the kobito the error of their ways. So, almost as if of one mind, they came together beneath the Northern Pillar to hammer out an agreement between their various clans and built a great city to commemorate the peace that was built, the Five Harmonious Earths, and built their new society using the very earthen strata as its foundation.
Through the following Ages, the kobito largely ignored the goings-on of the surface world, preferring, instead their own relegated tasks. They scoffed at the notion of joining the great war of the woodland elves, and only deigned to work with a fellow, mountain-dwelling people; an ancient, now gone, race of xiongren called the Takin. Working alongside these beastmen, the kobito began expanding their cities upwards and outwards to crawl across the very faces of the mountain peaks. Since most of these mountain-top city-structures were carved among the great mountains to the west, they have long-since been lost when the Dark God ravaged that area of the world.
Many clans and friends to the earth-spirits were lost in the cataclysm and taught the kobito a valuable lesson: to keep the hearts of their societies deep beneath the earth. Hence, though some of these ancient cities can still be seen clinging to the sheer, rock faces of the tallest mountain peaks, they have long-since been abandoned and left to the ravages of time itself. Which wears down even mountains.
Genetic Ancestor(s)
Origin/Ancestry
Asian, Nature Spirit
Lifespan
1000 years
Average Height
4.5 - 5 ft
Average Weight
120 - 200 lbs
Average Physique
Kobito tend to be short and lean, yet powerful.
Body Tint, Colouring and Marking
Due to living nearly the entirety of their lives underground, most kobito tend toward having paler skin tones with a slight greyish cast. Those kobito who spend more of their time aboveground, such as the stone caste farmers, may have a slightly darker skin tone due to being in the sun for longer periods of time.
Kobito Traits
Starting Attributes - +1 Power, +2 Vigor
Alignment - Kobito are generally Balance
Stone-sight - allows for vision in near-perfect darkness, as well as the ability to see the qi meridians which flow through earth and stone. Even in inert, worked stone. Requires 2 Qi points to use this ability.
Starting Face: +3
Starting Qi: +4
Castes - There are five castes of kobito within the world. Choose one of those castes:
Metal - The Metal Caste are the warriors and leaders of Kobito society.
• Ability Score Increase: Power and Grace scores increase by 1.
• Lordly Mien: +1 Skill point in Coerce.
• Samurai Training: You are Adept with Short Weapons - Katana
Jade - The Jade Caste are the priests of the Kobito.
• Ability Score Increase: +2 to Judgment.
• Stone’s Blood: +1 Skill point in Mediate. Adept with Earth Spirits.
Crystal - Scholars and philosophers and other great thinkers hail from the Crystal Caste.
• Ability Score Increase: +1 Acuity and +1 Judgment.
• Underground Scholars: +1 Alchemy and +1 to Scholar Skill of choice.
Gem - The Gem Caste are the artisans and builders of the earth spirits’ society.
• Ability Score Increase: +1 Grace and +1 Acuity.
• Craftsman: Choice of +1 Weaponsmith and +1 Compose OR +2 Compose
Stone - The farmers, herders, and common laborers, the bedrock of the Kobito social order, are the Stone
Caste.
• Ability Score Increase: +2 to Power.
• Earthen Diligence: +2 Health points.
Alignment - Kobito are generally Balance
Stone-sight - allows for vision in near-perfect darkness, as well as the ability to see the qi meridians which flow through earth and stone. Even in inert, worked stone. Requires 2 Qi points to use this ability.
Starting Face: +3
Starting Qi: +4
Castes - There are five castes of kobito within the world. Choose one of those castes:
Metal - The Metal Caste are the warriors and leaders of Kobito society.
• Ability Score Increase: Power and Grace scores increase by 1.
• Lordly Mien: +1 Skill point in Coerce.
• Samurai Training: You are Adept with Short Weapons - Katana
Jade - The Jade Caste are the priests of the Kobito.
• Ability Score Increase: +2 to Judgment.
• Stone’s Blood: +1 Skill point in Mediate. Adept with Earth Spirits.
Crystal - Scholars and philosophers and other great thinkers hail from the Crystal Caste.
• Ability Score Increase: +1 Acuity and +1 Judgment.
• Underground Scholars: +1 Alchemy and +1 to Scholar Skill of choice.
Gem - The Gem Caste are the artisans and builders of the earth spirits’ society.
• Ability Score Increase: +1 Grace and +1 Acuity.
• Craftsman: Choice of +1 Weaponsmith and +1 Compose OR +2 Compose
Stone - The farmers, herders, and common laborers, the bedrock of the Kobito social order, are the Stone
Caste.
• Ability Score Increase: +2 to Power.
• Earthen Diligence: +2 Health points.
Comments