Gilgamesh (GIL-gah-mesh)

A Resident

Gilgamesh

Gilgamesh, the once-mighty ruler of Akkadian legend, now dwells in the verdant calm of Tir na nOg, his days of conquest long behind him. In this sanctuary beyond time, he has found peace, trading his crown and scepter for the tranquil pleasures of the isle. Yet his kingly presence still commands respect, and his counsel is sought by rulers and commoners alike. In his retirement, Gilgamesh walks the paths of wisdom, his legacy not one of battlefields but of bridging the chasm between power and humility. Through his stories, the echoes of ancient epics inspire new generations to pursue glory not in dominion but in harmony with the world around them.

Mental characteristics

Sexuality

Bisexual

Relationships

Gilgamesh

Cathbhráithre

Towards Gaagii

Gaagii

Cathbhráithre

Towards Gilgamesh

History

They met at Lannleire Spa & Retreat. It was a brief encounter that sparked a lasting bond.

Legal Status

Cathbhráithre

Historical Figures

Generic article | Apr 27, 2025

Historically inspired people from the Mortal Realm

Current Location

Shumukh al-Tuyur

Species

Duine

Ethnicity

Sumerian

Realm

Tír na nÓg

Professions

Tacaí

Spouses

Gaagii (Cathbhráithre)

Siblings

Children

Sex

Male

Other Affiliations

Tuatha na dTacaíochta

Except where otherwise noted, content on this site is licensed under a Creative Commons Attribution 4.0 International license .
All text, images, maps, and code, unless stated otherwise, are copyright © 2023 - 2024 by Morgan Berry.

Platform and base code
provided by WorldAnvil.

Text/Custom Code
developed by Morgan Berry,
in collaboration with AI tools,
unless otherwise noted.

Images
created by Morgan Berry,
in collaboration with MidJourney,
unless otherwise noted.

Icons
provided by Font Awesome
and RPG-Awesome.

Maps
created by Morgan Berry,
unless otherwise noted.

This is a work of fiction. Names, characters, places, and incidents are either the product of the author's imagination or are used fictitiously. All characters appearing in this work are fictitious or used fictitiously. Any resemblance to real persons, living or dead, is purely coincidental.