Xochipilli (soh-chee-PEE-lee)

A Resident

Xochipilli

Named for the Mesoamerican prince of flowers and games, Xochipilli’s presence in Tir na nOg is a celebration of life's vibrant tapestry. His days are a whirlwind of sports and wrestling, his nights a fragrant journey through gardens aglow with moonlight. A lover of cuisine, he concocts dishes that are as much a feast for the eyes as they are for the palate. With a laugh as hearty as the earth and a spirit as colorful as the blooms he cherishes, Xochipilli embodies the joy of existence. His festivals are legendary, a fusion of flavors, flowers, and the thrill of competition, a testament to the enduring pleasures that unite all beings.

Mental characteristics

Sexuality

Omnephilic

Relationships

Xochipilli

Cathbhráithre

Towards Huēhueh Coyōtl

Huēhueh Coyōtl

Cathbhráithre

Towards Xochipilli

History

"We jungle boys have to stick together." They first met at a Ceardlann festival showcasing art but soon found themselves running in the same circles. It was inevitable they would end up together.

Legal Status

Cathbhráithre

Current Location

Casa de Alegría y Flores

Species

Duine

Ethnicity

Olmec

Realm

Tír na nÓg

Professions

Cócaire

Spouses

Huēhueh Coyōtl (Cathbhráithre)

Siblings

Children

Sex

Male

Other Affiliations

Except where otherwise noted, content on this site is licensed under a Creative Commons Attribution 4.0 International license .
All text, images, maps, and code, unless stated otherwise, are copyright © 2023 - 2024 by Morgan Berry.

Platform and base code
provided by WorldAnvil.

Text/Custom Code
developed by Morgan Berry,
in collaboration with AI tools,
unless otherwise noted.

Images
created by Morgan Berry,
in collaboration with MidJourney,
unless otherwise noted.

Icons
provided by Font Awesome
and RPG-Awesome.

Maps
created by Morgan Berry,
unless otherwise noted.

This is a work of fiction. Names, characters, places, and incidents are either the product of the author's imagination or are used fictitiously. All characters appearing in this work are fictitious or used fictitiously. Any resemblance to real persons, living or dead, is purely coincidental.