Meeting the Family

General Summary

If it weren’t for the fact that I needed this reward, I would have never subjected myself to this bus full of absolute hooligans. Knowing Lark, I should have expected this outcome - but nothing could prepare me for her cousin that had an actual tentacle protruding from her body. A slimy, squirmy, tentacle. Medically speaking, how is that even possible? Though, by now - I suppose nothing should surprise me anymore. Regardless, it was truly an out of body experience. Witnessing her mutated family members, one by one, exit the house… It made me all the more impressed by how seemingly normal Lark had turned out, despite how completely strange and bizarre her family seemed. What was this, a circus parade?   Silently forming newfound respect, I hopped off the bus, intending to introduce myself to Lark’s Uncle. Instead, a ruby haired beauty pushed her way past me, making a beeline toward a certain man sitting up front. You could see the honey dripping from her eyes, even through the windows, as she abruptly forced herself into his personal space. Poor guy. He had been busy tending to his collection of guns. As soon as he noticed her, his faced dropped in annoyance. Wishing him the best of luck in fending off her advances, I continued walking.   I reached the side of the bus and slid open the storage compartment. Inside, hefty amounts of gauze, band-aids, and disinfectants were stacked neatly against the right wall. I was glad to have acquired as much supplies as I did, given the size of Lark’s family. To the left was a thin blanket and a flat pillow, folded and piled into the corner. I reached for the chest sitting along the back. In it contained an even wider assortment of medical supplies, mostly scalpels and extra bandage. As I sorted through the items, obnoxious laughter rang through my ears, jarring me from my concentration.   I glanced behind me. Lark’s family continued to exit the house. Biting my lip, I wondered if the stream of family members would ever come to an end. It didn’t seem likely. More and more kept pouring out. A small cluster of them began to form, completely surrounding Lark. It was only natural, given they probably haven’t seen her in quite some time. I sighed. I had really hoped to be leaving soon and get the job over with. The sooner we end it, the better.   From the cluster, skipped a young girl. She approached me, eye’s bulging ever so slightly. With a toothy grin, she shoved a white daffodil into my face. I recognized her from when we had first pulled up. She had been sitting on the porch, contently munching on a surprisingly beautiful bouquet of flowers. Interesting dietary choice, but there are worse things. It’s wishful thinking, but I really do hope we could all get along on this trip. With that in mind, I accepted her offering and watched as she skipped her way onto the bus. For now, I tucked the daffodil behind my ear.   In the sea of anomalies, stood a relatively normal looking man. His head lurched back as he let out another roar of laughter. He swung his tattoo covered arm around a cousin’s neck, pulling him into what I think might have been a hug. I sure hoped he would never attempt that maneuver with me. I had nearly forgotten that he was well acquainted with the family already. He had apparently driven them around previously, and was more than likely desensitized by their blinding eccentricity by now. His other hand gripped a bottle of beer. Figures. All that man needed was a couple of drinks, and he was good to go. Watching him interact with them made me wonder if he wasn’t secretly part of the family already.   Finally, it seemed like the majority were making their way toward the bus. Like a rowdy group of tourists, they boarded in high spirits, chattering amongst themselves. They appeared to be genuinely enjoying each others company. I suppose they are family, no matter how unrelated some of them look. Images of the tentacle girl flashed through my mind. I watched as they cheered and hollered, excitement about the new job lighting their faces. Suddenly, I was reminded of the neighborhood back in Edgerton.   No. Stop it, Kiki. That neighborhood, that family - forget about it. Illusions will never be real, no matter how much you want them to be. I sighed, grabbing a small box of medical supplies and a fine knife from the chest.   Voices clamored from inside. I looked up at the windows. Despite a small traffic jam in the middle, everyone seemed to be finding their seats alright. They were certainly a rowdy bunch. I strongly considered locking myself away into the storage compartment for the entire trip. But, as much as I wanted to, I shouldn’t. I needed to be prepared and ready for any situations that may arise. I’ve learned from experience that if something can go wrong, it will. The universe is unfortunately cruel like that.   I closed the compartment and boarded the bus. Making my way all the way to the back, I sat in the center seat that overlooked the aisle. I had a clear view of the backs of everyone’s heads. Counting myself, there were 23 people boarded. How many people did Lark say were in his family? I couldn’t remember, but there didn’t appear to be anyone else outside.   I pulled the gauze and bandage wrap from the medical box and folded them into a pocket attached to my utility belt. Securing it in place, I took out the fine knife and a small slab of whetstone. The boisterous chatter fell into the background as I focused on the tools in front of me. I felt the bus rumble as it lurched forward. We must have finally started driving. Carefully, I slid the knife against the stone. With clean, precise strokes, the edge of the blade was sharpened. After a few more minutes of continuous careful movement, I inspected the tip. Poking it with my finger, I made a minuscule incision, forming a tiny dot of blood.   A cousin had been staring at me, his eyes, wide and bright. Twirling the knife around in my hand, I motioned for him to sit down. On closer inspection, his lips appeared to be completely sewn shut. Eyes gleaming, he bobbed his head along to the music as the bus rolled on.   We must have passed into Wedgward by now. I looked up to the front to see our driver reaching for another beer. That damned man, didn’t anyone teach him not to drink and drive? I sighed. At least we haven’t had any issues yet. It’s been surprisingly peaceful since we left the farm. No run-ins, no flat tires… smooth sailing.   Just then, the cousin nudged me. He pointed to his nose, sniffing excessively.   The smell of burnt hair and something I did not recognize wafted its way into my nostrils.

Character(s) interacted with

Lark, Grekkor, Jag
Report Date
25 Feb 2019
Primary Location
Secondary Location

Comments

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Mar 3, 2019 09:09

All in all, I think this a great leading vignette! The story is littered with many different types of characters, all with their unique quirks, and your writing had me wanting to find out more about them. Because of the detail put into the family boarding the bus, your vignette didn’t require a conflict because I was too interested in these wacky people all crammed together and how they reacted to one another. The scene was also painted very well with small details, such as one about Chaucer: “Eyes still gleaming, he bobbed his [head] along to the music as the bus rolled on.” The “slimy, squirmy” tentacle “protruding from [Lark’s cousin’s] body” was quite striking in the first paragraph, so much so that I think you could have even lead with this!

I think this piece could have really benefited from a good “once over” before publishing. There were some minor issues that I caught while reading that somewhat took me out of the experience. The example I used earlier in my critique had an important word missing, but that was likely the most striking error. The rest were rather small and easier to fix, or perhaps odd stylistic choices, such as the dash after “Though, by now” in the first paragraph. Also, be careful that you don’t repeat phrases or words too often. In the second paragraph, the phrase “you could see” is used twice, and “already” ended three of the sentences in the third paragraph. My final suggestion would be to vary your sentence structure. The number of shorter or abrupt sentences seem to outweigh the longer ones, so be mindful of that. Can’t wait to see what else you write as the semester goes on!

Mar 3, 2019 19:51

What’s working well: I appreciated the spot towards the middle where your character’s backstory is alluded to. It was an interesting break and a fascinating spot of characterization, connecting her past to her present scenario. The scenario that starts the story off initially is amusing, drawing people in when you mention the “cousin with an actual tentacle protruding from her body”. There is a constant sense of an internal dialogue happening throughout the story, and that is a consistent thing that I feel is working well. All the party members are introduced effectively as needed.   What needs work: The story ends on a bit of a dead note; there could be something there, but it feels like it’s either missing one final sentence to deliver the gut punch, or it goes on just one sentence too long. I feel like there’s a solid message/point to get across at the end, but it’s lost as it’s written right now. The intro also has a bit of a slow start, again, with a very good point or hook to it (the tentacle girl), but it’s lost with extra words or sentences. There is some down time towards the end as well, before Chaucer shows up, where it feels like nothing is happening, and people may lose interest.

Mar 4, 2019 18:50

What’s working well: The story is very well written and flows really well. As a reader, I was able to follow along with the story every paragraph. I think you did a great job telling the story through a first person perspective as well. You expressed Key’s emotions throughout the piece and gave good insight into the situations. I also like how each character in the story was characterized well and I was able to clearly understand their surface personalities. Furthermore, the insight into the character’s backstory was well done too. I think explaining Key’s basic backstory sets the reader up to want to know more and become more engrossed with the overall story.   What could be improved: I think the story could use some more environmental imagery. You did a great job explaining the physical traits of Lark’s mutated family, but I felt a lack of being able to paint the full picture in my head. For example, what does the house of the mutated family look like? What’s the weather outside as Key meets these people for the first time? I think the tone was set well through the insight you give, but it could be a bit better set if more imagery description was given. Also, a majority of the story is told from the seat of the bus. Maybe going into some detail about the bus and how damaged/pristine it is will help set that mood. Even just describing the seat that Key and her new friend are sitting in will help set the scene in my opinion.   Overall really nice job though!!

Mar 5, 2019 00:34 by Abby Dye

hat Works Well:   I really love your second paragraph, particularly the “ruby haired beauty” line. I don’t know what it is about it, but it stands out and really adds a kind of characteristic to whom you’re describing that adds an extra bit of wow to the sentence.   The story overall has a nice flow to it and has a nice start, middle, and end. There are some issues, but the descriptions you have work well for me and really help involve me (the reader) in what’s going on in the story.   What Could Use Work:   For your first line, there’s an interest to it, but it almost feels like it goes on too long. And the description of the tentacle is definitely appropriate, but if you really want to up the creep factor, try using language that isn’t normally used for tentacles.   There’s also a lot of sentences that start with a word or two and are followed by a comma. I’m guilty of doing this a well. It’s a hard habit to break that makes work a little less than effective.   Your lines of dialogue are a bit odd. You have what’s said, which is fine, but then there’s what’s after. “he nodded enthusiastically” and “a disgruntled cousin commanded”. These kinds of descriptors lack the umph that could be there. Maybe instead, just try going in and cutting down on the “telling” adjectives and words to really make this piece concise and specific.   Lastly, I feel like your last sentence is leaving off on a flat end. It just kind of ends and the cliffhanger makes it seem like you forgot to write the ending. I’d like to see a more popping end to this story!

Mar 5, 2019 15:14

What need works: I would firstly say that you make sure you proofread a couple more times. I found a few times where "was" was used instead of "is" and vice versa. Small grammar issues and a particular time where you didn't type the word that was needed("...he bobbed his _____ along...". I think head is supposed to be there. I feel like this entire piece is just one big set up for the future events, which is good and bad to me. Not much happens here at all at first glance, and I was a little disappointed that I didn't get to see our characters really make any major choices. Lark's family gets a lot of description but not really anyone else. It would be good to see the scene better. I think the ending could have been delivered better. I see what you are trying to do but it doesn't make the impact it could.   What works:   I think overall the imagery is very good. The scene with the whetstone is really awesome. While it explains the process of sharpening a knife very well it also says a lot about our character. It is a great "two birds, one stone" type of moment that at first glance doesn't mean much but actually explains so much. I particularly like the line: "The boisterous chatter fell into the background as I focused on the tools in front of me." Really shows the change in mood and focus. The descriptions and explanations of the family members is done very well and really adds to the absurdity of the world and sets not only the setting but also the mood. I also like the small character details you have for Grekkor and Jag(the gun collection, drinking and driving).

Mar 5, 2019 19:18

Whats Working Well: I think you do a really nice job of getting away from the stylizing of writing about RPG's, the equal focus to all the different characters is rather well balanced. I think the detailed description of story actions like how they look at the back of everyone's heads. I also really like Chaucer's dialogue and the interactions that happen with them, I really like that even without actual dialogue it still carries well. I think the way that this also uses specific details in actions like with the sharpening the knife, it adds to the way that Kiki talks about things, it feels a but matter-of-fact and very reportive.   Work on: For all the characters interacted with here, I felt myself getting lost in all the names you dropped. I think the best way to counter this would be to think about what interactions mattered to Kiki and specifically the story being told there, and focus on them. That way you can just use generic terms referring to other people, even the other PC's and then tell your story more efficiently and simply. Also, as much as this is a nice little slice of life bit focusing on the interactions, but I really feel like nothing happened in the story. There is not even any real indication of how much time passes. I think that you can really focus on some plot here, like the interaction with Chaucer or some personal thing for Kiki, just have something, some reason to tell this story in particular.

Mar 6, 2019 02:05

This is one of my favorite pieces so far. I love how this character seems to be the most normal one in the entire area, continuously pointing out things that are out of the ordinary, like that girl with the tentacle sticking out of her body. Nobody else seems to mind it, but our main character here is shocked by it and questions how they have all survived. These are the kinds of things that everyone who was sane would be thinking of. I especially like the part towards the end where they’re sharpening their knife. The whole scene was so well-described that I could imagine it and see it clearly myself, especially the part where they draw blood. I also love how we get detailed descriptions of the characters without getting their whole bio. It doesn’t feel like an RPG session, which is great, and we get plenty of information about the players just from their interactions with others. For example, the interactions between Ruby and Grekkor make you see that Grekkor has little interest in anything besides his guns.   Something that struck me as needing work was the opening sentence. It seems a little long and should maybe start with something more striking. The line “What was this, a circus parade?” has a sense of mystery and I personally believe that it would benefit the piece more if it was the first sentence or closer to the top. The formatting is ok, but the sections feel a little too big. It would be easier to read if the sentences were split up a little more. There is also a part of the piece that repeats the word “already” a couple times: “I had nearly forgotten that he was chummy with them already. He seemed to know the whole lot of them already.” Here, you can see how it kind of sounds repetitive, so maybe use a different word or rewrite the sentence to make it flow better.   Overall, I loved this story and I can’t wait to see what happens!

Mar 6, 2019 04:50

Much of the success of this piece has to be attributed to the descriptions of characters and their actions, making them for interesting pieces of conversation for the narrator. I am specifically fond of the introduction and details given to Ruby as having “honey dripping from her eyes as she abruptly forced herself into his personal space.” It’s strong actions and metaphors like this that help to sell some of the characters, including the others like Jag and especially all of Lark’s family. I almost want to see more dialogues pop up for these characters to discuss the things that make them tick, if it isn’t that they have too much in terms of plot progression in this specific scene. I feel like this piece is suffering heavily from “roll call syndrome,” and focuses too much on giving each other character in the story their due when it should focus mostly on what one character is doing or the interactions that they’re having with the other characters. While we do get to see a lot of the perceptions of these characters through Kiki as well as many of their actions, the actions themselves are far too mundane and highly descript in the mechanics rather than in the sensory information and implied feeling and tone of them, such as when they go to the back of the bus to sit and work with their tools. I feel like the first person POV isn’t helping all that much, and is instead isolating the narrator from the content of the story and people of the bus to talk about, focusing almost far too much either on what the narrator feels about a person and not truly progressing any sort of plot with them or instead zeroing on their own world. In truth, I feel like the easiest way to a more advanced plot would be to allow Kiki as a character to interact more with the space, and perhaps engage in more dialogues- or even at least listening to more dialogues happening around them.

Mar 7, 2019 16:20 by Michael Berger

The Bad Stuff: What I see as the biggest issue of this vignette is its limited but also very self-aware perspective. Most of the story is written in a past perfect tense, but the central character acts as narrator and inserts their backstory (along with very relevant comparisons) into this retelling. Given the story is told in some form of present tense, it's strange that Kiki can so correctly read her own emotions and locate the causes of them. What's written here isn't bad, but it's a structural disconnect that doesn't have support given the rest of the text.   Other than that, there are some minor things that I can't explain in a clever way;

  • Lark's normalcy among her family is elevated and praised even though (by the time we see it) we've only been given an example of one of her family members.
  • The ending is sudden and too ambiguous to feel satisfying or connect logically with the rest of the text in the vignette.
  • Ultimately, Kiki doesn't do much. These few scenes would be fine in a longer narrative, but as a standalone piece it's a bit boring that the main character doesn't do much.
  The Good Stuff: What I really love about this piece is that Kiki's doubt oozes through the majority of it. She starts off being suspicious of Lark's family, which morphs into her disbelief of Jag's reaction to the circumstances, which then puts her focus on how Lark is quietly reassuring her family without revealing the details or the group's mission. It's a natural progression of Kiki's attention and focus changing throughout the scene and every detail she can grasp is processed through her own set of beliefs. The narrator in this story has a distinct voice, and that's something essential to every good piece of fiction. That voice also applies to the few characters that get Kiki's sympathy (Grekkor and Chaucer), which shows the protagonist isn't just a misanthrope.