Annabelle
Socialite and patron of the arts. (Toreador Primogen and Head Mistress of Elysia)
(a.k.a. Jacqueline Greer)
Who is Jacqueline Greer?
Jacqueline Greer moves through Chicago’s elite art and fashion world with an effortless grace, her name whispered in exclusive circles yet never tied to any single creation. She is not a direct patron, not an artist herself, just the niece of John Greer, former owner of The Chicago Sentinel and media empire. Yet, somehow, for a young woman with no known artistic talent, she possesses an uncanny knack for recognizing it in others.
She does not commission masterpieces or fund galleries outright—she simply attends. Her privilege grants her access to the most exclusive shows, galas, and private unveilings, where she watches with a calculating eye. If she enjoys something, she wields her family’s wealth, connections, and influence like a brush on canvas, shaping an artist’s fate with a well-placed endorsement, a quiet referral, or strategic sponsorship. One nod from Jacqueline Greer, and the next hottest artist, sculpture, or performance is born—an overnight sensation. Her presence alone is enough to set the industry ablaze. Art critics, collectors, and influencers track her movements, waiting to see what she will favor next, knowing that her mere interest in a piece turns it into a cause célèbre. She has become a force of influence, a living muse to the avant-garde, a visionary without ever having created a thing herself.
By day, she is elusive, rarely seen outside the Stanley-Greer estate, catching only rare glimpses through manicured garden walls. But by night, she moves freely, slipping into Chicago’s most exclusive spaces, her presence alone altering the landscape of the city’s art world. And then, there are the rumors—of a nightclub so secret, its patrons don’t even speak its name, where she disappears into the neon glow, leaving only whispers in her wake.
Physical Description
General Physical Condition
