Izhaso, the Forge of Bones

If only we could find a way to use the stench of this place into a weapon. No enemy could hope to defeat us.  
  Izhaso is a forge-city near the city-state of Dhanû where monsters felled in battle are butchered and reforged. It is the home of the Imaður and their master artisans, a site of pilgrimage for any who would don the carcass-armor for the Sōtari. It is sequestered away from the city-state, where the pits of poisonous blood and corrosive gas are kept well away from others. It is a hive of constant activity, of flesh tearing apart and Chitin made whole again in new shapes.   To wear something made by the masters of Izhaso is a sign of great prestige. Lesser forges won't do for the nobility of Dhanû - only in the Forge of Bones can something worthy be made.      


  The Forge of Bones is spread out across seven connected caverns and a labyrinth of adjacent tunnels, warrens and garbage-pits. Each cavern is large enough to hold several workshops and forges. While two of the caves are set aside to house the master-artisans who work there and their families, not all are so fortunate. Apprentices and lesser workmen usually live in the back or below of the same forge where they work.   When work is plentiful, Izhaso swells beyond its caverns and spill out into the much larger cavern of Sheoin outside. Those hoping to find work gather in tents and crude shacks and work out in the open.      

Fang and Claw

We were made without fangs nor claws, nor scale or hide to shield us. We made our own.  
  The Dhanû do not use chitin and claw only for practical reasons, but as a matter of principle and statement. A warrior is only as good as what she has killed and there is no better way to show it off than to wear the slain. The fact that the crafters of Izhaso can create things as good or better than metal give weight to the tradition. If there is one resource that Sheoin has in abundance, it is monsters.  

  Izhaso reeks of slaughter. The cavern floor is scarred by acidic blood or bile spilled, sometimes stored in great pits of coagulating ichor. Fresh corpses are stored where there is space, shoved into the back of workshops or hung from hooks in the ceiling.   The Forge of Bones is close enough to the cold-spreading cancers of Sheoin Region for the temperatures to remain chilly, though not cold. A few forges melt and craft metal here to create pins, straps, buckles and other items needed to assemble any corpse-armor, which warms parts of Izhaso to an unpleasant, soupy degree.   The forges are crowded and busy. There is always something that needs to be made. Accidents are common.    



  Like in Dhanû, everything in Izhaso is owned by one clan or another. In theory, it is the Exarch of Dhanû who owns Izhaso as a whole but in reality it is a patchwork of competing clans and rival artisans. Some few clans have even made Izhaso their calling and abandoned Dhanû to live here. Such choices are controversial - the nobles of Dhanû are expected, though not obliged, to be warriors before all else. Invariably, one of the fates await those who make such a choice: they become masters of their craft and remain, or fade into obscurity as Clanless.  
Everything in Izhaso is owned by a clan... Almost. A solitary forge lies nestled deep beyond the seven caves. Its master answer to no clan but she commands respect from even the most willful noble. Rivals watch her with jealousy, but several powerful figures in Dhanû have made the penalty of trespassing against her painfully clear.
  The Cult of Zhotori has a presence within Izhaso only by the grace of the Exarch. They are mostly left to their own devices, their bizarre rites avoided by the other workers. The work they make is often considered amateurish but is only used by the cult itself.    


  Izhaso is the largest forge-city of its kind and home to many of the best talents in Dhanû. Vast quantities of arms and armor are shipped off every day, with most going to the city-state proper or to the Fortress-Garden. Some forges specialize in a single creature or a particular type of weapon while others are more artistic in their approach. The first outfits many of the destitute clan-warriors with reliable and well-made equipment, but any Dhanûian worth her skull craves the latter.  


by Lahti City Museum

More than that, Izhaso creates countless everyday items for the citizens of Dhanû. Everything from buttons, combs and jewelry down to powdered horn and chitin for medicine come out of the Forge of Bones. Such industry does not carry as much honor or prestige as making weapons or armor but they are vital to Dhanû's survival.   Izhaso does not deal much with gems, metal or stone. Most of what comes out of Izhaso was once part of a living being and the Dhanû place great spiritual value on the traits of what they send to the forge. A sickly beast will make for poor arms.



Let them come: fresh bones for the forge!  
— Popular saying about monster attacks
  Izhaso is guarded the contingent of clan-warriors left there by their masters. These groups vary in size but are all skilled and hardened warriors, raised from an young age to do battle. While they quarrel and feud among each other in times of peace, any external attack have always seen a coordinated and brutal response. When they are not keeping watch, the warriors hunt the caves of Sheoin - it keeps their skills sharp, the forges stocked and boredom at bay.  

  In addition, Izhaso see a fair bit of traffic with many of those who come and go being warriors. Some come to purchase goods, others to collect taxes, delivery material or as the personal guard or a visiting noble. No warrior of Dhanû is likely to sit idle in the case of an attack - not when there is glory to win.   Izhaso have few fortifications beyond the fortress-gate that lead into the seven cavern. Other tunnels and tries exist, some used by smugglers and thieves. Further out, some clans maintain seasonal hunting camps and lodges in the area around Izhaso. From these, warriors strike out to find prey and on occasion fulfill the very specific demands required for some particular project.


by ArtDeepMind

Izhaso lies within the cold and barren Sheoin region. Here, the land is at war with itself as competing eco-systems warp and mutate the very stone in their battle for supremacy. Here, rampaging beasts and mad monsters are not a menace to fear, but raw material to use.   Read More About Sheoin Region

Waste not, Want not

  Very little goes to waste in Araea and even more so in Izhaso. Inedible flesh rendered down to use as glue, dye or acids, blood is mixed with ground fungi to make meals and bones are turned to pins and buttons. Eyes are made hardened, vanished and polished until they gleam like gems.   Everything, no matter how unlikely, finds a use here.  
This resourceful attitude is not spared on humans. Skulls are always saved for the Shikei, but the rest finds its way to the butcher's table. Bone is bone, after all.

Rule By Habit

  Fractured between several interests, Izhaso has no real coherent and unified rule but instead rely heavily on the recognition of its value. Exarchs find that taxing the forge-city or otherwise making an enemy of those with interests there to be a quick way of shortening their rule.   In effect, the Dhanû tradition of obligation and expectation has expanded across the whole of Izhaso. It has not always worked in its favor, when honorless leaders have risen to take advantage of the defined lack of structure. So far, Dhanû's clan-like structure have not allowed the rise of any cohesive cooperation to secure Izhaso proper.        


  Every warrior in Dhanû has a mask. These elaborate helmets display prowess and intent, linking the warrior to the beasts or demons the masks portray. Creating such masks is a painstaking and honored profession, practiced with great reverence in Izhaso.   Hard carapace is the preferred material, being both light-weight and tough, but true masters use a staggering variety of corpses for the best masks.   Read More About Dhanû Masks            

The Beast-Skins

To some, madness has virtue.  
  The Sōtari are frequent visitors of Izhaso - a kind of Dhanû warrior who drape themselves in the flayed carcass of monster to become like them. These mad warriors work themselves into a frenzy, howling like animals and biting their shields before throwing themselves into war.   For a Sōtari in need of a fresh corpse and new ichor to daub themselves with, Izhaso has all they require. If something cannot be sold to anyone else, it is almost certain that least the Sōtari will have some gruesome use for it.   Read More About the Sōtari

Cover image: by ossuaria


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3 Jul, 2019 21:34

The name "Forge of Bones" hooked me instantly. Gave me wonderful questions that I was excited to have answered by the article! "Forge of bones? What bones? Where is the forge? What are they making out of the bones? Where do they even get all the bones from?   So great job with the naming and theming right away!   I love just how clearly laid out the process is in this article. The way you've shown that the monsters, creatures, and even people's corpses are used to create the tools, weapons, and armor of the city. There was a brief part near the beginning of the article that brought up a question I had though:   "The Forge of Bones is spread out across seven connected caverns and a labyrinth of adjacent tunnels, warrens and garbage-pits."   So is there no main area of Izhaso? From the rest of the article, it appears the city has no central ruler/government, so I guess it'd make sense that there's no sort of "head building/area". But is there a main sort of congregation area, or biggest forge?   Another part I liked is that the forges don't make purely weapons or armor, but mainly every day items as you say. Actually, as I typed that sentence out, another question occurred; what is the title given to those who craft things out of bone and animal corpses? I think I read above that it's "Master Artisans"? I'd love to have a bit more detail about that part, and it would be nice to see the title used more throughout the article.   I also did a once-over looking for spelling/grammar mistakes. Now, I'm no expert on the subject, so these might be baseless suggestions!   Quote at the top right, above the side bar:

Izhaso lie within the cold and barren Sheoin region.
Should it be "Izhaso lies..."?   Below the "Government" header:
Its master answer to no clan but the works she makes demands respect from even the most willful noble.
It seems a little bit awkwardly worded to me. Maybe something like "Its master answers to no clan, and the work she makes demands respect even from the most willful noble"? I think it might've just been missing an "s", and a comma somewhere in the sentence.   Below the "Industry" header:
Izhaso it the largest forge-city of its kind and home to many of the best talents in Dhanû.
Should be "Izhaso is..."   Bottom right, bottom of sidebar:
The Sōtari are frequent visitors of Izhaso - an kind of Dhanû warrior who drape themselves in the flayed carcass of monster to become like them.
I think there's an "an" that shouldnt be there! "...visitors of Izhaso - a kind of ..." is what it should be I think.   But, I think that's all I was able to find! Again, take all grammar suggestions with a grain of salt, I'm no expert hehe. I as always absolutely adore your work! Keep on being a wonderful source of inspiration :)

5 Jul, 2019 08:40

Thank you so much :D I went through and fixed all those things, rewrote the forge-lady sentence a bit!   I like the idea of giving the monster-part crafters a specific title, but I'm not sure what it would be. I am definitely returning to it.

4 Jul, 2019 12:22

From the title, I was interested in why it was called the Forge of Bones. Reading through the article, I was pretty impressed with how thought-out this was. Seeing the bones being incorporated into the armour and the people not wasting anything gives me Bio-Tech vibes in a sense. I do have some questions; is it possible to reshapes bones in a desired form? How did they go about using bones?   I do like the Asian themes in your article as well, sort of Wuxia-esque. This article receives a Like from me!

5 Jul, 2019 08:42

To an extend. They have to cut, grind and glue. There's no magic (mostly) that help them. Just grunt work and mundane ingenuity. The process might get its own article at some point.   Thank you! :D

4 Jul, 2019 16:02

The styling of the page still initially turns me off but you again used such a good contrast of color boxes that it doesn't actually strain the eye! And this world intrigues me just as much as it did the last time I peeked in it! Keep it up!

10 Jul, 2019 19:20

Thanks! :D

4 Jul, 2019 20:33

I legit am not sure what to say, but I absolutely adore this article for the presentation and the theming you go with. I can only imagine the idea of a bunch of badasses going Monster Hunter and forging their prey into armour, weapons and more. Really, everything flows so well, from how you describe the forging to the waste not rule of the city itself. Alongside the images, I feel like this has an almost impossible chance to lose!   Only two things to say: "The first outfits many of the destitute clan-warriors with reliable and well-made equipment, but any Dhanûian worth her skull craves the latter." The outfit in this sentence made me stumble a little bit, and secondly, how do beginning hunters kill their first monster? Do they get a special set or do they have to show by fighting bare-handed?   Either way, I really love the article, this is definitely getting a like!

5 Jul, 2019 08:30

I'm glad you liked it - it is probably the article of SC I am most pleased with by far. :D   What about it makes the sentence stumble? Or what about the word outfits specifically?   Beginners are probably given stuff by their clan or family. Instead of hands-me-down pants from your big brother, it's the sharpened leg of some horrible monstrosity. But, of course, everyone wants stuff they've gone through the effort of getting themselves... :)   Thank you again for reading and commenting, I really appreciate it!

4 Jul, 2019 21:41

Tis always a treat to have Critique allow me to offer comment on your articles, Qu. By now, you're well aware that I'm a fan of your writing. <3 Initial glance over the article does immediately present opportunity for critique: that header image is excessively large in my opinion. I have to scroll down a fair ways to even see the article's title, which detracts from the rest of the content. Halving its height might be beneficial!   I'm really into the way you've structured this, actually. You lead from topic to topic, immersing the reader in the culture of the Dhanu and crafting a slightly-disgusting image of this cavernous forge city. Soupy-hot? Blech. Even the image of a bone forge... whilst I'm getting really cool *visual* vibes, I can imagine the smell is absolutely horrendous in that heat. Not somewhere I'd be a fan of visiting.   'Everything in Izhaso is owned by a clan... Almost' This quote in entirety is fantastic, but the following lines are confusing. Is this solitary forge the possession of the Cult, or is it owned by someone else? Who runs this mysterious forge? The context is a little hard to read.   'No warrior of Dhanû are likely to sit idle in the case of an attack' Very minor nitpick, but this should be 'is', not 'are'. Warrior is singular, after all. It's the opposite case in the next paragraph: 'Izhaso have few fortifications' should be 'has', as Izhaso is one place.   'The Sōtari are frequent visitors of Izhaso - an kind of Dhanû warrior' Again, minor typo. 'a kind', not 'an kind' ;)   I think the section that caught my attention most was the detail on masks, and I'm surprised it was relegated to the sidebar instead of given a main-article mention (or even an article of its own). How is a mask's design decided? Is it a combination effort between the intended recipient and the master who crafts it, or is it instead created on its own and expected that the warrior will fit the 'shoes' it lays out for them? Are the bones in its design taken from that warrior's kills? Please do write a full article on these, I'd love to see a deep dive into Dhanu mask culture.   It's mentioned at one point that Izhaso is not the only forge-city of the Dhanu. Do the others produce materials and crafts that the Forge of Bones does not? In addition, do the Dhanu offer their crafts for trade/sale with other cultures/nations, or are Izhaso's products largely contained to the Dhanu alone?

5 Jul, 2019 08:49

Thank you so much for the comment and kind words. <3 It really helps someone get through summer camp!   I've halved the image and made it cut in the middle. How does that look? :D   I rewrote the quote a bit. It might still be too mysterious, though... Maybe I need to be even more explicit about the forge and its owner?   Whooops... Fixed the grammar things!   And I have good news! The Masks of Dhanu culture is going to be my prompt pic for an commonplace item! :D And I'm super excited to get to writing it.   That last part gives me an idea, and I 'll address them separately in the Country and Influential Woman article... Another article I'm excited about. The short of it is, kinda yeah. Some do the same thing but on a smaller scale, others specialize (like wharfs that glue together chitin to make boats, or more traditional metal-and-furnace smitheries). I'll probably add a small, hyper-specialized one that does something freaky, because that sounds fun.   Right now, Dhanu is sort of isolated... But the Iron Hag of Dhanu is on the rise and when she claims the throne, everything will be different... No matter how many people she has to kill to make it happen.   Thank you again for the comment. It's really helpful both to know that I am making something that people find interesting and well written, as well as all the whoopsies and errors. <3

16 Jul, 2019 14:16

I like this layout, do you have to have a grandmaster sub to get this?

16 Jul, 2019 14:57

Other than the headers, you can accomplish this with just BBCode pretty much!