The Children of the Moon
History of the Yanga People
Magic and supernatural forces weave their way through the world of Syann, forming its pulse and life's blood. Few living beings who call this world home go untouched by mystical forces in some way, while some may flirt with the caress of the otherworldly, others embrace its flow, and a few unfortunate souls drown in the torrent of otherworldly powers. Humanity, with its success and spread across the globe, is no exception, and many divergent offshoots from baseline humanity that have been altered by exposure, willingly or otherwise, to otherworldly powers, have been documented the world over. The continent of At'hila is no exception, and one of the most well-known offshoots of humanity to call it home are the Yanga people, or, as many call them, the Children of the Moon. The Yanga people were born in an age of dreams, long before the borders, kingdoms, and nations the world knows today came to be. The Yanga people called the great Savannah lands of southern At'hila home. In that long-ago forgotten age, the Yanga were feared and powerful, for their kings had the blood of lions. Their royal line claimed to have come from a spirit goddess whose name has been lost to time. What is remembered is that a lioness was said to have given birth to the first kings and queens of the Yanga, and that all Yanga of the royal bloodline had once been true-born werelions. The Yanga tell stories of that age of dreams, of a time when they were ruled by kings and queens who were cruel, domineering, and brutal. In that age of lions, the common people of the Yanga were treated as little better than livestock, hunted for sport by their rulers on whims, infected with the curse of lycanthropy as a "gift" so they could join their rulers on bloodstained full moon nights as they were overtaken by savage cravings. While true that the Lion Kings brought a wealth of treasure and slaves to the Yanga from their wars and raids, the many Yanga not so blessed with their noble's shapeshifting prowess lived in fear of the lion gods that their leaders thought themselves to be. In a region where Silver was a rare ore and the knowlege of its bane to lycanthropes was a well hidden secret by its rulers the people had little recourse other then to endure the tyranny of the lion kings and queens. Magic another force that could harm the nobility was tightly controled outside of the cult of the lion, a religous group that had been formed by the Lion Rulers to venerate them with rituals that left alters soaked in gore and did away with Yanga with magical talent who refused to be brainwashed by the cult. As the ancient Yanga grew in power, an empire started to form, built on blood, fear, and the power of the Lion Nobles and their visceral cult of zealous devotees. This would draw the ire of the great spirits of At'hila, namely Kemba, the father of all lions. It had been one of Kemba's daughters who had gifted the Yanga kings with their powers, and they dared to claim themselves as gods and pay his name no respect, to count his faithful among heretics lain out on flint altars for a cult dedicated to the pride and power of mere mortals. Kemba roared in rage and paced across the sky, his eyes burning like hot coals. While he could respect the ambition of the Yanga kings, that they were usurping the worship of the true king of lions by guile and force, he also could not allow such a trespass and insult to continue. A king must make examples of any who betray him, thought the great lion spirit; let them know the price of treason and turning your backs upon your true king! It is said that night that a lioness with a pelt as dark as the night sky and eyes like stars set foot in the lands of the Yanga people. The daughter of Kemba and the moon spirit, she was sent to act as the Lion Fathers agent. The Star Lioness walked unseen among the Yanga people and heard their weeping, saw families who lived in fear, and her heart, kind like her mother, the moon, ached for the suffering Yanga people. The Star Lioness was a faithful daughter to her father but also her beloved mother and came to decide she would serve both, for she felt sad for the suffering Yanga and was disgusted by the Yanga Kings and the unclean magics their cult practiced. They say the Star Lioness crept into the homes of the Yanga, stealing away babies with magical talent before the lion cult could take them for themselves, and secreted them away to her mother's realm between the heavens and the sky. There, they would learn the secrets of Mother Moon, the truth about their kings, queens, and the cult of false priests who adored them. These adopted children of the moon, eight in total, each named for a phase of the moon, would be taught powerful magic, how to speak to spirits, and how to kill the beasts who walked like men with their spells and silvered spears forged from the full moon's light. When the eight children of the moon were fully grown, they were powerful, cunning, and radiant beings blessed by the moon spirit. They would be vengeance against the false lion gods for Kemba and freedom for the suffering Yanga people. The Eight children of the moon, four men and four women, embarked from the realm of the moon spirit on their twentieth birthday, each gifted weapons and armor forged from moonlight. The eight would bring healing and freedom to the Yanga, curing diseases and curses alike, feeding the hungry, and protecting the weak. The eight children of the moon would prove themselves heroes and saviors to the Yanga, and for the first time in generations, the Yanga felt hope. The adventures of the eight were many as they traveled the lands of the Yanga. They outwitted and defeated evil spirits and monsters that oppressed the Yanga, freed slaves held by the Lion Lords, and taught the Yanga many things. Of all the good deeds, the eight children of the moon would do the greatest was leading the Yanga people to rise up against the Lion kings and their cult. The Moon Children claimed there would be no kings or queens among the Yanga any longer, only equals chosen to lead by the people for the people. No more priests who claimed to be the literal voice of the gods and demanded obedience, only those who offered spiritual guidance to those who asked for it. In the end, freedom was won. The Eight Children of the Moon and the Yanga toppled their kings and priests, and those not slain were banished to the wilds to live among the beasts. Kemba had made his example, and the Star Lioness had given the Yanga people freedom. The Moon Children would remain among the Yanga, guiding them and teaching them, finding love, marrying, and having many children, all of whom would bear the gifts of their moon-born parents. Now, thousands of years later, the Yanga are all touched by the Moon Children's gifts. No Yanga alive remembers a time when their people did not carry the marks and gifts of the moon, and few, if any, would ever want it any other way.
Physical Description:
The Yanga's human ancestry is immediately discernible, sharing a resemblance with the native humans of western At'hila. However, a distinctive quality sets them apart from the baseline human populace. Notably above average in height, often boasting willowy builds, the Yanga captivate observers with their unmistakably dark skin, sometimes though rarely ranging towards jet or obsidan black — a breathtaking shade described as beautiful and radiating an alluring luster. What truly distinguishes them, though, is the striking contrast between their deep skin tones and their eyes, which commonly exhibit pale shades. Adding to their allure is a diverse array of hair colors, including silver, white, blue, orange, and all the hues reminiscent of starlight and moonlight, imbuing their hair with an inner radiance. As if these unique features weren't enough, every Yanga bears birthmarks resembling stars or moons somewhere on their skin. Manifesting in myriad ways, colors, and locations, these marks, resembling impeccably crafted tattoos to the untrained eye, contribute to the Yanga's individuality. Whether in the form of a crescent moon on the shoulder, a constellation encircling the navel, or rows of stars beneath the eyes, each Yanga embraces their celestial birthmarks as a beautiful representation of their unique personality.
Magic and supernatural forces weave their way through the world of Syann, forming its pulse and life's blood. Few living beings who call this world home go untouched by mystical forces in some way, while some may flirt with the caress of the otherworldly, others embrace its flow, and a few unfortunate souls drown in the torrent of otherworldly powers. Humanity, with its success and spread across the globe, is no exception, and many divergent offshoots from baseline humanity that have been altered by exposure, willingly or otherwise, to otherworldly powers, have been documented the world over. The continent of At'hila is no exception, and one of the most well-known offshoots of humanity to call it home are the Yanga people, or, as many call them, the Children of the Moon. The Yanga people were born in an age of dreams, long before the borders, kingdoms, and nations the world knows today came to be. The Yanga people called the great Savannah lands of southern At'hila home. In that long-ago forgotten age, the Yanga were feared and powerful, for their kings had the blood of lions. Their royal line claimed to have come from a spirit goddess whose name has been lost to time. What is remembered is that a lioness was said to have given birth to the first kings and queens of the Yanga, and that all Yanga of the royal bloodline had once been true-born werelions. The Yanga tell stories of that age of dreams, of a time when they were ruled by kings and queens who were cruel, domineering, and brutal. In that age of lions, the common people of the Yanga were treated as little better than livestock, hunted for sport by their rulers on whims, infected with the curse of lycanthropy as a "gift" so they could join their rulers on bloodstained full moon nights as they were overtaken by savage cravings. While true that the Lion Kings brought a wealth of treasure and slaves to the Yanga from their wars and raids, the many Yanga not so blessed with their noble's shapeshifting prowess lived in fear of the lion gods that their leaders thought themselves to be. In a region where Silver was a rare ore and the knowlege of its bane to lycanthropes was a well hidden secret by its rulers the people had little recourse other then to endure the tyranny of the lion kings and queens. Magic another force that could harm the nobility was tightly controled outside of the cult of the lion, a religous group that had been formed by the Lion Rulers to venerate them with rituals that left alters soaked in gore and did away with Yanga with magical talent who refused to be brainwashed by the cult. As the ancient Yanga grew in power, an empire started to form, built on blood, fear, and the power of the Lion Nobles and their visceral cult of zealous devotees. This would draw the ire of the great spirits of At'hila, namely Kemba, the father of all lions. It had been one of Kemba's daughters who had gifted the Yanga kings with their powers, and they dared to claim themselves as gods and pay his name no respect, to count his faithful among heretics lain out on flint altars for a cult dedicated to the pride and power of mere mortals. Kemba roared in rage and paced across the sky, his eyes burning like hot coals. While he could respect the ambition of the Yanga kings, that they were usurping the worship of the true king of lions by guile and force, he also could not allow such a trespass and insult to continue. A king must make examples of any who betray him, thought the great lion spirit; let them know the price of treason and turning your backs upon your true king! It is said that night that a lioness with a pelt as dark as the night sky and eyes like stars set foot in the lands of the Yanga people. The daughter of Kemba and the moon spirit, she was sent to act as the Lion Fathers agent. The Star Lioness walked unseen among the Yanga people and heard their weeping, saw families who lived in fear, and her heart, kind like her mother, the moon, ached for the suffering Yanga people. The Star Lioness was a faithful daughter to her father but also her beloved mother and came to decide she would serve both, for she felt sad for the suffering Yanga and was disgusted by the Yanga Kings and the unclean magics their cult practiced. They say the Star Lioness crept into the homes of the Yanga, stealing away babies with magical talent before the lion cult could take them for themselves, and secreted them away to her mother's realm between the heavens and the sky. There, they would learn the secrets of Mother Moon, the truth about their kings, queens, and the cult of false priests who adored them. These adopted children of the moon, eight in total, each named for a phase of the moon, would be taught powerful magic, how to speak to spirits, and how to kill the beasts who walked like men with their spells and silvered spears forged from the full moon's light. When the eight children of the moon were fully grown, they were powerful, cunning, and radiant beings blessed by the moon spirit. They would be vengeance against the false lion gods for Kemba and freedom for the suffering Yanga people. The Eight children of the moon, four men and four women, embarked from the realm of the moon spirit on their twentieth birthday, each gifted weapons and armor forged from moonlight. The eight would bring healing and freedom to the Yanga, curing diseases and curses alike, feeding the hungry, and protecting the weak. The eight children of the moon would prove themselves heroes and saviors to the Yanga, and for the first time in generations, the Yanga felt hope. The adventures of the eight were many as they traveled the lands of the Yanga. They outwitted and defeated evil spirits and monsters that oppressed the Yanga, freed slaves held by the Lion Lords, and taught the Yanga many things. Of all the good deeds, the eight children of the moon would do the greatest was leading the Yanga people to rise up against the Lion kings and their cult. The Moon Children claimed there would be no kings or queens among the Yanga any longer, only equals chosen to lead by the people for the people. No more priests who claimed to be the literal voice of the gods and demanded obedience, only those who offered spiritual guidance to those who asked for it. In the end, freedom was won. The Eight Children of the Moon and the Yanga toppled their kings and priests, and those not slain were banished to the wilds to live among the beasts. Kemba had made his example, and the Star Lioness had given the Yanga people freedom. The Moon Children would remain among the Yanga, guiding them and teaching them, finding love, marrying, and having many children, all of whom would bear the gifts of their moon-born parents. Now, thousands of years later, the Yanga are all touched by the Moon Children's gifts. No Yanga alive remembers a time when their people did not carry the marks and gifts of the moon, and few, if any, would ever want it any other way.
Physical Description:
The Yanga's human ancestry is immediately discernible, sharing a resemblance with the native humans of western At'hila. However, a distinctive quality sets them apart from the baseline human populace. Notably above average in height, often boasting willowy builds, the Yanga captivate observers with their unmistakably dark skin, sometimes though rarely ranging towards jet or obsidan black — a breathtaking shade described as beautiful and radiating an alluring luster. What truly distinguishes them, though, is the striking contrast between their deep skin tones and their eyes, which commonly exhibit pale shades. Adding to their allure is a diverse array of hair colors, including silver, white, blue, orange, and all the hues reminiscent of starlight and moonlight, imbuing their hair with an inner radiance. As if these unique features weren't enough, every Yanga bears birthmarks resembling stars or moons somewhere on their skin. Manifesting in myriad ways, colors, and locations, these marks, resembling impeccably crafted tattoos to the untrained eye, contribute to the Yanga's individuality. Whether in the form of a crescent moon on the shoulder, a constellation encircling the navel, or rows of stars beneath the eyes, each Yanga embraces their celestial birthmarks as a beautiful representation of their unique personality.
Naming Traditions
Feminine names
Common Female Yanga names: Ena, Bantu, Dakazi, Didi, Kabu, Khanya, Zuluka
Masculine names
Common Male Yanga names: Danda, Donsa, Kubu, Uhmzu, Senzen, Wazii, Zulani
Family names
The familial identities of the Yanga people are intricately woven with the eight clans, forming the backbone of their social structure. Each clan consists of numerous families, each proudly tracing their lineage to one of the Eight Moon Children, whether through blood or a deep spiritual connection. For most Yanga individuals, expressing allegiance to their heritage takes precedence, and they commonly use their clan name before their surname, adhering to a hierarchy of significance. Clan names often change as well as moveing between clans either due to marriage or personal preferance is quite common and some Yanga will move through or belong to many clans throughout their life sometimes mirroring the movements of the moon itself changing clan affiliation as often as once a year.
The esteemed Yanga clans and their corresponding moon phases are as follows:
Luhlaza Clan (New Moon): Symbolizing beginnings and potential, the Luhlaza Clan embraces the energy of the new moon and the power of the unseen and unheard.
Ntulikazi Clan (Waxing Crescent): Aligned with growth and expansion, the Ntulikazi Clan mirrors the waxing crescent moon, embodying the journey toward spiritual and physical perfection.
Mbhalati Clan (First Quarter): Capturing the essence of progress and momentum, the Mbhalati Clan aligns itself with innovation and creation in arts, magic, and philosophy.
Lufulu Clan (Waxing Gibbous): In harmony with increasing illumination and development, the Lufulu Clan resonates with the waxing gibbous moon, seeking new achievements and glory in all fields.
Bomvu Clan (Full Moon): At the pinnacle of their influence and power, the Bomvu Clan associates itself with the full moon. Bomvu seeks nothing short of perfection, especially in martial or magical endeavors, be it in battle, on the hunt, or as leaders.
Mthulisi Clan (Waning Gibbous): Embracing the cycle of reflection and consolidation, the Mthulisi Clan connects with the waning gibbous moon. Known for thoughtful introspection and calm understanding, they typically prefer advisory roles to the other clans.
Lulezwe Clan (Last Quarter): Aligned with transitions and turning points, the Lulezwe Clan finds resonance with the last quarter moon. They are often dedicated to studying change and understanding life shifts and adjustments to different circumstances.
Ngena Clan (Waning Crescent): Embodying the spirit of release and renewal, the Ngena Clan associates itself with the waning crescent moon, symbolizing a phase of letting go and preparing for new beginnings. Always ready for a new adventure or change, the Ngena form the bulk of explorers, adventurers, and travelers among the Yanga people.
The secondary names of the Yanga people, spoken after their clan name, maintain a consistent pattern. In this cultural practice, children adopt their mother's last name, and lineages are traced matrilineally.
Common Family names include: Lunalutho, Inkanyiso, Izibonelo, Ubuhlebesha, Izingadi, Ithunzi, Ihlobo, Lilanga, Ubukhosi, Izintaba
Ntulikazi Clan (Waxing Crescent): Aligned with growth and expansion, the Ntulikazi Clan mirrors the waxing crescent moon, embodying the journey toward spiritual and physical perfection.
Mbhalati Clan (First Quarter): Capturing the essence of progress and momentum, the Mbhalati Clan aligns itself with innovation and creation in arts, magic, and philosophy.
Lufulu Clan (Waxing Gibbous): In harmony with increasing illumination and development, the Lufulu Clan resonates with the waxing gibbous moon, seeking new achievements and glory in all fields.
Bomvu Clan (Full Moon): At the pinnacle of their influence and power, the Bomvu Clan associates itself with the full moon. Bomvu seeks nothing short of perfection, especially in martial or magical endeavors, be it in battle, on the hunt, or as leaders.
Mthulisi Clan (Waning Gibbous): Embracing the cycle of reflection and consolidation, the Mthulisi Clan connects with the waning gibbous moon. Known for thoughtful introspection and calm understanding, they typically prefer advisory roles to the other clans.
Lulezwe Clan (Last Quarter): Aligned with transitions and turning points, the Lulezwe Clan finds resonance with the last quarter moon. They are often dedicated to studying change and understanding life shifts and adjustments to different circumstances.
Ngena Clan (Waning Crescent): Embodying the spirit of release and renewal, the Ngena Clan associates itself with the waning crescent moon, symbolizing a phase of letting go and preparing for new beginnings. Always ready for a new adventure or change, the Ngena form the bulk of explorers, adventurers, and travelers among the Yanga people.
The secondary names of the Yanga people, spoken after their clan name, maintain a consistent pattern. In this cultural practice, children adopt their mother's last name, and lineages are traced matrilineally.
Common Family names include: Lunalutho, Inkanyiso, Izibonelo, Ubuhlebesha, Izingadi, Ithunzi, Ihlobo, Lilanga, Ubukhosi, Izintaba
Culture
Major language groups and dialects
Yangan: The primary language spoken among the Yanga people, Yangan serves as the linguistic backbone of their culture. It is a melodic language, intricately woven with celestial and natural references.
Celestial: Reserved for ceremonial and spiritual practices, the Celestial Tongue is a sacred language among the Yanga. It is used in rituals, communal celebrations, and communication with celestial forces, emphasizing the mystical aspects of their cultural identity.
Culture and cultural heritage
The current culture of the Yanga is one shaped by opression,the fight for freedom and the embrace of the their cultural icons the Eight Childern of the Moon. The culture of their former rulers the Lion Kings and their cult has been utterly lost to history abandoned by the Yanga when they earned their freedom. Much of the oldest cultural elements the Yanga practice are similar to the other humans of western At'hila and many of the roots of this can be seen blended with their modern cultureal structure.
Shared customary codes and values
The Yanga people are bound together by a rich collection of customary codes and shared values that shape the foundation of their lives. Guided by principles echoing their historical journey, these codes reflect a deep connection to nature, celestial forces, and a commitment to freedom.
Harmony with Nature: The Yanga revere the natural world, finding wisdom in the cyclical rhythms of the moon and the untamed beauty of their surroundings. It is not uncommon for the Yanga to emphasize living in harmony with nature, fostering a profound respect for the environment that sustains them.
Equality and Unity: Rooted in principles of equality, Yanga society values every individual's unique contributions. Their shared values prioritize unity over division, recognizing the strength that comes from diverse perspectives and cooperative endeavors.
Communal Spirit: Central to Yanga culture is a deep-seated sense of community. Customary codes encourage communal bonds, with shared responsibilities and a collective commitment to each other's well-being, creating a social fabric that withstands the tests of time.
Matrilineal Lineage: Reflecting a matrilineal lineage, Yanga customary codes honor the role of mothers and trace familial ties through the maternal line. This practice reinforces the importance of maternal heritage and strengthens the bonds of family and community.
Celestial Reverence: The Yanga's connection to celestial forces shapes their values, with the moon serving as a celestial guide. Customary codes dictate a reverence for the moon's phases, influencing their rituals, celebrations, and the timing of significant life events.
Open Communication: Communication is a cornerstone of Yanga society. Customary codes emphasize open and honest dialogue, fostering an environment where thoughts, ideas, and concerns can be freely expressed. This practice strengthens interpersonal relationships and community cohesion.
Symbiotic Relationships: Yanga emphasize the symbiotic relationships that exist within their community. Whether in familial ties, friendships, or partnerships, the concept of mutual support and interdependence is deeply ingrained, fostering a sense of shared purpose.
Craftsmanship and Artistry: The Yanga celebrate craftsmanship and artistry as expressions of individual and communal identity. Customary codes encourage the creation of intricate lunar-inspired designs, handcrafted tokens, and artistic endeavors that enrich their cultural tapestry.
Harmony with Nature: The Yanga revere the natural world, finding wisdom in the cyclical rhythms of the moon and the untamed beauty of their surroundings. It is not uncommon for the Yanga to emphasize living in harmony with nature, fostering a profound respect for the environment that sustains them.
Equality and Unity: Rooted in principles of equality, Yanga society values every individual's unique contributions. Their shared values prioritize unity over division, recognizing the strength that comes from diverse perspectives and cooperative endeavors.
Communal Spirit: Central to Yanga culture is a deep-seated sense of community. Customary codes encourage communal bonds, with shared responsibilities and a collective commitment to each other's well-being, creating a social fabric that withstands the tests of time.
Matrilineal Lineage: Reflecting a matrilineal lineage, Yanga customary codes honor the role of mothers and trace familial ties through the maternal line. This practice reinforces the importance of maternal heritage and strengthens the bonds of family and community.
Celestial Reverence: The Yanga's connection to celestial forces shapes their values, with the moon serving as a celestial guide. Customary codes dictate a reverence for the moon's phases, influencing their rituals, celebrations, and the timing of significant life events.
Open Communication: Communication is a cornerstone of Yanga society. Customary codes emphasize open and honest dialogue, fostering an environment where thoughts, ideas, and concerns can be freely expressed. This practice strengthens interpersonal relationships and community cohesion.
Symbiotic Relationships: Yanga emphasize the symbiotic relationships that exist within their community. Whether in familial ties, friendships, or partnerships, the concept of mutual support and interdependence is deeply ingrained, fostering a sense of shared purpose.
Craftsmanship and Artistry: The Yanga celebrate craftsmanship and artistry as expressions of individual and communal identity. Customary codes encourage the creation of intricate lunar-inspired designs, handcrafted tokens, and artistic endeavors that enrich their cultural tapestry.
Common Etiquette rules
In the intricate social structure of the Yanga people, common etiquette plays a pivotal role in fostering harmony, respect, and community cohesion. Yanga etiquette encompasses a set of practices that reflect their deep connection to nature, celestial forces, and the spirit of community and freedom.
Greetings with Celestial Blessings: Greetings among the Yanga often include expressions invoking celestial blessings. A common salutation may involve referencing the moon's current phase or acknowledging the celestial forces that guide them.
Communal Acknowledgment: When entering a communal space or encountering others in the community, it is customary for individuals to acknowledge each other with a nod or a soft spoken greeting. This simple act reinforces the sense of community and interconnectedness.
Sharing of Celestial Tokens: The exchange of celestial tokens, handcrafted items inspired by the moon and stars, is a common gesture of goodwill and friendship. These tokens may be given during greetings, celebrations, or as expressions of gratitude.
Sharing of Resources: The Yanga embrace a communal approach to resource-sharing. Whether it be food, knowledge, or artisanal creations, sharing is an integral part of their etiquette, reinforcing the interconnectedness of the community for the Yanga.
Communal Gatherings: Communal gatherings, often held under the moonlit sky, provide opportunities for the exchange of ideas, stories, and experiences. These gatherings strengthen social bonds and contribute to a sense of belonging for the Yanga.
Respect for Elders: Elders are revered for their wisdom and experience. It is customary to show respect by listening attentively to their stories, seeking their guidance, and involving them in communal decision-making processes.
Nature Reverence: Etiquette among the Yanga extends to their environment. Individuals practice responsible stewardship of nature, refraining from actions that may harm the ecosystem and expressing gratitude for the resources provided by the natural world.
In essence, Yanga common etiquette revolves around a shared understanding of interconnectedness, a respect for celestial forces, and a commitment to fostering a harmonious community life. It serves as a cultural compass that guides individuals toward actions that contribute to the well-being of all.
Common Dress code
The Yanga people's atire is a vibrant expression of their cultural identity, influenced by the celestial forces that shape their world. Attuned to the rhythms of nature, the position of the stars and inspired by the phases of the moon, Yanga attire combines functionality with artistic flair, reflecting their deep connection to the environment and their celestial beliefs.
Celestial Motifs: Celestial motifs, particularly those inspired by the moon and stars, adorn Yanga attire. Clothing often features intricate lunar patterns, reflective fabrics, and embellishments that capture the essence of the night sky.
Lunar-Influenced Colors: Colors associated with the lunar phases play a significant role in Yanga attire. Whites, silvers, and blues dominate, reflecting the new moon, while richer tones like gold and red are embraced during celebrations, mirroring the vibrancy of a full moon night.
Handcrafted Adornments: Craftsmanship is a hallmark of Yanga attire. Handcrafted adornments such as lunar-inspired jewelry, beaded accessories, and embroidered patterns carry cultural significance. Many of these pieces often serve as personal talismans and are passed down through generations.
Communal Celebrations Attire: During communal celebrations and festivals, Yanga attire becomes particularly elaborate. Individuals don vibrant ceremonial garments adorned with celestial symbols, showcasing the richness of their cultural heritage.
Practical Elements: Yanga dress is inspite of its intricate nature is designed to be practical, considering the tropical climate of their homeland. Light and breathable fabrics prevail, providing comfort in the warm temperatures. Traditional wraps, adorned with celestial patterns, are common, offering versatility and functionality.
Adorned Headwear: Headwear is an essential component of Yanga dress. Adorned with celestial-inspired designs, headwraps and headdresses are worn by both men and women, showcasing personal style and cultural identity.
Ceremonial Regalia: For significant life events, ceremonies, or rites of passage, the Yanga wear ceremonial regalia. These garments, often featuring intricate beadwork and celestial symbols, mark important milestones in individuals' lives and contribute to the visual narrative of the community.
Celestial Body Paint: On special occasions and during rituals, the Yanga may adorn their bodies with celestial body paint. This often comes as a suprise to outsiders to see nearly or fully nude Yanga wearing nothing but elaborate body paint in the throes of primal spiritual rituals. The full moon dances of the Yanga shamans are an especaily popular topic among outsiders.
Celestial Motifs: Celestial motifs, particularly those inspired by the moon and stars, adorn Yanga attire. Clothing often features intricate lunar patterns, reflective fabrics, and embellishments that capture the essence of the night sky.
Lunar-Influenced Colors: Colors associated with the lunar phases play a significant role in Yanga attire. Whites, silvers, and blues dominate, reflecting the new moon, while richer tones like gold and red are embraced during celebrations, mirroring the vibrancy of a full moon night.
Handcrafted Adornments: Craftsmanship is a hallmark of Yanga attire. Handcrafted adornments such as lunar-inspired jewelry, beaded accessories, and embroidered patterns carry cultural significance. Many of these pieces often serve as personal talismans and are passed down through generations.
Communal Celebrations Attire: During communal celebrations and festivals, Yanga attire becomes particularly elaborate. Individuals don vibrant ceremonial garments adorned with celestial symbols, showcasing the richness of their cultural heritage.
Practical Elements: Yanga dress is inspite of its intricate nature is designed to be practical, considering the tropical climate of their homeland. Light and breathable fabrics prevail, providing comfort in the warm temperatures. Traditional wraps, adorned with celestial patterns, are common, offering versatility and functionality.
Adorned Headwear: Headwear is an essential component of Yanga dress. Adorned with celestial-inspired designs, headwraps and headdresses are worn by both men and women, showcasing personal style and cultural identity.
Ceremonial Regalia: For significant life events, ceremonies, or rites of passage, the Yanga wear ceremonial regalia. These garments, often featuring intricate beadwork and celestial symbols, mark important milestones in individuals' lives and contribute to the visual narrative of the community.
Celestial Body Paint: On special occasions and during rituals, the Yanga may adorn their bodies with celestial body paint. This often comes as a suprise to outsiders to see nearly or fully nude Yanga wearing nothing but elaborate body paint in the throes of primal spiritual rituals. The full moon dances of the Yanga shamans are an especaily popular topic among outsiders.
Art & Architecture
Art and architecture among the Yanga people come together to reflects their cultural identity, celestial reverence, and connection with the natural world. Yanga artistry and architecture favor a holistic approach that integrates functionality with spiritual and aesthetic values.
Yanga Art:
Celestial Murals: Yanga art often features celestial murals adorning communal spaces. These murals depict intricate lunar phases, constellations, and celestial events, serving as both artistic expressions and symbols of the Yanga people's spiritual connection to the cosmos.
Lunar-Inspired Sculptures: Sculptures carved from local materials, such as wood and stone, frequently take the form of lunar-inspired motifs. These sculptures capture the beauty of the moon and serve as focal points in communal areas, celebrating the celestial forces that guide the Yanga community.
Textile Artistry: Textiles play a crucial role in Yanga art, with intricate patterns inspired by the moon and stars adorning clothing, tapestries, and ceremonial regalia. The art of weaving and dyeing reflects both practical skills and a deep cultural appreciation for craftsmanship.
Ceremonial Body Painting: As noted previously during special occasions and rituals, body painting becomes a form of artistic expression. Celestial patterns, reminiscent of the moon and stars, are meticulously applied, creating a visual spectacle that enhances the spiritual significance of the event. Even outside of sacred spaces and special events Yanga often like to paint themselves using their skin as a canvass for artistic expression.
Artisanal Celestial Tokens: Artistry extends to the creation of celestial tokens, these handcrafted items inspired by celestial bodies. These tokens, often exchanged during greetings or communal celebrations, serve as tangible expressions of goodwill and connection. Many of these tokens find their way to other lands and such tokens printed on precious metals are often mistaken as Yanga currency.
Architecture:
Circular Dwellings: Yanga architecture embraces circular dwellings, reflecting the cyclical nature of celestial bodies, particularly the moon. These structures are often constructed with local materials, blending seamlessly with the natural landscape.
Celestial Alignments: Some architectural features, such as doorways and windows, are often intentionally aligned with celestial events. This not only adds an aesthetic dimension to the architecture but also symbolizes a spiritual connection to the movements of the moon and stars.
Communal Gathering Spaces: Central to Yanga architecture are communal gathering spaces designed for shared activities, celebrations, and ceremonies. These spaces often feature open courtyards, allowing the community to come together beneath the celestial canopy.
Ritual Spaces: Within Yanga communities, designated spaces for rituals and ceremonies are carefully designed. These spaces incorporate natural elements, celestial symbols, and artistic features to create environments conducive to spiritual practices and communal connection.
Yanga Art:
Celestial Murals: Yanga art often features celestial murals adorning communal spaces. These murals depict intricate lunar phases, constellations, and celestial events, serving as both artistic expressions and symbols of the Yanga people's spiritual connection to the cosmos.
Lunar-Inspired Sculptures: Sculptures carved from local materials, such as wood and stone, frequently take the form of lunar-inspired motifs. These sculptures capture the beauty of the moon and serve as focal points in communal areas, celebrating the celestial forces that guide the Yanga community.
Textile Artistry: Textiles play a crucial role in Yanga art, with intricate patterns inspired by the moon and stars adorning clothing, tapestries, and ceremonial regalia. The art of weaving and dyeing reflects both practical skills and a deep cultural appreciation for craftsmanship.
Ceremonial Body Painting: As noted previously during special occasions and rituals, body painting becomes a form of artistic expression. Celestial patterns, reminiscent of the moon and stars, are meticulously applied, creating a visual spectacle that enhances the spiritual significance of the event. Even outside of sacred spaces and special events Yanga often like to paint themselves using their skin as a canvass for artistic expression.
Artisanal Celestial Tokens: Artistry extends to the creation of celestial tokens, these handcrafted items inspired by celestial bodies. These tokens, often exchanged during greetings or communal celebrations, serve as tangible expressions of goodwill and connection. Many of these tokens find their way to other lands and such tokens printed on precious metals are often mistaken as Yanga currency.
Architecture:
Circular Dwellings: Yanga architecture embraces circular dwellings, reflecting the cyclical nature of celestial bodies, particularly the moon. These structures are often constructed with local materials, blending seamlessly with the natural landscape.
Celestial Alignments: Some architectural features, such as doorways and windows, are often intentionally aligned with celestial events. This not only adds an aesthetic dimension to the architecture but also symbolizes a spiritual connection to the movements of the moon and stars.
Communal Gathering Spaces: Central to Yanga architecture are communal gathering spaces designed for shared activities, celebrations, and ceremonies. These spaces often feature open courtyards, allowing the community to come together beneath the celestial canopy.
Ritual Spaces: Within Yanga communities, designated spaces for rituals and ceremonies are carefully designed. These spaces incorporate natural elements, celestial symbols, and artistic features to create environments conducive to spiritual practices and communal connection.
Foods & Cuisine
The culinary traditions of the Yanga people create a vibrant array of flavors and communal dining experiences. Rooted in local ingredients and a deep respect for the environment, Yanga cuisine reflects the diversity of their landscape and their reverance of celestial forces.
Lunar-Inspired Ingredients: Ingredients associated with lunar phases play a significant role in Yanga cuisine. Foods such as yams, plantains, and grains are featured prominently, symbolizing the earthy richness and cyclicality of the lunar calendar.
Lunar-Themed Dishes: Yanga dishes are often named after lunar themes. For example, a dish served during the new moon celebration might be called "Luhlaza Stew," featuring fresh and light ingredients. Similarly, a dish for a full moon feast might be named "Bomvu Delight," showcasing bold and robust flavors.
Ritualistic Food Preparation: Certain dishes are prepared ritually during celestial events or significant life milestones. The preparation process often involves communal efforts, with families and neighbors coming together to create dishes that hold cultural and spiritual significance.
Communal Dining Practices: Communal dining is a central aspect of Yanga culture. Large, round communal tables are set up for shared meals, fostering a sense of unity and togetherness. Elders, respected for their wisdom, are often honored with a special place at the table.
Seasonal Variety: Yanga cuisine embraces the seasonal availability of ingredients. Different lunar phases and seasons bring forth a variety of fruits, vegetables, and herbs, influencing the flavors and textures featured in their dishes. The Yanga rarely eat meat considering it to be a special treat or a festival food typically with many meat dishes being wild game taken by their hunters for just such occasions.
Artistic Food Presentation: Yanga chefs often emphasize artistic presentation of dishes, creating visually appealing meals that reflect the cultural appreciation for craftsmanship. Edible flowers, intricate carvings, and celestial patterns quite often adorn plates, enhancing the dining experience.
Lunar Beverages: Beverages are typicaly crafted to complement celestial celebrations. Lunar-inspired teas, infusions, and fermented drinks are common, with ingredients like hibiscus, mint, and local herbs providing both flavor and symbolic significance. These drinks are rarely imbibed outside of festival events or spiritual rites and most Yanga consider drinking fermented beverages outside of this a bit strange.
Sustainable Practices: Yanga cuisine incorporates a deep respect for the environment. Farming methods, fishing techniques, and hunting practices are mindful of the ecosystem, practcing a take what you need and use as much of what you take as possible methodology.
Lunar-Inspired Ingredients: Ingredients associated with lunar phases play a significant role in Yanga cuisine. Foods such as yams, plantains, and grains are featured prominently, symbolizing the earthy richness and cyclicality of the lunar calendar.
Lunar-Themed Dishes: Yanga dishes are often named after lunar themes. For example, a dish served during the new moon celebration might be called "Luhlaza Stew," featuring fresh and light ingredients. Similarly, a dish for a full moon feast might be named "Bomvu Delight," showcasing bold and robust flavors.
Ritualistic Food Preparation: Certain dishes are prepared ritually during celestial events or significant life milestones. The preparation process often involves communal efforts, with families and neighbors coming together to create dishes that hold cultural and spiritual significance.
Communal Dining Practices: Communal dining is a central aspect of Yanga culture. Large, round communal tables are set up for shared meals, fostering a sense of unity and togetherness. Elders, respected for their wisdom, are often honored with a special place at the table.
Seasonal Variety: Yanga cuisine embraces the seasonal availability of ingredients. Different lunar phases and seasons bring forth a variety of fruits, vegetables, and herbs, influencing the flavors and textures featured in their dishes. The Yanga rarely eat meat considering it to be a special treat or a festival food typically with many meat dishes being wild game taken by their hunters for just such occasions.
Artistic Food Presentation: Yanga chefs often emphasize artistic presentation of dishes, creating visually appealing meals that reflect the cultural appreciation for craftsmanship. Edible flowers, intricate carvings, and celestial patterns quite often adorn plates, enhancing the dining experience.
Lunar Beverages: Beverages are typicaly crafted to complement celestial celebrations. Lunar-inspired teas, infusions, and fermented drinks are common, with ingredients like hibiscus, mint, and local herbs providing both flavor and symbolic significance. These drinks are rarely imbibed outside of festival events or spiritual rites and most Yanga consider drinking fermented beverages outside of this a bit strange.
Sustainable Practices: Yanga cuisine incorporates a deep respect for the environment. Farming methods, fishing techniques, and hunting practices are mindful of the ecosystem, practcing a take what you need and use as much of what you take as possible methodology.
Common Customs, traditions and rituals
There are many traditions among the Yanga but most commonly practiced are the observation and praise of the cycles of the moon and celestial events. The Stars and Moon play a major role in nearly every traditional custom and practice of the Yanga people, the sun is also praised though not nearly as much or as with as much love as the moon and stars. Most holidays and festivals thus are closely tied to the cycle of these celestial events and occurances such as comets, eclipses, solsitices and equionixs being of great importance.
Birth & Baptismal Rites
In the heart of Yanga culture, the arrival of a newborn is not only a joyous occasion but a deeply spiritual and communal event. Birth and baptismal rites are steeped in celestial symbolism. Celestial tolkens are often brought as gifts to the newborn, the alignment of the moon and stars at their birth is carefully tracked and taken note of, blessings of protection are layed upon the newborn and a holy person or elder typcialy welcomes the child to the world then paints a moon or star on the childs belly.
Coming of Age Rites
In the vibrant tapestry of Yanga culture, the transition from adolescence to adulthood is marked by sacred coming-of-age rites. These rituals symbolize the maturation of individuals, their integration into communal responsibilities, and a heightened connection to the celestial forces that guide their path. At the age of 4, 7,10, 13 and 16 Yanga youths undergo a party to celibrate their movement through the phases of life. This is often a family affair with a feast and gifts being given to the child. The finaly celebration at 16 is to welcome them on the final path to adulthood and the gifts are often practical and meant to aid them in their future adult life.
Funerary and Memorial customs
Yanga funerary customs honor the departed with celestial farewell rituals, often conducted under the moonlight. These rituals involve prayers, songs, and symbolic offerings to guide the soul on its celestial journey. Departed individuals are often laid to rest with these lunar-inspired burial practices. Graves may be aligned with celestial directions, and the timing of burials coincide with specific lunar phases, symbolizing the cyclical nature of life and death. Some Bural sites can be quite elaborte family tombs with reliefs depicting the night sky with a new star carved upon it for each family member intered in the tomb.
Common Taboos
The Yanga are not a people burdened by excessive taboos but those they hold are very important. They Yanga never take slaves and find the practice abhorant. Most also consider the act of conquering or opressing others sickening. Senseless violence, murder and hate fueled actions are held in dire contempt by the Yanga who see such actions as akin to their ancient tormentors actions.
Common Myths and Legends
The Lion Kings of At'hila: Legends speak of an ancient era when the Yanga were ruled by werelion kings claiming divine lineage. The Lion Kings' oppressive reign and their eventual overthrow by the Eight Children of the Moon form the core of this myth, symbolizing the triumph of justice over tyranny.
The Star Lioness and the Moon Spirit: A myth recounts the intervention of the Star Lioness, daughter of Kemba, and the Moon Spirit in response to the Lion Kings' cruelty. The Star Lioness, guided by compassion and a sense of justice, secretly rescued Yanga infants with magical potential, fostering them in the celestial realm between the heavens and the sky.
The Eight Children of the Moon: The saga of the Eight Children of the Moon chronicles their upbringing in the celestial realm and their return to liberate the Yanga from the Lion Kings' tyranny. Endowed with lunar gifts and guided by the moon spirit, they became heroes, leading a rebellion that reshaped the destiny of the Yanga people.
The Star Lioness and the Moon Spirit: A myth recounts the intervention of the Star Lioness, daughter of Kemba, and the Moon Spirit in response to the Lion Kings' cruelty. The Star Lioness, guided by compassion and a sense of justice, secretly rescued Yanga infants with magical potential, fostering them in the celestial realm between the heavens and the sky.
The Eight Children of the Moon: The saga of the Eight Children of the Moon chronicles their upbringing in the celestial realm and their return to liberate the Yanga from the Lion Kings' tyranny. Endowed with lunar gifts and guided by the moon spirit, they became heroes, leading a rebellion that reshaped the destiny of the Yanga people.
Historical figures
Luhlaza, The Visionary Pioneer: Luhlaza, the visionary pioneer associated with the new moon, sparked a transformative era in Yanga history. Known for groundbreaking ideas, they led the community through a period of reimagining and laying the foundations for a new beginning.
Ntulikazi, The Growth Forger: Ntulikazi, the growth forger under the waxing crescent, played a pivotal role in expanding the Yanga community. Their leadership during times of expansion and spiritual development laid the groundwork for a flourishing society.
Mbhalati, The First Quarter Artisan: Mbhalati, the first quarter artisan, left an indelible mark on Yanga culture through innovations in arts, magic, and philosophy. Their creative contributions became a cornerstone for the cultural identity and progress of the Yanga people.
Lufulu, The Illuminated Luminary: Lufulu, the illuminated luminary during the waxing gibbous, guided the Yanga towards enlightenment and development. Known for promoting achievements and glory in various fields, they played a crucial role in the community's intellectual and cultural growth.
Bomvu, The Paragon: Bomvu, the paragon at the full moon's peak, emerged as a legendary figure in Yanga history. Renowned for seeking perfection in martial and magical endeavors, Bomvu became a symbol of leadership and courage. They led the charge against the Lion Kings, their moonlight spear ending the life of the tyrant lord in single combat.
Mthulisi, The Reflective Sage: Mthulisi, the reflective sage aligned with the waning gibbous, contributed to a period of introspection and consolidation within the Yanga. Known for their calm understanding, they offered valuable guidance and wisdom during times of transition.
Lulezwe, The Transitioner: Lulezwe, the transitioner at the last quarter, played a crucial role in understanding change and life's transitions. Their insights and teachings helped the Yanga navigate shifts in power dynamics and societal structures.
Ngena, The Adventurous Explorer: Ngena, the adventurous explorer under the waning crescent, embodied the spirit of release and renewal. Always ready for new adventures and changes, they inspired the trailblazers, explorers, and ambassadors of the Yanga, expanding their influence beyond familiar lands.With their many travels.
Ntulikazi, The Growth Forger: Ntulikazi, the growth forger under the waxing crescent, played a pivotal role in expanding the Yanga community. Their leadership during times of expansion and spiritual development laid the groundwork for a flourishing society.
Mbhalati, The First Quarter Artisan: Mbhalati, the first quarter artisan, left an indelible mark on Yanga culture through innovations in arts, magic, and philosophy. Their creative contributions became a cornerstone for the cultural identity and progress of the Yanga people.
Lufulu, The Illuminated Luminary: Lufulu, the illuminated luminary during the waxing gibbous, guided the Yanga towards enlightenment and development. Known for promoting achievements and glory in various fields, they played a crucial role in the community's intellectual and cultural growth.
Bomvu, The Paragon: Bomvu, the paragon at the full moon's peak, emerged as a legendary figure in Yanga history. Renowned for seeking perfection in martial and magical endeavors, Bomvu became a symbol of leadership and courage. They led the charge against the Lion Kings, their moonlight spear ending the life of the tyrant lord in single combat.
Mthulisi, The Reflective Sage: Mthulisi, the reflective sage aligned with the waning gibbous, contributed to a period of introspection and consolidation within the Yanga. Known for their calm understanding, they offered valuable guidance and wisdom during times of transition.
Lulezwe, The Transitioner: Lulezwe, the transitioner at the last quarter, played a crucial role in understanding change and life's transitions. Their insights and teachings helped the Yanga navigate shifts in power dynamics and societal structures.
Ngena, The Adventurous Explorer: Ngena, the adventurous explorer under the waning crescent, embodied the spirit of release and renewal. Always ready for new adventures and changes, they inspired the trailblazers, explorers, and ambassadors of the Yanga, expanding their influence beyond familiar lands.With their many travels.
Ideals
Beauty Ideals
In Yanga culture, beauty ideals are intrinsically tied to their values of harmony, compassion, and respect for nature. The Yanga celebrate beauty in its myriad forms, finding inspiration in the natural world and especially the celestial wonders that grace their night skies. With features echoing their celestial heritage and desire for freedom, Yanga beauty ideals embrace a rich palette of colors, each one a testament to the sun-kissed expanses and the moonlit serenity of the Savaanah lands they call home. Traditional adornments, such as intricate lunar-inspired tattoos and ethereal silver jewelry, further enhance their inherent allure. The Yanga people often seek to embody a holistic vision of beauty, where inner kindness and wisdom radiate through their physicality, attempting to create a standard that transcends the superficial.
Gender Ideals
In Yanga culture, gender ideals are woven into the very fabric of their societal tapestry, reflecting a harmonious blend of strength, wisdom, and cooperation. These ideals influenced by their eight childern of the moon are marked by equality and mutual respect. Both men and women are revered for their unique strengths, with courage, empathy, and a connection to nature considered essential virtues for all. Yanga society recognizes the diverse roles individuals can play, whether as skilled warriors, nurturing caregivers, or spiritual guides. Attuned to the cyclical nature of the moon, gender roles are seen as complementary rather than restrictive, echoing the balance inherent in the celestial dance above. Traditional attire reflects this balance, with intricate designs and vibrant colors celebrating the diversity of expression. In embracing the richness of both masculine and feminine qualities, Yanga gender ideals champion a holistic balanced vision, where every individual contributes to the collective well-being and prosperity of their community.
Courtship Ideals
Courtship among the Yanga is sometimes considered complicated by outsiders, it unfolds as a dance for the prospective couple, guided by the rhythms of the celestial forces that shape their world. Rooted in the values of connection and understanding, courtship is seen as a collaborative journey rather than a pursuit. Individuals seeking companionship engage in a delicate interplay of shared activities, communal celebrations, and moments of quiet contemplation beneath the moonlit sky. Leading to what some consider long drawn out courtships in favor of short passionate affairs.
The Yanga value sincerity and authenticity in courtship. Expressions of interest often involve the exchange of handcrafted tokens, beads being quite popular currently, symbolizing shared intentions and personal investments in the budding relationship. As the moon waxes and wanes, Yanga courtship often surpises outsiders due to the assumption Yanga lack firy passions, the fact of the matter is the Yanga like to slowly build their passions to a zenith like a full moon in all its glory. The Yanga slowly devlop their feelings until their passion and their partners reach its heights and both can bask in each others affections at their peak.
Respecting the matrilineal lineage, familial and clan approval is sought and cherished during courtship, acknowledging the interconnectedness of their calns and families. In the embrace of Yanga courtship, the moon becomes a silent witness, casting its gentle glow upon unions forged in harmony with the celestial order.
Relationship Ideals
Within the enchanting world of the Yanga, relationship ideals are forged in the crucible of mutual respect, cooperation, and shared purpose. Yanga relationships are characterized by a profound sense of equality and unity. Partnerships are envisioned as harmonious unions, where each individual contributes their unique strengths to create a resilient and balanced bond.
The Yanga hold a deep reverence for the cyclical nature of celestial bodies, particularly the moon, and this cosmic influence seeps into their relationship ideals. Like the moon's phases, relationships are recognized as dynamic and ever-changing, with each stage offering opportunities for growth and understanding. Communication is paramount, fostering an environment where thoughts, feelings, and dreams are openly shared. Yanga also embrace change in accepting divorce and seperation can be healthy for a couple who fall out of love.
The Yanga celebrate the diversity within relationships, acknowledging that each partnership is a unique constellation of shared values and aspirations. While romantic relationships are treasured, friendships, familial ties, and community bonds are equally cherished, forming tapestry of interconnectedness.
The Moon priestess of the Yanga are both a serene yet commanding presence.
(Art by Midjourny)
Esoteric warriors trained in unarmed combat, arcane magic and adorned in magical tattoos are among the most well known warriors of the Yanga people.
(Art by Midjourny)
"In the dance of celestial bodies, we are a radiant constellation, each life a shining star in the night sky." -Bomvu Clan, Lunalutho, Zanele, Warrior poet
"Transition is our constant companion, and in every turn, we find the strength to embrace change, like the moon phases guiding us through life." -Lulezwe Clan, Inkanyiso, Thabo, Wizard & noted sage.
"Seek perfection not in the destination but in the journey, for every step is a dance under a night of possibilities as endless as the stars" -Mthulisi Clan, Ubukhosi, Nomusa, Traveling Merchant
"As stars form constellations, so do families weave a tapestry of unique lights, creating a celestial harmony all their own" -Old Yanga saying, source unknown
"Transition is our constant companion, and in every turn, we find the strength to embrace change, like the moon phases guiding us through life." -Lulezwe Clan, Inkanyiso, Thabo, Wizard & noted sage.
"Seek perfection not in the destination but in the journey, for every step is a dance under a night of possibilities as endless as the stars" -Mthulisi Clan, Ubukhosi, Nomusa, Traveling Merchant
"As stars form constellations, so do families weave a tapestry of unique lights, creating a celestial harmony all their own" -Old Yanga saying, source unknown
Type: Humanoid (Human)
Size: Medium
Speed: Normal
Language Group: Lingust
Starting Languages: Common, Celestial, Yangan (I house rule that native regional langueages are free) may select any langueage as starting langueages based on int bonus
Ability Scores: Human Heritage: May select any one ability score to recive a +2 excluding Charisma
Traits:
-Advanced Charisma: Moon Childern are socialy graceful and alluring beings granting them a +2 Charisma Modifer
-Eternal Hope: Moon Childern hold hope as a powerful emotional state rarely if ever faltering to despair, they gain a +2 racial bonus on saving throws against fear and despair effects. Also, once per day, after a natural roll of 1 on a d20 roll, members of this race may reroll and use the second result.
-The Moons Blessing: Moon Childern are unnaturally resistant to disease and curses, +2 to save vs Diseases and Curses or +4 to save vs contracting lycanthropy
-Static Bonus Feat: Mark of the Moon (See Below)
-Sense the North Star: A moonchild can cast the Cantrip Know Direction at will with no limit
-Low Light Vision: Moon Childern can see twice as far in low light conditions
New Feat
Mark of the Moon
All Moon childern are born marked by the moon, this mark is with a Moon Child from birth and never changes, while many associate the marks with certain behavior there is no real evidence of any link between behavior and ones moon mark.
Prequsite: Moon Child, Level 1
Benefit: Select a moon phase and may you may cast the associated cantrip 1/day using your HD/Level to determine its effects. You also gain a saving throw bonus based on your selected Moon Mark.
Luhlaza, The New Moon: Dancing Lights, +1 Reflex Saves
Ntulikazi, The Waxing Crescent: Guidence, +1 Will saves
Mbhalati, The First Quarter: Arcane Mark, +1 Will Saves
Lufulu, The Waxing Gibbous: Light, +1 Fortitude Saves
Bomvu, The Full Moon: Virtue, +1 Fortitude Saves
Mthulisi, The Waning Gibbous: Detect Magic +1 Will saves
Lulezwe, The Last Quarter: Resistance,+1 Will Saves
Ngena, The Waning Crescent: Detect Poison, +1 Reflex Saves
Remove these ads. Join the Worldbuilders Guild
Comments