La Mer
Ervenian Era, 1051 AB
Synopsis
Act I: The Tempest In a coastal village, the sea is both muse and menace. The villagers, led by the enigmatic Captain Armand, worship the ocean as a deity. They sing hymns to its power and fear its wrath. The young fisherman, Élodie, dreams of escaping her mundane life and exploring the depths beyond the horizon. One stormy night, the sea reveals its secrets. A mysterious siren, Lysandra, emerges from the waves. Her haunting voice enchants all who hear it, drawing them toward the abyss. Élodie becomes obsessed with Lysandra, torn between love and fear. As the tempest rages, Captain Armand reveals a prophecy: only true love can calm the sea and save their village. Act II: The Depths Élodie ventures into the ocean, guided by Lysandra’s song. She descends into an underwater realm, where mermaids dance and shipwrecks lie forgotten. Meanwhile, Captain Armand confronts his own demons. He once loved a mermaid, Isolde, who vanished during a storm. He believes Lysandra is Isolde reincarnated and vows to protect Élodie from her seductive spell. But love and jealousy blur his judgment. Act III: Tides of Fate As the opera reaches its climax, Élodie must choose: follow her heart to Lysandra or return to the surface with Captain Armand. The sea churns, torn between love and vengeance. Lysandra’s final aria reveals the truth: she sacrificed her immortality for a mortal lover, cursed to lure sailors to their doom until true love breaks the spell, as she longs for redemption and freedom from her watery prison. In a dramatic finale, Élodie and Captain Armand face the raging sea. Their duet unites passion and sacrifice, and Lysandra’s curse is broken. The waves calm, and the villagers rejoice. But Lysandra, now human, fades away, leaving only her haunting melody. As dawn breaks, Élodie gazes at the horizon, torn between two worlds. The sea whispers its secrets, and Captain Armand watches over her. The opera ends with a bittersweet harmony—a love that transcends time and tides.This piece was written by the fourth libretto of music studies at the Opera Iridome
Type
Manual, Musical
Medium
Paper
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