El-sod elohim 1652 August 11 - Rome, Italy



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1652 August 11 - Rome, Italy

Artistic creation

1652CE
11/8

Reflections on the Experience and Bernini's Genius As I bid farewell to Rome, I cannot help but reflect on the enriching experience with Bernini. His studio, where we had spent hours discussing art, now held two statues nearing completion - one capturing my contemplative nature, the other my spirit of adventure. Before leaving, Bernini showed me the progress on the sculptures. The way he had captured my essence in marble left me speechless. It was as if he had not only sculpted my likeness but also my soul. The experience was a testament to Bernini's genius in understanding and depicting the human spirit. My last day in Rome was spent wandering the streets, the city's splendor now interwoven with personal memories. Each statue, each building, seemed to echo parts of the conversations with Bernini, imbuing them with deeper meaning. As I departed, the city's skyline etched against the dawn sky, I carried with me not only the anticipation of the completed sculptures but also the profound insights gained from one of the greatest artists of the time. Rome, with its blend of history, art, and the genius of Bernini, had etched itself permanently in my heart and mind.
1650 Sculpture by Bernini


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1652 Sculpture by Bernini

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