This is the tale of the
Epotimical iteration of Ademal, of the eye in the sky which watches, ever-vigilant, and of the mind which guards, ever-guarded.
This is the summary of a being who so lives in anticipation of the morrow that the present plays out more akin to memory than to activity.
This shall not be prose, but it shall be prosaic, for there is no narrative save the speaking of the narrator itself—those weaving words which wind about themselves, ouroborosian in their consumption, outwardly harmless in their gluttony but inwardly sadomasochistic.
This is THE NARRATOR.
Well you sure discuss yourself plenty.
Are you intentionally speaking purely in purple prose or are you just utterly lost as to what to put in this?
A Reiteration on Concept
As with any
Epotimical,
Ademal is the result of recursive iteration down multiply-instanced paths. It is a conundrum.
That said, it is also very simple. In basic terms: it is tall, it is androgynous, it is in possession of attractive features and musical voice. These things hardly matter except to pick it out from a crowd by, as these are the sorts of details which any
Epotimical can be. What is more relevant is the mind behind which shapes this form, the thoughts which have poured into the vessel to provide its shape.
It is a guardian, a watcher, a guide, a muse. It provides mind and minds provisions, seeking what needs to be found and supplying it to those which need it.
In this, its purpose becomes self-evident:
it is a plot device.
It is there at the key moment of the story, providing heroes and villains alike with the tools for their doing or the means of their undoing.
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