Chapter 1: the Seer Prose in Veron | World Anvil
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Chapter 1: the Seer

Paradox woke lying face-up on his cot towards the corrugated tin roof of his shack. It was a hot morning and the ramshackle building around him did very little to dissuade the sun.   Paradox wondered what he had just been dreaming about. There must have been something, otherwise why was he so awake so suddenly? But he couldn't think of anything. It must have been the wind outside his window.   Paradox laid on his cot for a while longer, not willing to let himself be active just yet. He was tired; he'd felt that way for days now even though his days didn't require much from him. He only had his plants to take care of, which was easy thanks to Paradox's gifts. Perhaps it was because his days didn't require much of him that he felt so melancholy.   Slowly, ever so slowly, Paradox found the strength to get up. His garden wouldn't tend itself, and today was promising to be a very hot day. The longer Paradox delayed, the longer his plants would have to work in the heat without him. One leg got off the cot, then the other, his hand-paws holding the metallic frame for balance.   Paradox was a very black bunny from his ears, (one of which flopped downward perpetually) all the way down to his long feet. His darkness had no blemish or shading; his coat was one solid color of pure, jet black. So black, in fact, that looking at his face one could swear that he had no features, not even a mouth, save his wide, green eyes. His eyes were the only clue that Paradox was anything other than an inky shadow cast on some wall or other. if one looked closely, one could see that his eyes were not just colored green, but glowing with it like a tiny neon sign.   At length, Paradox began his tour around the room. He started with a stout cactus he kept by his windowsill. It, among all his plants, least needed his help to survive in the harsh environment of the red desert, but it was the closest. As he watered the spiked plant with a small can, he began to imagine the plants around the room talking to him, letting him know what they needed. Shelves of flowers and drawers of roots and mushrooms all called out for help and he, being the gardener here, alleviated their needs one by one. Most times it was water. Sometimes it was fresh soil from the dirt floor, and once Paradox took a young peony from a drawer where he had stowed it, wrapped in blankets, for the cold, desert night. Paradox wasn't a professional horticulturalist; he had no training to speak of and followed the feelings of his heart more than his head; but nobody who saw him take care of his plants could deny that he was a master.   When the last potted customer was taken care of and the shack was silent once more, Paradox went outside. A sparse garden of trees and flowering bushes stood there, waiting patiently. These weren't as pushy as the plants inside; they knew Paradox well enough to trust that he wouldn't let them dry out. Paradox went to a small well and pumped water into a bucket. One by one, though not as quickly, Paradox tended to the needs of his closest friends. After Paradox had watered each tree and bush with several bucketfuls of water, Paradox took a drink for himself.   After a short sit, it was time for breakfast. Paradox approached a small, barren, fruit-bearing tree, scarcely taller than he was, and placed his paw gently on it's trunk. "Hello, friend." he whispered in a voice so low only he could have heard; "Will you help me today?" With that, Paradox let out a little bit of his power.   Green mist, the same color as Paradox's eyes, began to form and swirl around his paw. Slowly the tree absorbed it, taking in the energy and nutrients that Paradox was putting out. Paradox let his power flow into the tree for a few seconds, then moved his paw away from the trunk. On a branch just above Paradox's head was now a plump, green fruit where there had been none before. Paradox plucked it and went to sit next to the shack to enjoy his breakfast.   "Any food to spare for an old traveler?" Said a voice.   Paradox might have jumped higher than any bunny before him, and that was saying something. He looked to see an elderly, brown-cloaked figure sitting on a wide rock. His fur was gray and flecked with silver. he was another bunny, by the looks of his feet. Paradox couldn't see if he had long ears under his cowl.   How long had the elderly bunny been sitting there? Had he seen Paradox using his power just now? Was he here for a witch-hunt? The shadow under the cloak betrayed very little.   Paradox stammered a bit, trying to act definitely not suspicious, and in his mind at least, failing rather spectacularly.   "Um-um-uhh-hel-he-AHEM... ...Hi."   The traveler and Paradox stood in silence for a minute. Paradox wasn't sure what to say. He finally realized what the traveler had asked for in the first place.   "Oh! food! er..." Paradox looked at the fruit in his hand. He only had the one, and he couldn't grow another; not with the stranger watching. Paradox was hungry, but he could at least wait until the stranger went his way.   Paradox held the fruit towards the elderly bunny. As the stranger took it, Paradox retracted a bit faster than he should have, just in case this stranger bit. The old bunny took it gratefully, and the only biting that took place was into the fruit.   As Paradox watched the stranger eat somewhat ravenously, he noticed that the elderly bunny wore a curious medallion on a loop around his neck. It was a very simple piece; the center was a solid sheet of bronze metal that had been cut into the shape of a four-pointed star. The star was set into a circle of dark, polished wood and four metallic studs were driven into the wood between the points. The symbolism was vaguely familiar to Paradox but he couldn't quite put his paw on it.   Paradox slowly became aware that he was staring, and tried to mitigate the awkwardness of it by making conversation.   "So, that medallion you're wearing... what does it mean?" He tried.   The stranger took a break from the fruit and looked down at his chest. He held the small ornament with his paw to get a better look at it. "Oh. This? A symbol of a forgotten god. Truthfully, it's been so long I forgot I was wearing it."   Paradox wasn't sure what that meant, exactly, but he could remember hazy visions of his mother teaching him about a great spirit watching over all creatures great and small. This might be the same thing.   "So, you...you're a traveller?" Paradox said, trying to keep the conversation going. He wasn't good at this sort of thing.   "Yes," said the other bunny. "I've traveled all around the world. Norvus. Serropa. Some other places you've probably never heard of. It's a wonderful job I have."   "Ssounds nice." Paradox said back, still feeling awkward. "Um... what job is that?" Please don't say witch-hunter, Paradox thought.   "I deliver messages." the old bunny said. then Paradox could see the smile spread beneath his cowl. "Wonderfully, terribly cryptic ones."   "Um, what? terribly... cryptic?" Paradox was confused and just a bit wary. "Like what?"   "Like the message I was sent to give to you." the traveler said. he was smiling, but somehow simultaneously deadly serious. Paradox took a half-step back, wondering if this was an "I'm gonna kill you" sort of message.   "In two days' time, The people of the white city will need your help." Said the old bunny, shifting to stare directly into Paradox's green eyes. From this angle, Paradox could see the elderly bunny's eyes as well, and there was a power there, too; Not stronger than Paradox's, but somehow... deeper. "You need to be there. so says the one I serve." The elderly bunny stood as he was saying this and, when he was done, seemed satisfied that all that needed to be said was said. He began walking away.   Paradox wasn't at all sure that all that needed to be said was said. "Wai- I mean... Who are you? Who do you serve?" He said, nearly shouting. Paradox flinched at the impoliteness of his own volume, but the other bunny didn't seem to mind as he continued walking.   "As I said, I am a traveler." Spoke the elder bunny. "As for the one I serve, He delights, for now, in testing your faith."   And just like that, the conversation was over.

Comments

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Jan 15, 2020 16:17 by Jacob Billings

Hi. Sorry this took so long to get to.  

Paradox woke. He was lying on his cot face-up towards the corrugated tin roof of his shack.
  This could be one sentence. It would have more impact that way because a two-word hook doesn't always do well. "Paradox awoke lying on his cot, face-up, toward the corrugated tin roof of his shack.  
It was a hot morning, and the ramshackle building around him did very little to dissuade the sun.
  You don't need the comma.   Questions have an interesting place. They tend to poke at the reader, who also tends to simply ignore them until they get answered. Carefully weaving them into the narrative could work more to your favor.  
It must have been a bird outside his window chirping with more than it's usual fervor.
  This seems a little clunky. Perhaps a little rephrasing would suit this sentence. "The bird chirping outside his window, with more fervor than usual, was the only noticeable thing out of place."  
Perhaps it was because his days didn't require much of him that he felt so melancholy.
  I don't think that this works. Melancholy is a noun or adjective, of which neither really suits the sentence. "Perhaps it was the little effort his days required that left him with the ache of melancholy."  
Paradox was a very black bunny From his ears, (one of which flopped downward perpetually) all the way down to his long feet. His darkness hod no blemish or shading;
  Few typos here. "From" doesn't need to be capitalized and "hod" should be "had".  
"Any food to spare for an old traveler?" Said a voice.
 
he was another bunny, by the looks of his feet.
  Two more typos. "Said" shouldn't be capitalized as a question mark acts like both a comma and a period with quotes and "he" should be capitalized as it starts a sentence.  
yo-you're
  When writing stutters, it is more effective to write them using an ellipsis. "yo..you..you're"  
"ssounds nice." Paradox said back, still feeling awkward. "Um... what job is that?" please don't say witch-hunter, Paradox thought. "I deliver messages." the old bunny said. then Paradox could see the smile spread beneath his cowl. "wonderfully, terribly cryptic ones."
  Some capitalization errors here. "then", "wonderfully", "please", and "ssounds" should all be capitalized.   Sorry, I was a bit rushed while doing this. Overall the concept is interesting. Writing is a hard medium to master, or at least achieve well. Practice is the only thing that makes perfect.   What you should consider when writing is how you could include more description. Such as the house; I couldn't really picture very much of it. You described just enough of the elder-rabbit for the reader to be left without a clear image. It's these little things that you could work on.   Grammar, especially when speaking of dialogue, is an important piece to master. I suggest that, the next time you read a book, you look at how the author varies their dialogue tags and the way that capitalization works. I would also advise that you look into how to weave in dialogue with capitals as such as it could benefit your writing.

Jan 15, 2020 17:02

That advice surrounding questions is great, I'mma try to implement that. I guess that part is a bit of a holdover from a time when how Paradox woke up was a bit more important and mysterious.   I ALWAYS have issues with capital letters and leaving them in random places; thanks for pointing those out. The rule is that if it's a quote in the sentence you capitalize it as normal and then capitalize the first letter in the quote-sentence as well, right?   I am also aware that I tend to have short descriptions; my brain tends to take a lot for granted so I tend to just leave a lot to the reader's imaginations. Most of the time how something looks isn't important to the understanding of the story anyway, right?... right?... It's also a bit of an issue with me being paranoid that I'd slow down the action too much to describe things folks don't really care about.   I'm glad you're interested so far. I hope to implement the changes soon, maybe after I finish the first draft.   I conclusion, thanks for taking the time to do this! Whether or not you continue it's a big investment of your time (and I still feel a bit weird calling you over from someone else's comment section) and I'm grateful!

Jan 15, 2020 18:22 by Jacob Billings

Ok. The best suggestion I have for that would be to consider weaving them into Paradox's thoughts rather than the readers'.   The rule is that the first word of any sentence is capitalized. The first word of a spoken sentence is always capitalized, but any later dialoge tags are not.  

"Hi," he said.
 
He said, "Hi."
 
"Hi," he said, "it's nice to meet you."
 
"Hi -" he waved "-its nice to meet you," the boy said.
  Description isn't always important. A fun strategy to consider is the speed in which you want actions to take place. More description makes the reader feel invested and, after that, breaking the pattern of more description will make tense moments.   Sorry I probably won't continue as I have a lot of work of my own to consider, but good luck with writing a novel.

Jan 28, 2020 18:14

Just wanted to let you know I finally finished the story and got around to correcting all those grammar mistakes in this chapter.

Mar 22, 2020 13:35 by Jaime Buckley

Morning!   Okay, a few things here about the world/site and a few comments about your story.   First off, I think your story idea is clever and you sparked my interest. That's a good thing.   The not-so-good-thing, and we all suffer from this, is I don't know where to go once I'm on your home page. May I suggest you creating an introduction page or a "New Visitors Start Here" page--so you can tell people where they need to go.   Guide your readers. That's key. Lead them where they can have the experiences,...then LET them.   Which leads me to the main and critical part: your writing.   Again, you have my interest--but you did most of the thinking for me. Your writing tells more than it show, which isn't going to win many readers. We are here for an experience, and telling us what's happening doesn't allow for that.   I'm not a writing coach, and I don't edit people's work, but here's a single example...  

Paradox laid on his cot for a while longer, not willing to let himself be active just yet. He was tired
  Have you considered internal dialogue? --------- 'Ungh,' he sighed to himself, his eyes following the motions of the ceiling fan above him. 'Another day, another boring, mechanical, unemotional day in the hot sun,' he complained. Shoulder muscles twitched and spasmed. Paradox waited, allowing his frame to sink further into the cot as his body finally relaxed.   He wasn't ready to get up. Not yet.   All that waited for him was a hot sun and work in yard with plants that provided mediocre conversation at best. -------   Now I certainly don't know your storyline--so I could have been completely off--but I want to feel for your character. I want to experience your world, NOT told about it.   So take your readers on a journey using our five senses.   That's my penny of feedback =)

JAIME BUCKLEY
Storyteller, Cartoonist,..pretty awesome friend =)
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Mar 22, 2020 17:30

Ah! the old 'show, don't tell' advice. I'll keep that in mind going over my second draft!   And the line about mediocre conversation was brilliant.

Apr 23, 2020 18:21 by R. Dylon Elder

Ok my friend! I have found it. Time to read.   So first off, you mention him waking up suddenly in thesecind paragraph, but it snagged me a bit since nothing in the first paragraph shows that his wake up was sudden. It's not a glaring problems by no means, but setting up the thought could assist in immersion by coupling thought and action.       "He was tired; he'd felt that way for days now even though his days didn't require much from him"   Man I know exactly how that feels XD side note: I think there should be a comma before "even"     I like how draw out the process of him getting out of bed. morning can feel that way, not to mention it adds a small dose of tension as we wait for him for to contiue. Your description of him tending to the plants is nice. It's easy to follow and really shows us his green thumb. I would try to limit the adjetives a tad. Example:   "Sometimes it was fresh soil from the dirt floor, and once Paradox took a young peony from a drawer where he had stowed it, wrapped in blankets, for the cold, desert night."     Fresh, dirt, young, cold, desert. There are a lot of adjectives in this one sentence. The word fresh is somewhat important, but you could remove dirt (or even dirt floor entirely) as we can assume easily where the soil came from. Young could be important, but you could call it a saplong instead, implying its age without halting the flow of the words, which before this was very nice. The inclusion of cold, desert night is a lovely sounding end to the sentence, and personally id keep that, though some will disagree as desert night is alrready implied to be cold due to the presence of blanket. Now this is all just nonsensical english stuff, but I wanted to point it out cause the flow was great then I hit a roadblock. No biggie at all.       "put his paw on it"   I laughed. I love it XD     ""Ssounds nice." Paradox said back, still feeling awkward."   Idk if the double S is a stutter or a typo. Traditionally, I think a stutter is "s-sounds" but that is not why I bring this quote in. You say he's feeling awkward. What does this look like? Is he nervous? This would be a lovely time to include that hand wringing, plus the inclusion of stuttering, if that's what is, also works to show his awkwardness.   Finally, the ending sentence is a bit... Unnecessary. Just ending on that very forceful bit of dialogue"...test your faith." Really puts a button and bow on this scene. makes it feel complete, ominous, and almost a cliffhanger that makes you want to continue to the next chapter. The end of a chapter is the best place to stop reading a book and go to bed. Don't be that nice to your readers! Lol     Im enjoying it immensely. Paradox is relatable and the dialogue flows and reads well. I don't recall any other dialogue tags than "said," which is fine, that's one side of the great debate, but there is nothing wrong with "so and so asked, so and so replied, or even just using crucial dialogue tags that express EXACTLY what the writer wants the reader to hear like whispered or stuttered. Use soarringly though. There are some little bits of passive voice, a couple things on phrasing, but something's are all about a writers voice. I enjoyed reading it, and plan on moving to part two promptly. Jump ssayingg this in case this comment seems to critical of the piece. My criticism should not take away the fact that I enjoyed it, which is essential. Great work man! I hope I provided some positive and constructive feedback. till part two!

Apr 25, 2020 06:42

Of the three comments I got on this piece, this one seems like the one I can understand and get the most helpful advice out of. Thanks! That's good advice. I have another version on docs that I'm using for revisions; the updates may not come for a while, but rest assured you've been very helpful!